Under The Radar: Wes Hollywood

Cities like Athens, Austin and Seattle might have gotten all the notoriety as musical hotbeds but the Illinois/Indiana area was always a great source of powerpop bands. The Wes Hollywood Show was no exception, wrangling guitar oriented pop with a sense of humor and mining that infectious, kinetic beat like Elvis Costello, The Kinks, The Beat and their neighbors from Rockford, Cheap Trick. They wound up issuing four albums under that name; Girls was the one that first caught my attention.

These days if you want to track pop savant Wes, you can find him making great music with his current effort, The Tenniscourts. Of course, that band is a subject for another day.

Here’s a review I wrote about their album The Girls Are Never Ending for Cosmik Debris back in September 2001.

Set the wayback machine back to 1977, Sherman, for The Wes Hollywood Show is waiting there for you. Remember when rock and roll was fun? Before shogazing? Before angst? Skinny tie pop rules again with these guys on their second CD, The Girls Are Never Ending. It’s wall to wall bouncy, power pop harmony, jangly guitar glory.

The opening track, “She’s Gonna Let You Go,” calls to mind the Romantics and early Elvis Costello, while the following track sounds more like The Knack and…uh…early Elvis Costello. That’s no insult – Wes isn’t trying to ape the man, but he does sound a little like him, although crossed with a good dose of John Lennon. In other words, the boy can sing!

The rest of the band are no slouches either. Mark Talent (lead guitar), Patrick Thornbury (bass) and Jason Styx (drums…wait…a drummer named Styx?) are energetic, especially on killer tracks like the Ramones-ish (well, okay, and Costello-ish) “H Bomb.” No doubt you’ll be playing this record over and over again, dancing to “Goodtime Girl,” “Little Miracle” and “Weston-Super-Mare.” And even though you’ll go grab This Year’s Model afterwards, you’d be just as likely to pull “Turning Japanese” and “What I Like About You” out of the rack.

And there’s something wrong with that?

Give it a listen at Amazon right now.

That Year's Model

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