It only seems fair that as the rest of the world focuses their attention on the Olympic Games, I choose to draw your attention to the re-release of two of Jim Norton’s comedy albums. Although previously available in CD format, today marks the first time these albums are available for digital download and streaming through popular stores such as iTunes, Amazon.com and Rhapsody. In other words, welcome to the Twenty-First Century, Jim!
If you don’t know Jim, let’s just say these are not safe for play at the workplace, although I would hope that anyone who can read would figure out that bits called “Liz Taylor’s Hairy Hat” and “Bloody Lump on the Linoleum” might draw their own conclusion in that regard. Both are irreverent, hilarious, filthy, perverse, bizarre and mind-blowing, but what do you expect from a hooker and self-gratification fan whose two favorite words are teabag and tickle? It’s safe to say that when they made Little Jimmy Norton, they smashed the beaker.
Used copies of Yellow Discipline and Trinkets I Made With Gorilla Hands have been going for over twenty-five bucks, so to be able to get these digitally for a normal price is a godsend for Norton fans, most of whom would have needed to chloroform Grandma and take her wallet to get the hard copies.
I’m a big Norton fan; he draws his own line, crosses it and goes further down the road to drag someone back to see what he did. Although many swear by his Opie and Anthony tenure as his best comedic moments, I’m more partial to him walking the tightrope (and usually falling off, spectacularly) on Tough Crowd with Colin Quinn, and his acerbic, perverted, leering pot dealer on the late, great Lucky Louie. (When you can make Rick Shapiro look normal, you are dancing on the edge, my friend).
Norton has also written a pair New York Times best-selling books (Happy Endings: The Tales of a Meaty-Breasted Zilch and I Hate Your Guts) and has had three HBO specials (Monster Rain, Down and Dirty with Jim Norton and One Night Stand, all now available on DVD) plus numerous stand-up sets on all the top shows.
Amazingly he was in good standing during a run of Last Comic Standing when a filming conflict forced him to withdraw from the round of twenty finalists. The next step was whittling down to the ten comics who would move into the house (and therefore reap the most benefits from the television exposure). I still can’t imagine how Jim would have been able to survive the censors (although he killed on Letterman) but if the network had any cojones that would have turned reality television on its ear.
So please buy Jim Norton’s CDs – hookers aren’t cheap, you know.
Videos, including Jim on the Bob Saget Roast
More cake for us!