They snatched defeat from the jaws of victory.
Oh, well. Not like my tastes and the consensus of the multiple-voting American public line up much. Top Ten singles? Top movies? Best selling books? Nope, not in a long while. Shouldn’t be a disappointment when it happens again, but this time they had the right guy in the final two. And then…pffffttt.
So before we tuck this one in for the season, a few final thoughts:
Nobody unlikable in the final five and congrats to Felipe Esparza, who seems like a nice guy and hopefully will improve over time.
With a vote-for-one-of-the-final-five format, did Myq Kaplan and Tommy Johnagin split votes they would have likely easily gotten in a head-to-head “final two” contest?
How the hell did Myq Kaplan finish fifth after the prior week’s sets?
Apologies to Natasha Leggero, who I was pretty rough on all season for not doing much besides laughing and looking smoking hot. She came out last night and did a great set, better than the other two judges who I normally like a lot better.
Initially I cringed when Greg Giraldo broke out the vintage “underwear outside the pants” routine; I wondered (1) did I black out for a minute and go back in time? and (2)Now whose resume “ain’t all up to date”? But another viewer pointed out that he probably never did that routine on primetime TV before, and he even tossed in a self-deprecating comment (which I missed) beforehand.
Andy Kindler was hilarious, but I understand that some people think he’s too quirky to be funny. I do not envy those people.
Seeing Kurt Metzger’s great Micheal Jackson joke again was worth sitting through the two hours for. Okay, not really – that was a long two hours with lots of unnecessary padding and lame guest appearances. But Metzger should have been in the top ten at the very least, and that might have been one of the funniest jokes all season. At least he got a rubber chicken, which is more than comics two through five went home with.
Liked the final comments from the comics who lost – Roy Wood Jr. paid props to the road comics, Kaplan was classy, and Mike DeStefano’s parting words were classic, as expected.
Did that $50K development deal (and the show’s past reputation for subterfuge) mean that the judges (read: behind the scenes network producers) wanted someone they could build a sitcom around? I think they wanted a person who people like, talent aside, safe as milk. A sitcom candidate who will play well between the coasts. If that’s true, they hit their target.
Do I believe the results were controlled? Of course, but then again I don’t think any of these “contest” shows are left to chance.
But despite a summer of head shrugs and suspicion, if they’re back next year I’m sure I will be, too. When all was said and done, I got to see a few people I like that I had never seen before, and many good comics got national airtime. Win/Win.