Tag Archives: Denis Leary

T.G.I.F. – Ten Emmy Thumbs

That’s thumbs both up and down, as it looks like the voting academy finally started to recognize that basic cable programs are pretty much kicking TV’s ass right now. Yes, Mad Men had gotten tons of accolades (and deservedly so), but TNT, FX and USA have been pumping out quality programming with interesting characters and solid casts without getting their due. I’m still burning over the fact that The Shield got their attention in the first season but then fell off their radar after that despite six seasons that raised the bar every year. But we shouldn’t cry over spilt blood.

This year’s list of nominees did provide some surprising nods that put a big smile on my face. But as always, there were some jaw-dropping announcements that just made me shake my head. So for this week’s TGIF, how about Ten Emmy Thumbsfive up and five down?

(01)Justified: Walton Goggins got screwed over so many times on The Shield that I lost count, and I was afraid that his dynamic performance on Justified was going to be overlooked as well. But thankfully voters woke up and nominated him along with series lead Timothy Olyphant and the amazing Margo Martindale (who might have given the single best performance on television this year).

(02)Louis CK: Not only did he grab nods for his show and his acting, but his comedy special picked up two nods as well. Denis Leary had to watch The Job get ignored before hitting it big with Rescue Me; let’s hope Lucky Louie opened the door for a long ride with Louie.

(03)The Good Wife: a strong show that appeals to men and women, and Alan Cumming got a well-deserved nomination along with star Julianne Margulies.

(04)Robot Chicken: Some of the absolutely gut-bustingly funniest shows on TV are buried in the Adult Swim section of the Cartoon Network. Seth Green continues to amaze.

(05)Parks And Recreation: The pendulum on Thursday’s NBC comedy block has clearly swung to the newer half of the evening, with Community and P&R really stepping up their game. Amy Poehler is great but Nick Offerman should have been a no-brainer nominee.

(06) – Um…where are the nominations for The Closer, Castle, The Walking Dead, Treme, Fringe and just about anything sci-fi related?

(07)Modern Family – great show with a great cast. But did every single adult cast member deserve a nod? You couldn’t slide in anyone from Community or Parks and Recreation? Have you not seen Children’s Hospital?

(08) – Category Blunders! Since when is SNL a comedy series and not a variety show? Kristin Wiig gets a supporting comedy actress nod? Hosts of the show are guest actors? How about people like Mary McConnell and Cloris Leachman, who are cast members in the shows they were nominated for as guests?

(09)The Good Wife – like Modern Family, a good show, but let’s get real. Christine Baranski and Josh Charles are good actors, but…the best? There are at least ten people on Sons of Anarchy alone that blew them out of the water, and that show was completely overlooked again this year

(10)Mariska Hartigay. Really? Really?

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Best Comedy DVDs of 2010: #10, #9

Today starts the countdown of the ten best comedy DVDs of 2010…

#10) Aziz Ansari: Intimate Moments For A Sensual Evening

Aziz Ansari’s high-energy performance largely centers around him being famous, and you…well, not so much. But we like his self-centered Tom Haverford character on Parks and Recreation because under all that obnoxious pretense, he truly does have a big heart. In the same way, Ansari’s stage persona just comes off like the friend of yours who lucked into something good, but is still cool enough to hang with you anyway.

The best comedy comes from reality, and while Aziz might embellish a few bits about Kanye West or R. Kelly, they’re that much funnier because they’re totally believable coming from a guy whose career has just blown up. Ditto the best parts of his set when he’s riffing about his nephew Darwish and cousin Harris; while the anecdotes are pretty hilarious, this is probably a normal day in the real life of a young comic who is famous. Ansari sounds pretty grounded, unlike Raaaaaaaandy (his shock comic character from Funny People) who hopefully will not become the more famous of the two. (Comedy Central Records)

***

#9) Orny Adams: Takes The Third

Like the bastard love child of Jerry Seinfeld (physical appearance and joke structure) and Denis Leary (intolerant raging at incompetence), Orny Adams is just plain fed up. Technology, fat kids, bad drivers, marriage, customer service…it’s all a conspiracy to drive us crazy. Like Path Of Most Resistance, his prior DVD, his topics are ordinary but his take on them is very funny. He’s outraged, but self-deprecating, like a slightly saner Lewis Black; and despite the title, it is social outrage, not political.

Impressively, the entire program is cut from one performance. Besides the hour-long set, the DVD includes a few minutes of additional onstage and backstage footage, largely a mutual love letter to and from his fans. Adams might not be a huge name but he’s got a solid routine and charm to burn. And if this flames out and, as he fears, he’s selling cars this time next year, at least those who saw him as his own worst enemy in the film Comedian will know that he finally figured it out. (Image Entertainment)

***

The countdown continues tomorrow with #8 and #7

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Let’s Hear It For The Girl

My daughter Eli attends Emerson College, a phenomenal place for anyone interested in entertainment, whether production or performance. Lots of famous alumni of course – among them Stephen Wright, Bill Burr, Gina Gershon, Jay Leno, Denis Leary, Henry Winkler and Norman Lear. Successful show creators, too – her freshman dorm was funded by Max Mutchnick (creator of Will and Grace) and last year ahe worked with Friends creator Kevin Bright  to create a sitcom from scratch. Doug Herzog, President of Comedy Central, is another graduate.

 The list goes on and on…if I were a high school grad interested in a career in the arts I would crawl through broken glass while on fire just to apply. (Or at least ride a bike.) Of course, when I was looking at colleges, that area of Boston was known as the Combat Zone, rivaling the pre-Guiliani Times Square for opulent decadence. Today it’s the Theatre District, much hipper than the sanitized Disney-fication of the most famous intersection in Manhattan.

