As more and more obscure pop bands from the 70s and 80s resurface and issue CD anthologies, I’ve started to realize that it wasn’t just a few or us who watched a couple of great local bands wither and die in our area code while corporate rock radio kept belching out the same overhyped crap. Sure, there were a slew of one and two hit wonders in the post-punk and new wave eras, but that was when labels still had a gazillion dollars to toss around. Soon, when things got tighter, labels would just descend on a city with a buzz (i.e. Seattle) and milk it dry; a precision military attack as opposed to the carpet bombing they were used to.
The Flashcubes fell victim to being in the wrong place at the wrong time, and when guitarist Paul Armstrong left to form The Most and 1.4.5, the three remaining members carried on as Screen Test. While more of an overt pop band that the ‘Cubes, they were still a powerful presence. Drummer Tommy Allen – as good as there is then or now – locked in with Gary Frenay’s flavorful bass playing to free Arty Lenin to be an absolute alchemist on guitar. Bolstered by two strong songwriters, Screen Test seemed even more primed for success than the Flashcubes and even landed a video on MTV’s Basement Tapes, but alas, it was not to be. After a few years Allen moved to Manhattan and found success as a producer and a touring drummer; Frenay and Lenin remained in Syracuse where they still perform together (in groups and as a duo) to this day.
But a Japanese market hungry for the lost magic found The Flashcubes a decade ago, and the reunited band got to live out what should have happened the first time – screaming crowds, a performance at Budokan and eventually the album they never got to make. So if the incredible three-set gauntlet that Screen Test threw down last weekend – their first performance in six years – maybe fate will smile kindly upon them as well and give them the exposure and respect beyond their local following and cassette EPs.
Obviously words don’t conjure sound, but the band had a treasure trove of should-been hit singles that still sound fresh and vital today. “Anytime”, “Nothing Really Matters When You’re Young”, “Sound of The Radio”, “Restless”, “Suellen”, “Make Something Happen”, “It’s No Secret“…any of these and more should have been blasting out of radios in the early 80s. I still feel the same way after hearing them launched from the stage of a neighborhood bar over a quarter century later. If YouTube was around in the early 80s, I wouldn’t have to tell you about the band because you would already have their albums.
Like The Flashcubes, Screen Test’s first full-length was an anthology of singles and EP tracks, an instant collector’s item. So perhaps the band will follow suit, feed off the energy of that Friday night in August and decide to record again. After three long sets of originals and choice powerpop chestnuts, I know I wasn’t the only one who saw a band far too vital to limit itself to reunions. aybe you know a band like this, too. Maybe your band already took the plunge.
Here’s hoping Screen Test gets that long-overdue callback.