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Post-Emmy Thoughts

Visit the official Emmy website for a list of the winners.

  • Jimmy Fallon, you did great. That opening number will go down as one of the funniest and best kickoffs in the history of the telecast. You were funny throughout the night without being overbearing and milked that child-like innocence for all it was worth. And the musical impressions were pure gold.
  • Although I was pulling for Terry O’Quinn to be recognized for his incredible work on Lost, I can’t argue with the award to Aaron Paul from Breaking Bad. I felt he should have won before, and it’s great to see that his peers recognized his efforts; so many other actors would have made Jesse Pinkman a caricature.
  • Now that Bryan Cranston’s incredibly dramatic chops aren’t catching anyone off guard, I wonder how many will look back and realize just how much he deserved the award for his work on Malcolm In The Middle?
  • It looks like 30 Rock hit the wall across the board – the show and leads Tina Fey and Alec Baldwin were collecting statues like clockwork but all three got shut out last night. I wonder if people are taking that show for granted already?
  • Ricky Gervais proved again that every awards show needs to have him on stage for at least five minutes. Again, the funniest man in the room.
  • If you told me that two people would stand up in the audience and take bows, I never would have come up with Temple Grandin and Jack Kevorkian. Never.
  • Jorge Garcia and Jon Hamm during the “Born To Run” clip – priceless. (Hurley and Hamm does have a ring to it…)
  • Claire Danes is starting to resemble Lauren Bacall.
  • The Tweets sucked the life out of the moment anytime they were read. Dump the idea.
  • Mad Men is an unstoppable force. Ensembles do rule.
  • Tom Selleck looked like Gregory Peck in The Boys From Brazil.
  • Usually those songs played during the Memorium sequence can be pretty lame, but I thought Jewel did a nice job. Might actually be the best song I’ve heard from her in years (not that I’m actively listening…)
  • Some of the “we asked them this question” film clips were beyond painful, but the one with Steve Levitan and Christopher Lloyd mocking the Old Spice man on a horse commercial was genius.
  • Bucky Gunts!!
  • January Jones looked like a Christmas ornament. And I’ll bet any hetero man in the first three rows – assuming there were any – appreciated the view.
  • Archie Panjabi as Best Supporting Actress over Elisabeth Moss and Christina Hendricks?. Are you kidding me?
  • But the absolute MVP of the night has to go to John Hodgman, who did the hilarious voice-overs again this year. They were hysterical in their own right and make you realize just how stodgy and lame and unimaginative most award shows are. Too bad he couldn’t have scripted everything the presenters were told to say.

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Emmy Time

Jimmy Fallon proves he is *not* a Vulcan.

I’ve really turned the corner on Jimmy Fallon. 

Truthfully, he used to annoy the hell out of me on SNL, but then most of that regime usually did. Jimmy always seemed sloppy and amateurish, laughing at this own jokes, but then again I hated Tina Fey always repeating the punch lines to her jokes when doing the news. Time heals

It’s refreshing to see someone who knows he has a long road to the top be willing to take some chances and be genuinely thrilled to be in the late night hunt. I got that from Conan O’Brien when he first started under duress, and it’s one of the characteristics that has made Craig Ferguson so endearing. 

So I’m excited to see what Jimmy will bring to the big stage at the Emmy Awards  tonight. I’m hoping a good dose of irreverence, since this is such a self-congratulatory event. But there has been a pretty big paradigm shift in television, from the power struggles in late night to who is behind the successful money-making comedies. The dynamic is younger and hipper, and that’s his audience and his peer base. 

In the meantime, some wishes for some of the major categories – my ballot for whom I’d like to win, not who I think will win. 

It’s going to be interactive tonight – tweets, emails, IMs, live blogs. Since I have a life, I’ll defer my reactions to it all until tomorrow

 

Outstanding Lead Actor In A Comedy Series
Jim Parsons as Sheldon Cooper
Larry David as Himself
Matthew Morrison as Will Schuester
Tony Shalhoub as Adrian Monk
Steve Carell as Michael Scott
Alec Baldwin as Jack Donaghy  

Outstanding Lead Actor In A Drama Series
Bryan Cranston as Walter White

Michael C. Hall as Dexter Morgan
Kyle Chandler as Eric Taylor
Hugh Laurie as Dr. Gregory House
Matthew Fox as Jack Shephard
Jon Hamm as Don Draper  

