God damn, he was great.
Always been a Ronno fan; loved his tone on all the Bowie albums and thought his collaboration with Ian Hunter was the perfect dynamic for both men. And while his first two solo albums (Slaughter On Tenth Avenue and Play Don’t Worry) didn’t hit those heights, they were enjoyable nevertheless. In later years I marvelled at how his magic touch would lend a spark to artists as diverse as Ellen Foley, John Mellencamp and Morrissey. I have plenty of great Ronson memories but thought of this one the other day when I came across an old review.
When I moved in June of 1981 I didn’t know a soul in my new town, but found out that Ronno’s band The New York Yanquis was playing a beach club about an hour from my apartment. I swear I was the only one in that club who was aware of the magician on stage, despite his more conventional appearance. Everyone else seemed to be getting hammered and ignoring the legend on stage, who simply went about his business blowing my mind.
It was the first gig of that tour, and the band had just gotten a cease and desist order from the Yankees baseball team, but even that introductory story didn’t make a ripple in this crowd of Budweiser swilling drunks. So he just played a myriad of rock and reggae and soul, backed by Shane Fontayne (guitar), Frank Cambell (bass), Tommy Gun (keyboards), and Wells Kelly (drums), with Ann Langte and Dede Washburn on vocals. I even got to talk to him for a while that night; he was exhausted and probably a little depressed but seemed relieved to know that at least someone recognized him and was excited about the band. It was the last time I’d see him.
His death hit me hard in 1993, and I assumed that there would never be another album since the others never sold that well and glam was the furthest thing from the current grunge on the radio. How delighted I was to come across Showtime in 2000, let alone the wonderful collections that followed.
Here is my review from Amplifier Magazine in 2000…
The first officially released live collection dedicated to Mick Ronson’s solo work is yet another stunning testament to the late guitarist’s versatility and passion. Showtime culls tracks from a 1976 performance of The Mick Ronson Band alongside excerpts from the 1990 Hunter/Ronson band tour. Lesser known tracks like “Takin’ A Train” and “I’d Give Anything To See You” shine while the cover of “White Light, White Heat” explodes with energetic fretwork. Extended versions of the instrumentals “Slaughter On Tenth Avenue” and “FBI” are highlights, but “Sweet Dreamer”, as always, is the emotional showstopping performance that will leave you with heart in mouth.
Limited editions of this release include a bonus disc featuring four tracks recorded in Sweden in 1991, later versions of which appeared n the posthumous release Heaven and Hull. The label is reportedly assembling more Ronson releases including a CD spotlighting his instrumental work. Keep it coming folks, this is magic!