Tag Archives: David Feldman

(T)rump Roast

What do Pamela Anderson, David Hasselhoff and Donald Trump have in common?

A. They are dumb blondes…even if it’s fake blond.

B. Their 15 minutes expired 15 years ago.

C. They are more famous for being famous than for actual worthy accomplishments.

D. They are how low the bar has sunk for “celebrities” at Comedy Central Roasts.

E. All of the above.

Which doesn’t mean that I’m not tuning in to watch; when truly funny people like Anthony Jeselnik and Whitney Cummings are going to savage easy targets, I’m game. But not only has the roastee gone down hill, but the dais now features the brain-dead (The Situation) and the living dead (Larry King) where giants one sat. Sadly, ace roaster Greg Giraldo is no longer with us, but where is Nick DiPaolo? Where is Colin Quinn? Where is Norm MacDonald? Where is…oh wait, I know where Gilbert Gottfried is

Maybe they were busy. Maybe they didn’t want to go slumming. But here’s how The Comedy Central Roast of Donald Trump did go…

I think Seth MacFarlane is a perfect host; he’s got a great voice and really knows how to deliver a joke. Even if they’re ones he didn’t write, like perhaps “If his plan is to fire everyone he’s two years too late” or “He has such a big ego, when he bangs a supermodel he closes his eyes and imagines he’s jerking off.” With David Feldman and Jesse Joyce writing copy, at least there were good zingers for those qualified to deliver them. He’s also unafraid to go there, like feigning retardation while talking to the Jersey Shore mook.

Of course that was half the problem – the dais. Larry King was horrible, stumbling through lines he looked like he was seeing for the first time, and giggling at every one with that pedophile heh-heh-heh that is beyond creepy. “Lisa Lumpa Jelly“, he snarked…wow. But he seemed like Rodney Dangerfield next to the Ab Man (I’m not typing his name again), who was so inept that the crowd either booed or sat in total silence until Jeffrey Ross had to go up to the podium and beg for mercy. Granted, he’s not a comedian…but then why the fuck is he up there trying to be one? Is he banging Trump’s daughter? The Proactiv commercial during the break was funnier.

Marlee Matlin played the role of the proper girl who gets filthy-mouthed for the event; this is now a staple of every roast. And she was a good sport, and funny – using an interpreter to speak for her (when the camera picked him up earlier, I thought he was a Barack Obama look-alike who was going to engage in a skit with Trump!). But when he quit in mock exasperation, Gilbert Gottfried came out to take his place and got a huge ovation before tearing the room a new one. Obviously filmed before the Tsunami Twitter incident, Gilbert proved that nothing was ever sacred by saying Trump had defiled New York so much he is known as the “twentieth terrorist“.

Lisa Lampanelli’s “I love the brothers” routine is beyond tired but she did get off a couple of good lines. To Trump about his hair: “What do you have to say to a barber to get that haircut? I fucked your daughter?Snoop Dogg, always cool, got off a keeper when he riffed on Trump running for President by saying if he won it wouldn’t be the first time he kicked a black family out of their house. More consistently solid was Whitney Cummings, who peppered the stage with jabs on her first few jokes but then finished in a flurry of uppercuts and right crosses. By comparison, she had the biggest balls on the stage.

The clear winners of the evening were Jeffrey Ross and Anthony Jeselnik. Great to see Ross absolutely kill; he had the line of the night (to Trump: “Are you having a good time? Yeah? Tell your face…“). And Jeselnik deadpanned his way through one winner after another, from the simply clever (“the sense of humor to embarrass yourself on Saturday Night Live…and the casino business“) to the brilliantly subversive (“Marlee Matlin…are you even listening to me?”).

Theer were a few heartfelt mentions about Greg Giraldo, and he was sorely missed, although Jeselnik scored well enough to be considered for the role of roast assassinOr maybe they can feature Jesse Joyce, Giraldo’s writing partner and a hilarious dude in his own right (who also wrote some of the better lines on this show). Get some fresh blood up on the dais – quick thinkers with a ruthless streak like Joe DeRosa, Joe Materese and Kurt Metzger. You are filming this in New York, right? I hear some comics hang out there.

Hopefully this will wind up on DVD where some of the funnier or more cringe-worthy elements can be seen in all their glory. Most of the shows have been available, with few exceptions – the Joan Rivers set is a notable omission. Too bad – there were some tremendous punches thrown at her, and she returned hellfire. Much more impressive than Trump reading the teleprompter.

And to borrow a line from Mr. Ross…”Greg Giraldo, roast in peace.”

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WTF Turns 100

Congratulations to Marc Maron – tomorrow will mark the one hundredth episode of his brilliant WTF podcast. Since September 2009, like clockwork, these hours of self-analysis, penetrating interviews and social observation keep popping out twice a week like gold.

The WTF Podcast page

The very first episode featured the Roastmaster General himself, Jeff Ross, and the array of guests he’s welcomed is staggering. Patton Oswalt, David Feldman, Maria Bamford, Jim Norton, Robin Williams, Dave Attell, Sarah Silverman, Doug Stanhope, Andy Kindler…he’s quietly assembled a library of audio documents that any serious comedy lover should savor.

