Seems like everybody was sick of the radio as the mid-70s approached. Some went underground. Others got back to their roots, whether it was nihilistic and chaotic (punk) or traditional (roots rock). Some literally hit the UK corner bars for an evening of well-played r&b/country blues and rock’n'roll; hence pub rock.
Strip away the nomenclature and you’re back to upbeat, rhythmic, toe-tapping, air-guitar slinging music that will put a smile on your face whenever you slap it on. If there is such a thing as Friday music, this is it.
Perhaps a slight bit of liberty on my part if a few of these tracks are from outside the immortal era; if so, at least the musicians performing the material have validated roots.
So here are ten powerful pub rockers to start your weekend off!
01. Graham Parker and the Rumor: ”Empty Lives“
02. Dr. Feelgood: ”Roxette“
03. Mickey Jupp: “Georgia George“
04. Eddie and the Hot Rods: “Quit This Town“
05. The Inmates: “I Thought I Heard a Heartbeat“
06. Ducks Deluxe: “Coast To Coast“
07. The Motors: “Dancing The Night Away“
08. Brinsley Schwarz: “Surrender to the Rhythm“
09. Bram Tchaikovsky: “Girl of My Dreams“
10. Rockpile: “If Sugar Was as Sweet“
Yeah, I know that last band is only one-quarter Brit (two Welsh and a Scot), and for all their related efforts only have one proper album. But pub rock is about the music, not birthplace, and Rockpile was a pub rock supergroup.
Besides, if it was about being in pubs, these would all be Faces tunes, yes?
A week ago Saturday, Adam Marsland’s Chaos Band performed an Alex Chilton tribute show at a club in Marina del Rey and were astute enough to have some cameras rolling.
Marsland, one of the most seasoned DIY tour rats of the past decade plus, has always been a fan of whipping out some great cover songs (he’s been known to take the stage in a variation of Stump The Band, which always produces some eclectic choices). And a few years back he issued an excellent album of Carl Wilson and Dennis Wilson songs – live – called Long Promised Road.
Absolutely one of my wish I was there moments, but I’m on the Wrong Coast. And if you also were unable to attend, fear not – enjoy Adam, Evie Sands, Kurt Medlin and Teresa Cowles pay homage to the late, great Alex Chilton via You Tube…
Video: “Soul Deep“
Here’s what’s available to enjoy so far; more songs might be forthcoming.
The Ballad of El Goodo (Adam and Evie co-lead)
Soul Deep (Evie lead)
Give Me Another Chance (Teresa lead)
When My Baby’s Beside Me
You Get What You Deserve
Alex Chilton (Replacements cover)
The Worst Thing (That I Ever Did)
Although that last title is an original, Adam refers to it as an Alex-influenced song. Close enough for me. Here is the link to the video tribute page .
The first post-mortem tribute happened at SXSW, of course, in place of the originally scheduled Big Star show. And just this past weekend another was held at The Living Room in NYC; dozens of others sprang up everywhere as musicians felt the need to tip their musical caps to one of their era’s defining artists. And although essays from famous musicians are turning up in newspapers and magazines as well, praising Alex Chilton is nothing new.
Alex won’t be forgotten because his songs won’t be forgotten. Simple as that.
And yes, it *rocks*.
Hurry up! There were less than five hundred copies made in this limited release of Adam’s newest album, Hello Cleveland. And if you never picked up Go West, I behoove you to do that as well. All of Adam’s albums can be purchased at the usual outlets or through his website merchandise page.
Adam on MySpace
Filed under Music, Reviews
Ladies, lock up your sons and husbands.
As if it isn’t great enough that Nikki Corvette and Amy Gore (The Gore Gore Girls) have hooked up to form Gorevette, they just release a new EP (Lustfully Yours), finished a tour with The Donnas and are heading out this summer with Blondie!
