Tag Archives: Deadwood

Catch ‘Em While You Can

Don’t it always seem to go
that you don’t know what you got ’til it’s gone?

That classic Joni Mitchell line doesn’t exactly roll off the tongue, but you get my point. Artists come and go, books and albums go out of print, and in the world of television, sometimes that great show just doesn’t catch on with enough viewers fast enough, and…poof.

Some of TV’s most iconic programs were not instant successes. In the early days, frankly there wasn’t enough left to replace them with, so a Twilight Zone could have time to build an audience. And it wasn’t unusual for a show to become a staple over time, whether it was a groundbreaking program like M*A*S*H or All In The Family or a pop culture nugget like The Munsters or Gilligan’s Island.

Star Trek probably came out of the 60’s with the strongest credibility, but that show was a bomb when originally aired. And has the ratings been as nervously distilled for Hill Street Blues as they are today, you wouldn’t even know the name of just another cop show that bit the dust.

The next great epic, Boardwalk Empire

So I’m thrilled that HBO has already renewed Boardwalk Empire after just one episode, even if I haven’t seen it yet. After leaving fans of Carnivale and Deadwood in the lurch, perhaps they have learned from Lost that if you are going to try to bring an ocean liner to a halt, a smooth deceleration works better than a dead stop. If this year is successful and DVD sales are solid, they’ll hopefully give the writers and producers another notice next year so that story arcs can be flexible enough to either ascend or wrap up.

At the opposite end of the spectrum is the wonderful Better Off Ted, which got the axe with only two shows left in the can. Eight months later, ABC still hasn’t been able to find a time slot to burn off those two shows – again, already filmed and produced, just sitting there – so those of us who appreciate well-written comedy can have one last hour of enjoyment. The UK picked up the show and those episodes aired in England…yet this week in the States, ABC filled a third of its prime time schedule with four hours of Dancing With The Stars and a new show regurgitating both Jerry O’Connell and Jim Belushi. Thanks a lot.

Thankfully Britain is our friend. Since the DVD of season two might never appear, enjoy those last two episodes here, won’t you?

Episode 12It’s My Party and I’ll Lie If I Want To.

Episode 13Swag The Dog

This intelligent comedy is brought to you by Veridian Dynamics

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Timothy Olyphant is Badass

The critical raves are Justified

Timothy Olyphant is badass. 

Olyphant has become one of those actors whose very presence in a cast legitimizes the project for me. Sure, his early career looks like most actor’s, a few romcoms, guest spots on bad TV shows, less than stellar plots. But lightning struck when he hooked up as part of the cast of Deadwood, certain to go down as one of the all-time classic series on television. He brings such charisma and strength to a role, when he’s onscreen it’s hard not to be completely captivated. 

John Hawkes, Timothy Olyphant, Keith Carradine

He’s always been good in a war-themed flick; the recent Stop-Loss and the underrated When Trumpets Fade being but two examples. Domed skull in Hitman. Convincingly appropriate in culture flicks like Go and Rock Star. But he really shines when given a character with inner conflicts who might be morally ambiguous; his supporting role on Damages was a standout. 

But after one episode of the new FX series Justified – hell, after one scene – I’ve come to the conclusion that Olyphant belongs under a cowboy hat. (And to think they almost cast Dermot Mulroney as the lead!) 


Justified is based upon an Elmore Leonard character from his story called “Fire In The Hole“, with Olyphant playing the lead character Raylan Givens. The original title of Lawman wasn’t available thanks to Steven Segal‘s latest abuse of his fifteen minutes of fame (isn’t that voucher beyond stale by now?). 

Writers include those who have worked on Karen Sisco (another Leonard-based show featuring Carla Gugino and Robert Forster) and Deadwood. And what tips the brim is that Elmore Leonard is directly involved as writer and producer. Show writers wear a bracelet that reads “What Would Elmore Do?“…now that is badass as well. 

Basic cable has started to kick the major networks’ asses with more and more quality actors finding great projects and first-rate material. Mad Men and Breaking Bad give AMC huge credibility; TNT struck gold with The Closer and USA may have found their replacement for Monk in White Collar

But FX has been on a serious roll the past couple of seasons adding drama like Justified and Sons of Anarchy and comedy shows Archer and The League. The majority of my must-see TV is on basic cable these days. 

If you have not jumped on the Justified bandwagon, I implore you to do so quickly and catch up; the third episode airs next Tuesday (March 30) at 10pm. Rich characters, great atmosphere, stellar casting (Walton Goggins!), adult themes…this one is a keeper. 

As scene-stealing Wes Krulik in Damages

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