Not in sales, no - but in impact? Oh, yes.
“Thinking ’bout what to say / and I can’t find the lines…”
Alex Chilton died the other day, and so did a piece of me. I first heard Alex when his booming gravel voice launched out of my transistor radio with “The Letter”, the brilliant Box Tops single that didn’t waste a second of it’s not quite two minutes. I was still buying singles then, and follow-ups like “Cry Like A Baby” and “Soul Deep” made it all the way from Memphis to my ears.
From The Box Tops to Big Star
But most singles bands from the 60s had their moment and hit the wall when music turned towards FM radio and longer, more sophisticated album cuts. And although I was getting into progressive rock and glam and the beginnings of heavy metal with Black Sabbath, I retained my passion for short sharp pop songs. I wouldn’t realize until years later that the Box Tops weren’t a group of friends hanging out and writing songs like The Beatles and The Rolling Stones were, but rather they were a staunchly controlled vehicle for a group of writers and producers and that a disillusioned sixteen year old was in fact that singer who sounded like he had already lived a hard life. I was half right.
Thanks to someone’s insight in a rock magazine – I’ll wager that it was Creem – I was tipped that this new band was aces and I was able to grab a copy of the first Big Star album called #1 Record. What an audacious title, I thought, but dropping the needle on that album was an electrifying experience. Here was an album of impeccable chestnuts, from the rocking “Don’t Lie To Me” and “In The Street” to the sweet and fragile “Try Again” and “Give Me Another Chance” (and when that crescendo of angelic vocals comes crashing in…oh, my God!). The fist fight between the tambourine and ringing guitar chords in “When My Baby’s Beside Me”. And that dagger-through-the-heart, “Thirteen”, which dripped with teenage angst.
December Boys got it bad
The second album, sans Chris Bell, was almost as good, a little sloppier and esoteric with absolute standouts like “Back of A Car”, “September Gurls” and “O My Soul”. Meanwhile “What’s Going Ahn” and “Daisy Glaze” and “Morpha Too” hinted at the fragility that was to come in Third / Sister Lovers. Despite some genuinely upbeat sounding moments in “Thank You Friends” and “Jesus Christ”, it was painful to listen to “Holocaust” and “Big Black Car”, almost the soundtrack of a man falling apart.
A perfect album title; he could have used it twice.
The post-Big Star years were a mixed bag; there were moments of pure joy and fun and others of witnessing painfully inept performances. I remember being in a club with my friend Bill waiting for a band to come onstage, and the most horrific atonal version of “The Letter” came over the sound system. As we cringed, the bartender informed us that it was a tape of a recent Alex Chilton performance; I remember thinking that he sounded like he would die mid-set.
But in the coming years he regrouped and rebounded, issuing some solid EPs before getting talked into reforming Big Star with Jody Stephens and a pair of Posies in Ken Stringfellow and Jon Auer. When The Replacements blasted out the dynamic single “Alex Chilton” the legend was reborn; more indie bands started to admit the influence and at long last Chilton was getting the popular response to match the critical hurrahs.
But Alex took it full circle and reunited The Box Tops, for as esoteric and varied as his playlists had been over the years – from soul to powerpop to MOR standards – the New Orleans via Memphis vibe never left. He seemed to enjoy the Box Tops shows more than the Big Star ones, and perhaps that’s why their reunion album In Space was a disappointment – his heart wasn’t in it anymore.
But his soul and his heart and his pen and his voice came together often enough to leave behind an incredible legacy. So here are ten tunes that are a huge part of my life, songs that hit me like a ton of bricks or dovetailed with the emotions I was going through when I first heard them. They are fresh and timeless and will resonate with me no matter how old I am. I’m in love…with that song.
And now the show for SXSW will go on as a tribute.
* September Gurls. December boys got it bad, I know, Alex, I know. Me too.
* Cry Like A Baby. “Today we passed on the street/and you just walked on by/my heart just fell to my feet…”
* The Ballad of El Goodo. “I’ve been trying hard against unbelievable odds”
* Take Me Home and Make Me Like It. Is that the best pick up line ever? Hilarious and sloppy.
* Soul Deep. Pop Soul Perfection. Neil Diamond shat himself when he heard this.
* I’m In Love With A Girl. I can’t help but smile every time I hear this simple, fragile love song. There’s so much angst and pain in Alex’s catalogue; this is a nice exception.
* No Sex. More for the fact that the EP signaled his return than the song itself.
* Back of a Car. Thinking about what to say, and I can’t find the lines.
* The Letter. The two minutes that started it all.
* Thirteen Maybe the most poignant song about fumbling adolescence ever written. This one went through my heart like a spear, even though I was eighteen when I heard it.
Rest In Peace, Alex.
All Music Guide tribute from Steven Thomas Erlewine
Memphis Commercial Appeal says goodbye
Some thoughts from pop critic Mike Bennett.
Alex Chilton wiki with links to multiple discographies
The tribute at Popdose
Auditeer and music columnist John Micek remembers
Ed Ward from NPR chimes in
Anthony Lombardi talked to John Fry about Alex.
Others pay tribute from SXSW.