Taking My Life Back

Bless me father,  for I have sinned, it has been over three months since my last legitimate blog post…

You don’t have any idea how many times I started to write this post in my head over the past couple of months, only to be sidetracked by schedule, or exhaustion, or – sadly - the lack of confidence and willpower. Running this blogzine had been, for the better part of three years, a daily joy. But much like many of my favorite things, it fell off the pile as the necessity to work 75-80 hour weeks took its toll. Missed that fall softball season. Favorite TV shows were DVR’d and hastily burned to DVD to make room for other unwatched programs. Albums piled up…think about that, I wasn’t prioritizing music. There were mornings when I didn’t want to slap that comedy CD in the car because I knew I wasn’t in the right frame of mind to enjoy it.

That is just fucking wrong.

But let me first put things in proper perspective. Nothing is really wrong outside the fact that my life became monopolized by my responsibilities at work. I’m healthy, I’m financially stable, I have friends and family and a blessed life compared to so many who have real problems. I do not pretend for a moment that my worst day in the past six months was anything more than me feeling pressure, exhaustion and frustration with something which I could have terminated at any second with two simple words: “I quit“.

It’s hard to overcome an addiction because you are so deep into it that you lose the objective perspective. You no longer see the whole, you only see the next move. Not to compare my experience to an addiction – even the word workaholic infers complicit behavior – but it takes an intervention to slap reality in your face long enough for you to distance yourself and see objectively again. And in my case the intervention came in two parts – an intimate musical performance and a dose of birthday guilt.

Christine Ohlman, a/k/a The Beehive Queen, is an amazing woman. A musicologist par excellence, she runs rings around me when it comes to the deep web of musical history, ane even a brief chat with her is an educational experience. But I recently saw her perform in a small bar in Rochester, a converted house called Abilene’s which was packed like a sardine can. No stage, the band sequestered in what would have been a living room, amps likely on “3″ to keep the plaster from falling upon us like raindrops. I was so close I could have adjusted the monitors, and I watched her slowly weave her way through a set of gems – each one accompanied by an anecdote – and I was awash in soulful, penetrating beauty. I was energized by rock, heartbroken by blues, and warmed by the infectious nature of a true artist channeling her soul. I knew at that moment that I had to take my life back, that every precious day that I continue to put aside the things I truly love was another day wasted.

I also have a holiday-time birthday, which combined with seasonal affectation disorder…well, let’s just say it makes for an interesting experience. For the past several years, I have spent the better part of my birthday watching concerts, comedy shows and music documentaries, and this year was no exception. This time, the introspection of the day was combined with a rebirth of passion, as if the artists on the large screen were saying “hey dumbass…maybe if you made time for this every day you wouldn’t be so miserable?” With the new year a week away, it looked like I finally had a resolution with teeth to slot next to the old standards ”lose a few pounds” and “work out more”. And when my older daughter caught me off-guard by telling me she had been checking my page weekly only to be disappointed, that sealed the deal.

It’s not like I was in a coma. I did listen to a lot of music and made my list in time for the Village Voice Pazz&Jop deadline; I do have my Best of 2011 drafts for comedy albums and DVDs in their final whittling stages, and I did jot down some drafts that will show up soon as reviews and editorials. But I missed some events I normally relish, like the recent award nominations. And tragedies – I should have posted the day Patrice O’Neal died; he played a club in town not long before and the news broke my heart. But I’ll add those thoughts when reviewing his posthumous CD, and you’ll see his brilliant DVD (Elephant In The Room) on that year-end list.

A real doctor doesn’t promise you anything; they merely give you good advice. So I won’t promise you a daily dose - not an unbroken string, anyway -  but I’ll do the best I can to be here as often as possible. I even have a plan.

As for the recommendations, those will continue to be well-intentioned but optional. I’ve got my hands full taking my own life back, thanks.

Happy New Year, everyone. I missed you, too.

It's a new dawn, and a beautiful new road lies before me. Hope to see you often along the way...

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Ironically, it was Office Hours…

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Ehh-mmys

The good news was that tonight’s Emmy broadcast ended on time, roughly three minutes past the hour. The bad news is it seemed like the show took twice as long.

No, I’m not bitter that my guesses were as awful as usual; in fact I was delighted that a couple of my “should win” nominees actually did. And I thought Jane Lynch did about as good of a job as she could given the circumstances – aside from a weak jab at a superior talent (Ricky Gervais) she looked like she was having some fun up there. But as these shows often are, there was more pomp than circumstance.

All the winners are listed on the official site.

