Tag Archives: BAFTA

Nowhere Boy

Beatle Weekend, Part Two…

Finally got the chance to see Nowhere Boy this weekend, and despite my trepidations I was pretty impressed overall. I wasn’t sure what to expect, thinking perhaps a Backbeat story arc, but I liked it. On one hand it was the story of John Lennon leading up to Hamburg, but it was also one of the oddest love triangles in film history. Kudos to both Kristin Scott Thomas as Mimi and Anne-Marie Duff as Julia, Lennon’s aunt and mother respectively…and inversely, of course.

At first glance Thomas’ Mimi is impossibly prim and tight, while Duff’s Julia is wild and flirtatious, almost carnal; both characters are caricatures rather than people. But as the film develops, both move towards the center, eventually connecting before fate steps in to deal a bad hand. Likewise, Lennon is shown as a polarized youth, pulled between a wild streak and a crippling need for affection, but he too learns to balance both sides into a confident approach…the Lennon we would soon come to know. The film was nominated for four BAFTAs and won one (Duff as Julia).

Trailer: Nowhere Boy

Aaron Johnson gets credit for inhabiting the persona rather than aping it; his inner conflicts are as visible as his facade. There are several pivotal moments in the story, of course, and director Sam Taylor-Wood makes sure they’re driven home, but the film’s best moment is understated.

John first meets a young Paul McCartney in a bathroom doubling as a dressing room for a small park concert. Like gunslingers, they stand face to face, and as John draws his wit and leverage, Paul fires back by riffing a flawless intro to “Twenty Flight Rock“. Johnson, as Lennon, doesn’t say a word, but we see him realize that he brought a knife to the gunfight.

The humility, and the language of music, would open a door that would change their lives forever, and ours as well. And here’s the song that brings it all home

Video: “In Spite of all The Danger

Official film site


Filed under Film/TV, Music, Reviews

Brit Film Awards and Dead Namesakes

The 64th Annual British Academy Film Awards were announced today, and I guess it’s no surprise that The King’s Speech would take Best Picture over there. But that is some serious momentum in a category that was all but conceded to The Social Network  not so long ago. Only two weeks until the Academy Awards, and it looks like we might have a couple of horse races after all. The major awards went this way:

Best Picture: The King’s Speech

Best Actor: Colin Firth

Best Actress: Natalie Portman

Best Director: David Fincher

Best Supporting Actor: Geoffrey Rush

Best Supporting Actress: Helena Bonham Carter

That’s four of the big six going to The King’s Speech; only Carter would be considered an underdog for the Oscar, although Christian Bale still looks like the favorite over Rush. The Brits do love their own (Rush is an Aussie, close enough) but momentum-leading Melissa Leo wasn’t even nominated for a BAFTA.

I’m just thrilled that the brilliant dark humorist Chris Morris won an award as first-time director for Four Lions. Maybe there is hope for award ceremonies.

The full list of nominees and winners can be found here.

As to the second part of today’s title, I was stunned ten days ago to read that Neil Young, Robert Young and Tony Levin all died on February 3rd.

I was briefly logging on to a news website and almost spat out my coffee wondering why the loss of a rock legend, a classic TV Dad and one of the best bass players ever to walk the Earth had not gotten even a crawl mention on CNN. Turns out that while celebrity deaths do happen in threes, the deceased were not the people I imagined but instead were an English footballer, a former Olympian and a jazz drummer.

Condolences to the families and friends of the actual deceased of course. And while I should have remembered that TV’s Robert Young left this mortal coil twelve years ago, I’m happy to report that Neil Young and Tony Levin are still alive and rocking. Like Meatloaf sang, two out of three ain’t bad.

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Filed under Film/TV, Reviews