Tag Archives: Beastie Boys

T.G.I.F. – Ten Tunes For Americans

Ding dong, the bitch is dead!

Yeah, I’m feeling patriotic this week. Who isn’t? Well, maybe not patriotic like Kate Smith singing “God Bless America” or James Cagney as George M. Cohan belting out “Yankee Doodle Dandy”. But after this week’s activities, why not let that freak flag fly a bit?

So here are Ten Tunes for Americans. Rock out with your face out!

(01) – American Girl (Tom Petty)

(02) – Dancing In The Street  (Martha and The Vandellas)

(03) – Celebration (Kool and the Gang)

(04) – Rockin’ In The Free World (Neil Young)

(05) – Get Together (The Youngbloods)

(06) – Pink Houses  (John Mellencamp)

(07) – (You Gotta) Fight For Your Right To Party (Beastie Boys)

(08) – People Got To be Free  (The Rascals)

(09) – Living In America (James Brown)

(10) – America (Simon and Garfunkel)

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T.G.I.F. – Ten Radio Records

Happy Radio Day!

Well, that’s if you believe that Popov invented the concept instead of Marconi or Tesla. (And if everyone believed that, would we have had a band named Popov instead of these guys? Would Marconi not have played the mamba?

Celebrate the day anyway – it is Friday, after all – and blast some music out your car window. You might also want to celebrate by seeing films like American Hot Wax and The Boat That Rocked, a/k/a Pirate Radio.

Here are ten radio-related songs to get you started…

Joe Jackson:  “On The Radio”   Not the best song on I’m A Man, but that’s how strong the early Joe Jackson albums were (and how tight the band is).

Bruce Springsteen:  “Radio Nowhere”  I like Bruce’s social conscience, and I can appreciate the whole Woody Guthrie thing and his passion for the roots of music. But sometimes I just like a great Bruce single, and this is one.

Rush:  “Spirit of the Radio”  I was never a big Rush fan, mostly because Geddy Lee’s voice is like chalk on a blackboard to me. But when he shuts up and the band jams…wow.

Warren Zevon:  “Mohammed’s Radio”   Great live version (with Jackson Browne). God, I miss this man.

The Doors:  “WASP (Texas Radio and the Big Beat)”  I know a lot of people hate The Doors and think Jim Morrison was an overrated ponce, but I think L.A. Woman was a phenomenal album; an indication of what might have been.

Everclear:  “AM Radio”  One can argue that many of Art’s songs sound like they’re built on the same rhythm and chord progression, but you can’t knock his ability to combine humor and pathos. Great video, too.

Hedwig and the Angry Inch:  “Midnight Radio”   If you have not seen this film, you need to run to the store and get the DVD. John Cameron Mitchell’s performance is amazing, and thanks to Steven Trask, this is arguably the best rock and roll soundtrack ever. That’s right…ever. The original cast recording from the play is as good or better than the film soundtrack, but get both.

R.E.M.:  “Radio Free Europe”   The song that started it all for them, and one listen brings back that era in a flash, when these guys sounded so different from everybody else.

John Hiatt:  “Radio Girl”  The video sadly cuts off at the end, but I’m thankful even this much exists. John doesn’t play songs from Slug Line and Two Bit Monsters anymore, and that’s our loss.

Elvis Costello:  “Radio Radio”   Elvis Costello hit the ground with an astounding one-two-three punch of albums, and I wish I had a good rip of his initial SNL appearance when he played this song. But this nod and wink to that event with the Beastie Boys is pretty damned cool.

And your bonus trackJonathan Richman’sRoad Runner“. Priceless!

Got my radio ON!

Tim Russert would have been sixty today. RIP, buddy.

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Magnet (Magazine) – Opposites Don’t Attract

I used to really enjoy reading Magnet, one of the few magazines that really seemed to go out on a limb and find some new bands to trumpet. Their year-end take on important groups and albums – like any such list – was an enjoyable read, chuckles be damned, and I’d always scribble a name or two to follow up on.

But then I remember stopping whatever I was doing when Rolling Stone arrived in the mailbox so I could devour it cover to cover. Do that these days and you’ll get (1) paper cuts from the eleven free-floating subscription cards, (2) nausea from the perfume and cologne samples and (3) even more nausea from the words found buried between the fashion pages. But I digress…we’re talking Magnet today.

I get their teaser emails announcing what’s in the upcoming issue. Normally I glaze past the bullets without anything reaching out and catching my eye; another Sleater-Kinney feature or perhaps the newest adventures of the bass player who used to roadie for Walt Mink but now is producing six bands out of his Astrovan…I get it, he’s really, really indie. But today, I could not forgive the following:

The Beastie BoysPaul’s Boutique just turned 20. MAGNET re-examines one of the greatest pop albums of all time, right up there with Radiohead‘s OK Computer, the BeatlesRevolver and Bob Dylan‘s Blonde On Blonde.

Exfuckingscuse me, but what??

Unless this list of “greatest pop albums of all time” is on a one-page-a-day calendar, you do not mention The Beastie Boys in the same breath as The Beatles or Bob Dylan, ever. Ever! It’s not that I don’t find the Beasties entertaining; I wore the grooves out of “She’s On It” and I will always fight for my right to party. But Hey Ladies, get serious –  one of the greatest pop albums of all time? To paraphrase what  Joe Piscopo as Frank Sinatra would say…”I got pieces of albums like that in my stool!”

See? Not lyin'.

See? Not lyin'.

So how can I take their other offer seriously – the one where their “resident expert” will tell me which Replacements tracks I need and which I am wasting my time listening to? I don’t think so. So for God’s sake, Magnet… Let It Be. You Stink.

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