And Maron, beyond being incredibly funny in his own right, has proven to be an incisive interviewer who is unafraid to broach sensitive topics (and yes, sometimes with a personal edge). Some of my favorites included a frank discussion of race with Chicago comic Dwayne Kennedy and some gutsy exchanges with two popular but controversial comedians accused of joke thievery (Dane Cook and Carlos Mencia).

Although many are recorded in his garage studio, Maron has taken WTF on the road and has even filmed a pilot for that will hopefully be picked up as a series. Not only will it bring in some welcome funding, but the show and its brilliant guests will get much-needed exposure to the vast majority of people who don’t even know the show exists, let alone where to find it. Surely there has to be room in the vast cable landscape for intelligent discourse?

For now, I’m just thankful that Maron, Bill Burr, Kevin Pollack and so many others have adopted the format and put this out there for free. With literally hundreds of hours of these shows available, there will never be another boring car ride. Ever.

Congratulations, Mark! Please try to enjoy the moment.

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Last Comic Standing

Last Comic Standing might be worthy after all.

Thankfully, the format of the show seems to have improved. Reportedly there will be no “comic house” or oddball challenges this year, just rounds of stand-up and voting. I never enjoyed the forced drama of the “house”; it’s gimmicks like that which makes me find reality tv revolting. And while the challenges sometimes forced comics to think on their feet, sometimes they were so absurd that they only made everyone – participants and viewers – uncomfortable.

Craig Robinson, as host, does what Jay Mohr and other prior MCs failed to do – let the comics be the stars of the show. If we really are about to see twenty or thirty comics who have bubbled to the surface we don’t need a five-minute routine from the host. Robinson playfully teases the waiting crowd outside the door and has occasional post-audition banter with a comic. Short and sweet.

To say that the judges’ panel has vastly improved is an understatement. Ross Mark and Bob Read, the qualifying judges on previous shows, were occasionally funny, but mostly came off as tired and cranky. But the trio chosen for this season – Greg Giraldo, Andy Kindler and Natasha Leggero – are consistently funny.

Kindler is one of the most underrated comics working today; he’s subversive, whiny and hilarious with the ability to play broad or subtle. Giraldo has been a favorite of mine since Tough Crowd, and although he shines on Comedy Central Roasts, he never seems to get his due – hopefully this will change. And although Leggero could just sit there and look smoking hot, her turns on Chelsea Lately prove that she can run with the big dogs.

If there is a weakness in the three hours broadcast to date, unfortunately it’s the comedians. There have been some laughs, sure, but very few have distinguished themselves so far, and I’m hoping that the longer routines in the semi-finals will let them shine. Some of them are familiar faces who have already scored album releases and/or televised specials. But that’s no guarantee – some have made it to the next stage (Kirk Fox, Laurie Kilmartin, Shane Mauss, David Feldman), others were cut (Jimmy Dore, Cathy Ladman, Jim David – who has a new album out this month).

My favorites from tonight – Jesse Joyce, Mike DeStefano, Tommy Johnagin, Roy Wood Jr., Kurt Metzger. Last week’s nods go to Kirk Fox, Chris Pope, Jonathan Stymius, Rachel Feinstein and David Feldman. Next week – the rest of the New York auditions. Hope they saved some ringers!

Last Comic Standing wiki.

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Stand Up Wit…David Feldman

David Feldman is an award-winning television comedy writer who, despite that success, toiled behind the scenes for years before doing his own material onstage on a regular basis. And when the stand-up appearances were successful, it still took him almost the entire decade to release his first comedy album. Hopefully Left Without Paying will generate enough buzz to prompt him to jumpstart the pace a little bit; I’d like much more from him before I punch my ticket off this mortal coil.

Feldman is pretty old school in his delivery, he enunciates dramatically with a slow and clear cadence. It’s as if a more hyper monologue-centric comedian was slowed down; imagine Rodney Dangerfield not sweating and using a bigger vocabulary, or early Woody Allen with less stutter and more confidence.  As expected from a writer for Dennis Miller and Bill Maher, two comics known for their biting sarcasm, Feldman’s barbs are fast and razor-sharp.

Feldman can dole out quick 1-2 punch lines but also revels in leveraging his physical appearance as a safe and ordinary looking guy to bait the audience into unsuspecting turns. What will start out like an innocuous topic that gets supportive applause will turn on a dime, or he’ll launch into an offensive joke demeaning women or the elderly. Of course, the crowd will take the bait and gasp, which sets him up to feign shock and with a shrug and a dismissive “Whaaat?”

Video: Cannabalism

He wouldn’t be a successful, award-winning writer if he didn’t have a boatload of great jokes, and this CD is loaded with them. I won’t spoil them here, but you’ll be pirating several at the office the next day. Favorites include the greatest Elvis impersonator, wet dreams, frozen sperm, cheating lists, deadbeat kids, the football injury, the Humane society for people…there are a few dry spots, but he’s wry and clever far more often than not. And, of course, wriggling out of a bit gone horribly awry is just as much fun for him.

Video: Sexual Harassment

Recorded with crystal clarity at the Acme Comedy Club in Minneapolis in front of a strong crowd, Left Without Paying is  a solid debut. Although Feldman currently records podcasts, I hope we get another album, and soon.

Buy Left Without Paying here.

David Feldman’s website

David Feldman wiki page and IMDB page

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