A breath of fresh air, yet from a time capsule.
The minute I heard sleigh bells on “Phone”, the opening cut from Memphis, I thought I had put the wrong disc in the player and wondered how the Phil Spector Christmas Album had gotten in the wrong jewel case. But before that thought even completed, I realized that this irresistible sunshine pop song was not one of those 60s holiday treats, but instead a blend of Brian Wilson, 60s AM radio and contemporary pop artists like Mike Viola and Mark Bacino.
And after Memphis dazzled me with a 1-2-3 peppering of bouncy pop nuggets, the Wilson DNA bleeds into a soul falsetto; the string-laden, handclap-propelled “Hideout”. “Summer” follows, and five songs into an eleven track album you’ve forgotten all about them paying tribute, and realize that Memphis simply used Wilson and Spector for a springboard. The arrangements are intricate, the melodies are infectious, and even when the lyrics might fall a little short, the vocals from Bennett Foster sell them anyway.
But if you do want that perfect mix of Phil and Brian, look no further than “Hey Boy”, complete with call-and-response vocals and…yes, those sleigh bells.
Video: “Hey Boy”
I don’t know where these guys came from, nor do I know where they’re headed, but Memphis is certainly going to be on my list of the Best Albums of 2010. Summertime record my ass, this will be worthwhile any time you decide to reach for it.
Listen to clips at Amazon