There’s a reason that cover looks familiar.
The Decadent Royals sound like a mash-up of The Rolling Stones (cusp of the 70s) and The Black Crowes, two bands who knew how to weave country blues into rock to create an infectious blend. Add in dashes of The Jayhawks, Bob Dylan, and any number of southern rock bands from The Allman Brothers on down, and you have an intriguing album that is well worth checking out. (Icing on the cake for the skeptical…the label is Maggie Mae.)
I love the Crowes and Stones because they are unafraid to slather their songs with gospel vocals, slide guitars, pedal steel, horns and wah-wah solos as needed. So are these guys. Swing On, Sinners rocks hard throughout, but the closing track “Wave Goodbye” proves they can be equally impressive turning it down.
How under the radar were these guys in my world? They’re from Albany, a three-hour car ride away, but I only came across them three months ago for the first time. The frightening part is this album is six years old; the predecessor is almost fifteen. It appears the band is likely finished; singer and songwriter OP Callaghan has another project called My Angel Crush (who sound like a logical extension of these guys).
I don’t pretend that this album is as good as Beggars Banquet or even Amorica. But damned if this isn’t a band that’s turning its back on the easy paycheck in favor of creating some dynamic sounds. Lord knows the Stones haven’t done that in years, and the Crowes need as much help as they can get from bands who know how to put the rock back into rock’n’roll.
Hope I can find more music from them, but at least I have this. Now so can you.
The Decadent Royals on MySpace
Buy Swing On, Sinners at Amazon or CD Baby
Filed under Music, Reviews
No, not mine. Hell, I’ve been telling tall tales a lot longer than that.
20 Years of Tall Tales is the title of the web series The Black Crowes will roll out starting Tuesday August 3rd, which also happens to be the street date for their double album Croweology. I’m stoked to hear this collection of all-acoustic material; new arrangements of some of their best-loved classics as well as some choice deep cuts.
The Crowes have been around long enough to generate their own legacy of misdeeds, misunderstandings and folklore, and when you factor in a pair of (sometimes) battling brothers and a fiery independent spirit, the epic legacy is a bit daunting. So as a treat to fans and a middle finger to the naysayers, a series of webisodes were filmed at Chris Robinson’s home and will be released one per day at their website.
The press release says it all:
It’s all here: the highs, the lows, controversies, arrests, feuds and more. 20 Years of Tall Tales was directed and produced by John Vanover and filmed earlier this month at Robinson’s Los Angeles home.
• Did The Black Crowes – a band that has never played it musically or commercially safe and at times been crucified for it – really spend $1,000,000 recording an album (Tall) that went unreleased for more than a decade?
• What really happened in that Denver convenience store that led to Chris’ arrest?
• Why was the band really fired from the Aerosmith tour before being reinstated?
• What really went on in the studio the night the band held a bacchanalia for the amorica album?
• What really drives the relationship between Chris and his brother, guitarist Rich Robinson?
• How did the union of The Black Crowes and Oasis on the “Tour of Brotherly Love” actually cancel out the feuds of both bands’ brothers?
• And what about the band’s recently announced lengthy hiatus that will begin when their upcoming “SAY GOODNIGHT TO THE BAD GUYS 2010” tour ends this year with an epic six-night stand in San Francisco at The Fillmore December 12-19?
Fasten your seat belts as The Black Crowes – Chris Robinson (vocals/guitar), Rich Robinson (guitar), Steve Gorman (drums), Sven Pipien (bass), Luther Dickinson (guitar) and Adam McDougall (keyboards)–share the ride in 20 Years of Tall Tales.