From their bio… 1978 saw the birth of Nikki Corvette’s career with the release of the Nikki Corvette and the Convertibles single “Young and Crazy” b/w “Backseat Love” and “Criminal Element”. This was all happening in Detroit during the punk rock explosion, where Nikki would see herself sharing the stage with The Ramones, Johnny Thunders and The Romantics. By 1980 the band name was changed to Nikki and the Corvettes. They would release their legendary debut album on BOMP! Records, an incredible mixture of 60′s style girl group vocals, twangy guitars and teenage pop with plenty of punk rock attitude, with songs about cruising for boys and fun in the sun. The album and band would influence everyone from The Go-Go’s (to go for more of a “pop” sound) all the way to The Donnas (see the lyric “I wanna be like Nikki Corvette” from Gimmie My Radio).
Amy Gore was born in Detroit, Michigan and in 1997 she founded the Gore Gore Girls, the first of few all-female bands of the garage rock genre. Along with other bands such as The White Stripes, The Dirtbombs, The Detroit Cobras and others, the Gore Gore Girls helped establish the modern American garage rock scene of the 1990s in Detroit.
Hear Gorevette on MySpace
Check out this video for “Lustfully Yours”!
Gore Gore Girls website
Wait a minute.
Are you telling me that Ann-Margaret, Penelope Cruz, Jessica Alba, Bridget Moynahan and Elisabeth Rohm were all born on the same day? And no one has started planning late July conceptions hoping their daughter would also get the April 27th good looks gene?
And since all five of those ladies are out celebrating tonight…keep those sons and husbands locked up even after the Gorevette video.
Filed under Music, Reviews
Infectious and accessible, the Pantones juggle several influences with sleight of sound.
An impressive blend of great ingredients, The Pantones at various times tap the DNA of The Jayhawks, Ben Folds, The Byrds, R.E.M., Wilco, The Beach Boys and—perhaps most impressively—guitar licks that Ron Wood tossed out like confetti in the ‘70s.
Video: “Circus Freaks“
Read my review of Inside the Sun’s Wild Flame at PopMatters.
Hear some clips at Amazon.
Visit The Pantones website.
Warm up to The Pantones.
Filed under Music, Reviews
So many pop bands, so little time…
Ten years ago I came across a Greenville, South Carolina band called The Cartoon Factory on a late night surfing expedition; I was attracted to their energy and knack for a good powerpop hook. I thought their debut album was pretty good, and although it doesn’t appear they they ever issued a follow-up album (a 2002 release featured songs from an earlier configuration of the band under a different name), they’re still around and playing gigs, although Chuck Chapman seems to be the only original member still standing.
Powerpop is a broad term, so what do they sound like? Their website has some free downloads of pop covers like “Ah Leah”, “I’m a Believer” and “(I Want To) Rock and Roll All Night” as well as handful of great originals written in that same vein. Good harmonies, pop crunch; I’d say their self-appended comparison to Fountains of Wayne and Weezer is a decent starting point, as are the references I make below. If those names put a smile on your face, give these guys a listen.
My original review ran in Cosmik Debris in 2000…
Although the name might connote animated characters (or Jim Carrey’s short-lived sitcom debut), this quartet is a high-energy power-pop band that sets its sights on harmony and melody. You can’t be taking things too seriously when you have a track called “Monkey Girl” lead off your record. Factor in a band that has two Bay City Rollers fans paired up with two guys leaning more towards classic rock, and the combinations can get pretty interesting. For example, the melody of “Tongue Tied” sounds like The Cars taking a stab at Joe Jackson‘s “Is She Really Going Out With Him?.”
“Deaf Dumb And Blind” starts out like Eric Carmen‘s “Hey Deanie” before sliding into the infectious chorus. Only the closer “I Live For You” falls flat here, a disappointing arena thud-rock entry. The band is tight – David Swift‘s guitar and Louis Sijon‘s power drumming are solid, and the harmonies are spot on. Bassist Chip Anderson and guitarist/vocalist Chuck Chapman (the aforementioned Rollers fans) are also fans of the arena-sized power pop of Cheap Trick and KISS.
However, the production of the self-titled disc muzzles the bombast and goes for a crisp and clear sound; power chords are there, but glass isn’t shattering. “Hopeless” is a very catchy song that opens with a classic guitar riff that deserves to shake the house. But I’d rather have catchy songs than catchy production any day – I’ll bet that “Without You” and “Whirlwind” rock the house live. Keep an eye on these guys.
The Cartoon Factory website.
Filed under Music, Reviews