Another 2010 Bridesmaid…very good, but missed the Top 25…
The Posies have been around so long and have broken up and reformed so often that it’s probably bad form to call Blood/Candy a comeback album. Isn’t that what we were supposed to call Every Kind of Light? But with their solo and Big Star efforts now put aside, Ken Stringfellow and Jon Auer decided to revisit their oldest muse – each other – and reanimate a collaboration that has served them since they were teenagers. Camping out in the studio to live and breathe the music, the core of Blood/Candy was created in ten days and then tinkered with via various studios, diverse instrumentation and vocal collaborators (Kay Hanley, Hugh Cornwell).
The results, although not quite derivative, are that many of the songs have a familiarity that can’t be avoided when a band’s songwriters have such widespread collaborations. The structure of the fragmented “Licenses To Hide”, oddly enough, sounds like a Billy Joel epic from The Stranger, albeit sung by angels. And while it is not a well-known song, those who know The Odds’ “Love of Minds” will do a spit-take upon hearing the refrain and rhythm of “Cleopatra Street”.
Video: “For The Ashes”
“For The Ashes” lets them frame the verses in Crosby/Nash harmonies before morphing into spacey falsettos, just as “Accidental Architecture” uses those same vocal icons to launch a wordy, jazzy melody into an infectious chorus. And staying on Nash point, the boys had to be listening to old Hollies records before penning the album’s best hook in “She’s Coming Down Again”. Likewise, Beach Boys fans will no doubt be struck by the vocal coda of “Enewetak”.
The songwriting is strong, and as one would expect, the vocals and harmonies are exquisite; both Stringfellow and Auer are in top form. There will be those who still point at Dear 23 or Frosting On The Beater as the apex of their career, but slotting this one in close proximity would not be a mistake. Whether or not this is a cohesive effort from a newly focused band or a collection of tracks assembled for the occasional statement, Blood/Candy is – as the title suggests – a showcase for both their delicate fragility and their powerful pop presence.
This review was originally printed in Bucketful of Brains.
The Posies on MySpace