Outstanding Lead Actress In A Comedy Series
Lea Michele as Rachel Berry
Julia Louis-Dreyfus as Christine Campbell
Edie Falco as Jackie Peyton
Amy Poehler as Leslie Knope
Tina Fey as Liz Lemon
Toni Collette as Tara Gregson  

Outstanding Lead Actress In A Drama Series
Kyra Sedgwick as Deputy Chief Brenda Johnson
Glenn Close as Patty Hewes
Connie Britton as Tami Taylor
Julianna Margulies as Alicia Florrick
Mariska Hargitay as Det. Olivia Benson
January Jones as Betty Draper  

Outstanding Supporting Actor In A Comedy Series
Chris Colfer as Kurt Hummel
Neil Patrick Harris as Barney Stinson
Jesse Tyler Ferguson as Mitchell
Eric Stonestreet as Cameron Tucker
Ty Burrell as Phil Dunphy
Jon Cryer as Alan Harper  

Outstanding Supporting Actor In A Drama Series
Aaron Paul as Jesse Pinkman
Martin Short as Leonard Winstone
Terry O’Quinn as John Locke
Michael Emerson as Ben Linus
John Slattery as Roger Sterling
Andre Braugher as Owen  

Outstanding Supporting Actress In A Comedy Series
Jane Lynch as Sue Sylvester
Julie Bowen as Claire Dunphy
Sofia Vergara as Gloria Delgado-Pritchett
Kristen Wiig as Various Characters
Jane Krakowski as Jenna Maroney
Holland Taylor as Evelyn Harper  

Outstanding Supporting Actress In A Drama Series
Sharon Gless as Madeline Westen
Rose Byrne as Ellen Parsons
Archie Panjabi as Kalinda Sharma
Christine Baranski as Diane Lockhart
Christina Hendricks as Joan Harris
Elisabeth Moss as Peggy Olson  

Outstanding Comedy Series
Curb Your Enthusiasm • HBO
Glee • FOX
Modern Family • ABC
Nurse Jackie • Showtime
The Office • NBC
30 Rock • NBC  

Outstanding Drama Series
Breaking Bad • AMC
Dexter • Showtime
The Good Wife • CBS
Lost • ABC
Mad Men • AMC
True Blood • HBO 

Remembering Katrina, five years ago. People *still* need help.

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TV or not TV?

Get back here and WATCH ME, dammit!!

It’s been an interesting year for television.

With ratings sinking, cheap reality programming gaining traction and a couple of long-running landmark programs coming to an end, the landscape for the next year or two might be a complete crapshoot. 

Although I don’t spend my time wallowing in celebrity gossip, I do find the machinations of the television industry fascinating. And this year has been particularly bizarre, with the whole Leno/Conan debacle the biggest story of the year – unless you want to separate Leno’s return to The Tonight Show from the single greatest disaster in prime time history. Ironic that Jay would make Headlines wither way. 

"Man single-handedly kills 15 hours of broadcasting"

Somehow The Simpsons keeps rolling along, South Park remains controversial and long running franchises Law And Order and CSI Wherever multiply like rabbits. Networks try to feed us more copycat cop crap, lame lawyer shows and miserable medical dramas. When they come up with something original (FlashForward) or even a reinvention of a past success (V) they forget that a complex serialized drama can’t have a huge gap in its schedule or momentum will be lost. (And speaking of Lost, someone at ABC couldn’t even understand the concept of  the phrase “uniterrupted schedule”, choosing to air a repeat episode April 25th). 

Fox has announced that 24 is ending this season, no doubt largely in part to the high cost of the program. But they hit the jackpot with Glee, and hopefully will pour some American Idol profit into keeping the wonderful Fringe alive. NBC looks like it might finally have a Thursday night comedy block again (Community, Parks and Recreation, The Office and 30 Rock) but is scrambling to replace the third of their schedule that The Jay Leno Show wiped out. If ABC drops it’s two high-priced sci-fi shows and cancels Heroes, they virtually  concede Monday and Tuesday nights; only Castle and Modern Family have broken the mold of celebretard programming. CBS might have found a winner in The Good Wife but the network is still more likely to clone a show than create one. 

 It’s not all hopeless. USA came up with a winner in White Collar which should help ease the loss of Monk.  Friday Night Lights returns this week thanks to the cost-sharing deal between NBC and DirecTV, whereby DirecTV gets to air the series on pay TV in the Fall, then NBC gets to air it on broadcast TV in the Spring. (Maybe that strategy can save shows like Damages and Southland; adult oriented drama that doesn’t pull vampire numbers in the ratings.) 

