Welsh Rabbit was another band I stumbled across on those late-night “sounds like” tangents that I have been addicted to for most of my life. Back in 1991 all I was able to get my hands on was West 11th Love Letters. I wrote it up for Cosmik Debris but lost track of them soon afterwards and figured they might have been yet another band who high-fived the brass ring but didn’t grab hold.
As you can see from this CD Baby comment page, I wasn’t the only person being pleasantly surprised. It also appears like I have a fellow Tangent Monkey in the commenter who cites following a recommendation based upon his purchase of The Rosenbergs. You’ll note references to Weezer, Elvis Costello and The Beatles, although I think the Soft Boys and Big Star references more accurately pick up the dissonance they employ.
But we all agree that they’re a band worth checking out. Here are my original thoughts on that first EP…
I must admit when I heard the first few notes of “Where You Are,” I would have bet the farm that the singer would launch into “I Wanna Hold Your Hand,” but it was merely a tip of the cap to the Fabs (as is the closing vocal harmony). West 11th Love Letter is a low-frills EP collection of some basic tracks laid down in vocalist/guitarist Nick Levine‘s basement. The sound is good, but more impressive is the charm of the songs; they’re amazingly strong for a first recorded document.
Somehow “Do You Want To Dance” juggles the indie cred of early REM with the hypnotic guitar work of The Edge in his prime. “My Summer Girl” and “Tonight” both have great hooks and show that the band can handle midtempo as well as power pop. Bassist Kyle Chilla, drummer Ian Campbell and keyboard player Rolf Nordhausen form a tight quarter with Levine. Overall the lead vocals are pretty good, although the harmonies are stronger; the guitars go for the jangle over the flash. For the first five tracks, anyway.
Nothing prepared me for the closing song, though. “Rollin’” is a ten-minute track that doesn’t waste a second. Somehow the pop path veers off into Neil Young meets Radiohead territory, and it works. Haunting, pulsating guitar work drives the song as the melody gains steam and the vocals build into a crescendo, tagging a minor chord to reset the mood. I know that most of their songs are now a little shorter and sharper, but this is one that I hope they keep playing at full length – it’s a stirringly emotional piece of music that few bands outside of Built To Spill can pull off well.
Looks like they are now a trio (Nick, Kyle and drummer Jordan Selman) and finally have a full-length album out called Don Quixote vs. Sancho Panza. I’ll have to grab that along with the other EP I missed, Forward Motion.
Welsh Rabbit on MySpace
Welsh Rabbit website