Monthly Archives: December 2010

Top Ten Albums of 2010 – #6

The words “country blues” get thrown around a lot; I do it myself when describing music from Steve Earle to the apex of the Rolling Stones catalogue (Let It Bleed, Exile on Main Street, Beggars Banquet, Sticky  Fingers). But my god, when the form gets attacked by a band featuring a singer with the pipes of Teal Collins and a guitarist with the amazing chops of Josh Zee, the phrase redefines itself. This is flat-out goosebump material. I don’t recall witnessing Janis Joplin jamming with Jimi Hendrix or Eric Clapton, but I imagine it might have gone down something like this:

Video: “Love Me Like A Man

The Mother Truckers are an incendiary band from Austin who just keep getting better and better. Last year “Dynamite” was my favorite song of the year, and there were three or four on Van Tour that could have made my top ten this year (if I didn’t concede the whole thing to Ce Lo Green). I mean, listen to this guy shred and this girl wail!

Video: “Dynamite

Van Tour, their fourth release, is a concept album of sorts; on the surface there are surreal songs about aliens and invasions, but it’s just a framework for honky tonk cowpunk, roots rock stompers and a master class in getting your jaw to drop. The Mother Truckers ferociously blend Americana, Patsy Cline and classic fingerpicking roadhouse hoedown with the force of AC/DC, Lynyrd Skynyrd and The Rolling Stones. But when Collins wants to get all sweet’n’low, she can simmer a ballad or blues song as well as just about anyone (listen to “Keep It Simple” – it  made my spine sweat!) And if Zee didn’t just launch himself onto your short list of great guitar players, well…

This is first-rate chops-meets-attitude. Van Tour might be their best yet.

Listen to clips on Amazon

Video: “Alien Girl” from Van Tour

The Mother Truckers on MySpace

Zep-KISSing “Hot Legs” and making it sound legit.

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Merry Christmas!

Wishing you and yours a wonderful Rock’n’Roll Christmas!

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T.G.I.F. – Ten 2010 Bridesmaids

Putting together a “best of” list is hard for me, because there’s so much out there to enjoy every year and many albums appeal to me in different ways. Lists are subjective, of course (despite what Rolling Stone may insist) and try as I might I can’t put six pounds of stuff into a five pound bag. So while I consider the Top Ten an honor, the near misses – Bridesmaids, as I’ve been calling them – are no slouches either.

To beat the tired drum again, anyone who is claiming that there is no great music being made simply isn’t trying hard enough to find it. I’m out there beating the bushes constantly and I can’t keep up with it; certainly even a cursory attempt to widen one’s horizons would be richly rewarded (there’s a bunch of links at right for starters). And as always I welcome the emails from readers that start “have you heard…” as they often open new doors for me as well.

So this week, in no particular order, let me present Ten 2010 Bridesmaids – albums that didn’t make the Top Ten but weren’t far off. When I post the full “best of” lists in January these will certainly be there, so give a listen and be rewarded! (Amazon links included – many on sale right now!)

And on this TGIF Friday I’m especially thankful.

01) Peter Wolf – Midnight Souveniers…Like fine wine, Wolf just gets better and better with age. A far cry from his kinetic J. Geils frontman image, Pete has quietly entered the small plateau of artists perpetuating organic, honest music for the ages. A musical archivist flexing his talents.

02) Smash Palace – 7…If the cover art’s nod to Revolver doesn’t tip you off, let me. Smash Palace is in the upper tier of powerpop bands with traces of Cheap Trick, The Beatles, Tom Petty and Badfinger in its mix but a fresh and original sound. Solid songwriting, incredible vocals, songs that are pure ear candy. Radio’s loss; your gain.

03) Paul Thorn – Pimps and Preachers…”If I could be a tear/rolling down your cheek/and died on your lips/my life would be complete”. Holy shit. I’m new to Thorn’s world, but this is a gritty brew of John Hiatt, Warren Zevon, Bob Seger and Alejandro Escovedo. I am on board now.

04) The Master Plan – Maximum Respect…You were so sure that you didn’t get a record from The Del Lords, The Fleshtones or The Dictators in 2010. Well, you were wrong! The collaborative side project is back for a second album and as you might expect, it kicks ass! If “BBQ” doesn’t get you hopping, you are a zombie.

05) Teenage Fanclub – Shadows…Back after a five-year break and sounding like it was a day. Fannies know what to expect, for the uninitiated, think a sophisticated pop blend of XTC, Big Star and some classic California sunny pop (Beach Boys, CSN). A little subdued for some, I prefer to call it atmospheric.