And the summer brings us basic cable winners like The Closer and Rescue Me and Mad Men as the more nimble basic cable channels like TNT, AMC and FX counter-program the dead season. Elmore Leonard on television is a good thing.  Louis C.K. on television is a good thing. 

If the smaller channels can get it right…why can’t the major networks? Pretty soon it’s all going to be internet television anyway, so the smart and savvy will survive. There is still a large audience that wants great storytelling and well-written comedy

But every year I still cringe when brilliant shows get cancelled. Watching the slow death of Better Off Ted was reminiscent of Arrested Development’s demise, only accelerated. And why would you have a show called The Unusuals and not let it be…unusual? But I could just be bitter. Hell, I still haven’t forgiven CBS for cancelling EZ Streets. 

There are a few excellent resources for those of you looking into that crystal ball wondering what’s happening with your favorite shows…or with the schedule in general. You’ll probably want to bookmark them. The week of May 17th might be D-Day for many of these programs as the networks finish Sweeps and sharpen the axes.

 

The Futon Critic is an excellent resource for TV news and even includes this handy guide to how many episodes are left for each program. Shows are listed by network in a cancel/renewal status grid  (note that a lot of them are TBD). 

The aptly named Is My Show Cancelled site focuses on just that very thing. 

TV By The Numbers takes a more statistical approach to the situation, tracking ratings on a daily basis and making some predictions based upon trends and historical decision points.

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I Like To Watch

"Is there a TV upstairs? I like to watch."

So do a lot of people, apparently. Guess there is a bright side to an economic recession after all.

FOX is claiming its first-ever win in the Nielsen’s for the 4th quarter, as their viewership rose while CBS, NBC and ABC took a slight dip. Of course, FOX has a tendency to lie through their teeth stretch the truth on occasion, but with a lineup including heavyweights House and Bones plus the incredible success of Glee, I tend to believe this. (Plus the numbers came from the Nielsen Ratings…not that those or any other survey are any more accurate than an extrapolated small sample could be.)

And that’s before 24 starts revving its engine next month.

But almost as amazing is the rise in cable viewership and the number of channels setting all-time highs for ratings. FX lost The Shield and Nip/Tuck this year but has two big hits with Damages and Sons of AnarchyThe League also did very well, while It’s Always Sunny in Philadelphia had its strongest season to date. AMC killed with Mad Men, of course, and has Breaking Bad coming back.

 USA in particular struck gold with The Closer and the final season of Monk, whose last episode now holds the record for the largest rating ever on basic cable. White Collar, the new series that rode Monk as a lead-in, seems to have charmed viewers as well.

But some disturbing news about one of my favorites, Better Off Ted, where ABC is burning off the remaining new episodes starting this Friday (a/k/a Television’s Graveyard) and then running double episodes on January 5th, 12th, 19th and 26th. Hopefully that’s just to clear the decks for Lost, which starts its final season February 2nd, and will occupy the same night and time slot. Glass half full over here.

Much more information at The Futon Critic.

30 years old this month; still prescient.

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Golden Globes Noms: Rusty

Ricky Gervais, save us!

The nominations for the 67th Golden Globes were announced this morning, and as usual it’s a mixed bag of deserving nods, payback to schmoozing favorites and a handful of glaring omissions. For now a quick look at the nominations for television: 

BEST TELEVISION SERIES – DRAMA
a. BIG LOVE (HBO)
b. DEXTER (SHOWTIME)
c. HOUSE (FOX)
d. MAD MEN (AMC)
e. TRUE BLOOD (HBO)

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA
a. GLENN CLOSE, DAMAGES
b. JANUARY JONES, MAD MEN
c. JULIANNA MARGULIES, THE GOOD WIFE
d. ANNA PAQUIN, TRUE BLOOD
e. KYRA SEDGWICK, THE CLOSER

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA
a. SIMON BAKER, THE MENTALIST
b. MICHAEL C. HALL, DEXTER
c. JON HAMM, MAD MEN
d. HUGH LAURIE, HOUSE
e. BILL PAXTON, BIG LOVE

BEST TELEVISION SERIES – COMEDY OR MUSICAL
a. 30 ROCK (NBC)
b. ENTOURAGE (HBO)
c. GLEE (FOX)
d. MODERN FAMILY (ABC)
e. THE OFFICE (NBC)