My take on the event…

  • Opening bit was very clever but waaaaay too long considering there were only a couple of truly clever sight gags.
  • Thinking’s a pain in the ass“. Yes, I watch television – this is likely a mantra.
  • Betty White is the reason we start the show at 5pm“. Great line.
  • Was I the only one watching the The Emmytones thinking there would be a wardrobe malfunction by Kate Flannery?
  • Jimmy Kimmel and Jimmy Fallon should go on the road together. And either would make a great Emmy host.
  • I did like the staging and the hi-tech graphics; first-rate technology.
  • I wish the guy commenting on the winners was louder because he was often hilarious.
  • Was Julianna Margulies wearing a rocks glass for a top?
  • Ty Burrell can’t not be funny.
  • Ricky Gervais was the funniest guy in the room and he wasn’t even in it.
  • Best camera aside – Steve Levitan’s wife. Twice.
  • Maybe he was pimping his upcoming Comedy Central Roast, or maybe it was supposed to be satire and his delivery sucked…but WTF was up with Charlie Sheen’s “apology”? I don’t know what they had over him, but that was the worst confession of guilt and remorse since…well, I’m going to have to think about that.
  • If after that speech Jon Cryer won Best Actor I think Vegas would have shut down the betting. He didn’t. They didn’t.
  • Why did I have to wade through Reality TV to get to Variety TV? That’s like offering me vanilla ice cream but insisting I mix in two tablespoons of shit before eating it.
  • Guy Fucking Pearce. Awesome actor.
  • Either Amy Poehler’s stage-jump was truly spontaneous or Edie Falco is an even better actress than I thought – her moment of hesitation looked genuine. And if it was…well, that explains why Amy Poehler should have won.
  • There are a lot of talented people writing comedy for Conan, Jon Stewart, Steve Colbert and others. Why doesn’t Emmy hire some of them to write the presenter banter?
  • Lonely Island does not work as well live as on video but “Freak Bill Macy” was worth it.
  • The Daily Show is an unstoppable force and I feel bad for anyone nominated against it. And damned if I’d be as humble as the host after an unparalleled record of success.
  • Nice to see Friday Night Lights finally get some love, albeit too late.
  • Kate Winslet is a great actress but I had hoped I had seen the last of her over-the-top insincere “I’m not worthy” acceptance speeches. Apparently not.
  • Line of the night – Martin Scorcese seeing the “hurry up” light and offering to “talk a little faster“.
  • No one followed up with the Two And A Half Men jokes when Peter Dinklage won? Where is Gervais when you need him…
  • Since when does Drew Barrymore get to “pass the torch” for Charlie’s Angels? Like anyone thinks that movie has a tenth of the legacy that the TV show did.
  • In Memorium always gets me, although this new trend of live vocalists is unnerving. Focus on the departed.
  • Mad Men is four-for-four and Modern Family is two-for-two. So much for change.
  • Margo Martindale gave the best performance of the year by anyone and I was fully prepared to see her get screwed over. Maybe the glass is half full after all?

"We're all winners!" (Um...not really.)

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Bobcat Strikes Again

Just when you think he couldn’t get stranger…

Too many people know Bobcat Goldthwait from his lesser accomplishments – several Police Academy films, that screeching banshee voice (too many people missing the great jokes within) and lighting Jay Leno’s chair on fire (in retrospect, something more people wish they did). But Goldthwait, who occasionally returns to the stand-up stage, has made his mark as a television director, and with three unique films in five six , as a screenwriter and filmmaker as well.

It seems like a billion years ago that Bob made Shakes The Clown, “the Citizen Kane of alcoholic clown movies“, but it holds up twenty years later as a raucous and psychotic comedy. If you laughed at the gang-fight in Anchorman, you might want to check out the movie they lifted the idea from.

But while his later movies have been funny, they have mined humor from uncomfortable and disturbing situations. Consider the sick relationship in Sleeping Dogs Lie, the creepy father-son bond of World’s Greatest Dad, and finally this year’s God Bless America, which on first pass sounds like a cross between Repo Man and Natural Born Killers. Goldthwait’s newest film reportedly kicked ass at the Toronto International Film Festival. I can’t wait to see it. (Goldthwait told the L.A. Times that he thought the gun-happy film “was his own Springtime For Hitler”.)

Many people bailed on Bob after it seemed that his career would be a series of loser films like Burglar and Jumping Jack Flash. But Goldthwait, 50 next year, has found his true calling as a filmmaker with a unique voice.

As one of the biggest Kinks fans on the planet I am thrilled that he is making Schoolboys In Disgrace with the full cooperation of Ray Davies. Maybe Bob will get The Kinks the recognition they deserve…and get his own in the process.

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T.G.I.F. – Ten Emmy Guesses

And you thought Justice was blind?

I used to call them predictions, but when you’re wrong this often…

Yes, it is geeky, but I do like award shows. They are often an odd combination of ridiculous pandering with the occasional anomaly which generates a well-deserved career boost. But there are always severe omissions, so I caveat my choices below by stating that who I think should win is limited to the nominees.

Sunday night I’ll be bouncing between a thrilling Falcons/Eagles game and the pomp and circumstance of the 2011 Emmy Awards…where the television industry kisses its own ass. You can follow along here.

So here are Ten Emmy Guesses for Sunday’s spectacle…

(01) – Best Actor, Comedy: Steve Carrell will win, Louis CK should win.

(02) – Best Actress, Comedy: Laura Linney will win, Amy Poehler should win

(03) – Best Supporting Actor, Comedy: Chris Colfer will win, Ty Burrell should win.

(04) – Best Supporting Actress, Comedy: Betty White will win, Julie Bowen should win.

(05) – Best Comedy: Modern Family will win, Parks & Recreation should win.

(06) – Best Actor, Drama: Hugh Laurie will win, Timothy Olyphant should win

(07) – Best Actress, Drama: Julianna Margulies will win…and should.

(08) – Best Supporting Actor, Drama: Peter Dinklage will win, Alan Cumming should win.

(09) – Best Supporting Actress, DramaArchie Panjabi will win, Margo Martindale should win.

(10) – Best Drama: The Good Wife will win…and should.

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