06) New Pornographers – Together…The phrase “greater than the sum of its parts” sets the bar very high when talking about this collaborative unit, but damned if I don’t find every one of their albums irresistible. Any band that can make whistling as cool as a snapping snare drum is okay by me.

07) Graham Parker – Imaginary Television…Another guy who just defies the calendar and continues to pump out great songs; he’s a better singer, songwriter and guitar player now than in his popular prime. Also be sure to pick up his live set with The Figgs.

08) Deadstring Brothers – Sao Paulo…Imagine the Gram Parsons / Keith Richards sessions in the Stones’ golden era were invaded by Ronnie Wood from The Faces. Wine flowed. Tape rolled. Absolute gospel – rock – country blues bliss.

09) The Hold Steady – Heaven Is Whenever…Just missed…I thought the personnel change would impair their urgency and their passion but they are as good as ever. The first five songs are absolutely perfect and the album would be worth it if it ended there.

10) Nick Curran – Reform School Girl…I wasn’t a follower of Curran but damned if he isn’t channeling Little Richard, Phil Spector, Fats Domino, Screamin’ Jay Hawkins and The Sonics on this album. This is a party whittled down and stuffed in a jewel case; besides – how can you not buy an album with a title like this one?

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Top Ten Albums of 2010 – #7

The Sights’ newest release Most of What Follows Is True might be their best yet, and that’s saying a mouthful. Despite their relatively young age, these garage/pop/blues rockers have distilled the essence of primal garage inspirations like The Rolling Stones, The Who and The Pretty Things with a modern pop sound (many pull out a Supergrass comparison, and that’s not far off).

Video: “Rock and Roll Circus”

But it’s their versatility that slays me. “Guilty” is raucous, guttural rock’n’roll that intimates more horns that it actually contains. “Maria” is music hall crossed with sixties pop – like The Kinks and Small Faces made careers upon; shit, “Tick Talkies” all but has tap dancing in it. “Take and Take” and “How Do You Sleep” (with traces of “Tin Soldier” DNA in it) mine Freakbeat waters, and “Back To You” and “I Left My Muse“? Americana meets garage.

And can they wail? Oh yeah…”Nose to The Grindstone” closes the album with that 60s/70s FM deep track vibe that is so sorely missed today.

Video: “Nose To The Grindstone“.

The Sights are yet one more underrated American band – and from Detroit, mind you – who deserve much bigger and better things. Now a four piece (Eddie Baranek on guitar and vocals, Dave Lawson on bass and vocals, drummer Skip Denomme and Gordon Smith on guitar, keyboards and vocals), they’ve had a few changes over the years including Bobby Emmett, whose solo album was in my top ten last year.  This effort is their first studio album in five years, and it was worth the wait.

All of what follows is true

  • Their albums groove.
  • They’re Nugget-y.
  • You will play them often and loud. 
  • I highly recommend you check out their entire catalogue.

Listen to clips at Amazon.

Enlist in The Sights Army

The Sights on MySpace.

Four guys, totally fab.

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Top Ten Albums of 2010 – #8

If the overt visual homage to Jesus Of Cool didn’t tip you off that there’s some Nick Lowe influence here, one spin through this excellent debut disc will clearly prove that Edward O’Connell is a product of his influences. Had he Photoshopped Elvis Costello’s head on those shoulders instead of a paper bag, you’d have his two major ingredients clearly identified.

Pop guy influenced by Nick Lowe? Maybe that’s why I immediately thought of Walter Clevenger when I heard Our Little Secret. If like me you are pining for Clevenger to release another album, I implore you to grab this one, for it pushes all the same buttons (I bet you could play “With This Ring” to a Clevenger fan and fool him).

What separates O’Connell from most artists with melodic chops is strong lyrical songwriting. Gotta figure that a law student knows his way around a lexicon, and like Elvis Costello, there’s a lot going on in and between the lines. I was gobsmacked at just how good this album is wall-to-wall. The lyrical wordplay of “Acres of Diamonds”, “Happy Black” and “We Will Bury You” is at a level I would expect from a vet like John Hiatt. How could I never have even heard his name before when he drops this as his debut?

Jangly, chiming guitars. Massive hooks and choruses. Superior vocals. Organic warmth. A sound that recalls (in addition to the aforementioned geniuses) Tom Petty, The Byrds, Richard X. Heyman, Teenage Fanclub, Michael Carpenter and their ilk. As fulfilling on the tenth play as the first. Why he has a bag over his head like The Unknown Comic is beyond me; this is clearly a major pop release that deserves widespread attention.

Let’s not make this (ahem) Our Little Secret – spread the word far and wide. We just might have a major pop star on our hands.

Listen to clips at Amazon or CD BABY

Edward O’Connell website

Edward O’Connell on MySpace

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