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – COMEDY OR MUSICAL
a. TONI COLLETTE, UNITED STATES OF TARA
b. COURTENEY COX, COUGAR TOWN
c. EDIE FALCO, NURSE JACKIE
d. TINA FEY, 30 ROCK
e. LEA MICHELE, GLEE

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – COMEDY OR MUSICAL
a. ALEC BALDWIN, 30 ROCK
b. STEVE CARELL, THE OFFICE
c. DAVID DUCHOVNY, CALIFORNICATION
d. THOMAS JANE, HUNG
e. MATTHEW MORRISON, GLEE

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. JANE ADAMS, HUNG
b. ROSE BYRNE, DAMAGES
c. JANE LYNCH, GLEE
d. JANET McTEER, INTO THE STORM
e. CHLOË SEVIGNY, BIG LOVE

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. MICHAEL EMERSON, LOST
b. NEIL PATRICK HARRIS, HOW I MET YOUR MOTHER
c. WILLIAM HURT, DAMAGES
d. JOHN LITHGOW, DEXTER
e. JEREMY PIVEN, ENTOURAGE

I have to remind myself that these nominations and awards, however prestigious, are the work of ninety reporters in the Hollywood Foreign Press Association, it’s not an industry-wide tally. Some of these people don’t even review the work itself – they exist solely to hobnob with stars and create puff pieces for magazines and gossip columns. By comparison, the Online Film Critics Society has over one hundred forty reviewers

The awards hold merit despite the fact that most people realize it is a popularity contest; some favorites would almost have to commit a crime to not get a nomination. Remember that this is the same organization that accepted lavish gifts and bribes in return for naming Pia Zadora Best Actress. 

Whatever

As far as drama goes…I’m always glad to see Michael Emerson getting some love for Lost, but I thought the show made a major rebound this past season and deserved a nod. And how about FX’s Sons of Anarchy – not to mention Katey Sagal‘s bold performance? Breaking Bad (not to mention its two male leads)? Tired of the Hugh Laurie and House nominations, people – great guy but he’s sleepwalking in that character after so many years. 

Looking at the comedy nominations, I’m floored that freshman shows Glee and Modern Family both got nods, but equally stunned that It’s Always Sunny In Philadelphia – the funniest show on television this past season – got blanked. Entourage is a joke; I think it gets nominated because of its subject matter. Far funnier shows include Better off Ted, Parks and Recreation and even Community

Lots of shows seemingly fall in the middle – there’s plenty of humor on Castle, Rescue Me and The Closer although I suppose all would be considered under the drama category…if anyone bothered to nominate them, that is.  Ditto a wealth of performers on those ensembles that aren’t getting the publicity or the nominations while Jeremy Piven gets rubber-stamped in yet again (albeit in a very tough category).

Oh well. At least I don’t have to puke in my mouth a little anymore, now that they’ve finally put Boston Legal in its grave. And each category, despite the omissions, does have someone I can truly root for. But it’s far too much hoopla for such a small return…and the over hype is just getting started. 

My five word summary: Thank God for Ricky Gervais

 

Full nominations here.

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Louie – Lucky Again

On a roll. Like buttah!

Louis C.K. is on fire this year. Still rolling through his most prolific period of writing and performing, he’s recorded a two-disc version of his 2009 show Hilarious earlier this year. That’s coming out soon even though people are still discovering 2008’s Chewed Up and 2007’s Shameless. That’s three solid new shows in three years while managing to juggle all his other activities.

And as previously announced, Louis signed a deal for a new show on the FX network. It’s never going to be as permissive as pay cable, where Louis was able to float scenes like this classic on Lucky Louie. But damned if FX hasn’t been pushing the boundaries of basic cable as far as they can stretch with Sons of Anarchy and It’s Always Sunny in Philadelphia. (FX has to be my favorite network right now when you factor in Damages and six seasons of Rescue Me. Even The League is growing on me a bit, and the upcoming Archer looks great!).

And today, Louis launched his own plug for the show. This is just too funny. Warning: NSFW (of course).

HBO never should have cancelled Lucky Louie. But now that Louis C.K. is lucky enough to have another shot, here’s hoping FX has bigger stones than HBO did. I can’t imagine the new show having a better cast than he did before, but he has the golden touch right now and I would not bet against him.Watch for Louie in the Spring of 2010 on FX.

Three Men and a Babe

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