My enthusiasm is exactly the opposite for Lady Gaga – it’s the kind of processed dance pop that makes my skin crawl. But my Dad didn’t “get” The Beatles; likewise I’m not the target demo for the songs that she/he/it creates.

But even I have to give props for this amazing Emerson Lip Dub.

Most schools have an informative brochure or website to give potential students an idea of what it’s like to attend their university. I think the Admissions Department just trumped the competition – courtesy of the effort of over four hundred students. Kudos, Emersonians!

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Blast From The Past – Bobby Gaylor

My mind often plays connect-the-dots.

I was reading emails from friends about the recent Alejandro Escovedo concert with Hamell On Trial as an opener – a perfect pairing that I sadly missed – and the reviewer mentioned how he had met Escovedo in Austin while both were clerks ar Waterloo Records. Hamell, a native of upstate New York, eventually migrated there when starting his solo career, a decision that led to his explosion onto the alternative scene and his initial major label deal.

Ed Hamell is a literate and wordy guy, so I found myself referring to him when I’d come across similar artists, or at least those who would issue combinations of spoken word and music. And while dwelling on that memory, I remembered Bobby Gaylor‘s song “Suicide“, which caused quite a stir upon its release…although many people misinterpreted the point of the song in their “Born In The USA” kinda way.

Video: “Suicide

So thanks to my random and erratic brain synapses, here’s my ten-year old review of Gaylor’s Fuzzatonic Scream album, which originally ran in Consumable Online

If you have had a radio on these past couple of months, you’ve probably heard “Suicide”, the arresting spoken-word track that has polarized the listening audience. No, it’s not a pro-suicide song, although it wouldn’t be the first time that dimwitted people have rallied against a song or poem without comprehending it. But it does cleverly begin with an off-the-cuff attitude that hooks your sick sense of humor, before spinning on a dime midway through to head towards its very anti-suicide coda — “Hey, you were born – finish what you started!” Whether it’s the overwhelming majority of people who are moved by the track or the 10% or so who are offended, the phone lights up whenever the track airs.

Bobby Gaylor’s phrasing and Boston accent will remind you of Denis Leary, although his comic story style owes more to performers like Ed Hamell and monologists like Eric Bogosian than any stand-up comic (well, this side of Chris Rush, anyway.) His skewed reality is not so different from ours, but few people have the ability to tell as colorful of a story while still remaining believable. If you have that one friend who can make any situation or story sound funny, or scary, or important, well, that’s Bobby Gaylor in a nutshell.

What is unusual is the musical accompaniment; one is more used to hearing laughter or silence rather than music.  Occasionally it works wonders;  “Suicide” plays like an alternative folk song, “Animals” would play well on The Discovery Channel, and “Tommy The Frog Killer” has a pulsing Euro-sound rolling underneath like an independent film. Which makes sense of course, since soundtrack composer and musician/engineer Marc Bonilla provide the “score” to Gaylor’s tales. Not all stories are funny – although “Hit A Guy With My Car” is morbidly hilarious – but they’re all compelling with or without the music. Masturbation, families, animals, violence, and the artlessness of smelt fishing all get a turn under his microscope.

“Suicide” will no doubt grab your attention, and may indeed change your life, but Gaylor is no one-trick pony. And for those who can’t handle the truth, yes, the radio-edit version of “Suicide” is included as well as the full-blown rant.

Listen to clips at Amazon.

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(F)X Marks the Spot

Louis C.K. is back on television and thank God for that!

Lucky Louie, his prior cable show that infused his comedy writing into a lewd and hysterical sitcom, proved to be too much for people. Their loss! The cast (Pamela Adlon, Rick Shapiro and several great fellow comics) was perfect, and his knack for putting himself into extremely awkward situations was both bold and hilarious.

Louie, the new show, merges clips of his stand-up performance with related filmed set-ups, which is not a new idea (think Seinfeld if the clips were used within the show instead of just bumpers). But Louis is an extremely watchable actor who convincingly sells uncomfortable and cringe-worthy. The material is based on his own life;  I sure hope he’s embellishing the bad parts.

Great to see fellow comics like Jim Norton, Nick DiPaolo and Eddie Brill onboard as well (I could watch a “poker scene” every week just to let these guys riff) and Chelsea Peretti was great as the date from hell. But the better part of the show is simply Louis on stage, showing why he might just be the best stand-up comic we have right now. Not to mention prolific – this year should also see the release of yet another CD and DVD of fresh material.

Personally I enjoy the blend of stand-up and filmed segments – Louis C.K. writes, directs, edits and produces the entire thing, so it’s a pretty consistently funny experience. But if you’re the type who enjoys the stand-up routines but hates the vignettes that set them up, Videogum is the site for you – they’ve parsed the stage material.

Bonus: hearing “Brother Louie” as the theme song every week!

***

Rescue Me is also back for its final season, although the decision was made to split the episodes between 2010 and 2011, with the closing of the show set to coincide with the tenth anniversary of 9/11.

 The first episode picks up after the pseudo-cliffhanger from last year (did anyone really think they were going to kill Tommy Gavin?) and uses the hour to re-introduce most of the central and recurring characters, most of whom have finally had their fill of Tommy. Haunted by his personal failures – and still haunted by his dead cousin – Gavin is somehow still on the precipice of a further fall even when seemingly at rock bottom. His wife might be finding solace with one of his crew, his daughter might be following in his footsteps, and his workplace might be closing, the victim of budget cuts and politics.

When the show first aired, there was a solid dose of homage to the fallen heroes from 9/11 and an emphasis on what is was all about to be a firefighter. As seasons progressed it became more about the humor and pathos of the firefighters’ personal lives (much like The Job spent less and less time at the police station), but anyone who knows good television cans ee an arc of redemption on the way. Will Tommy Gavin have to sink lower before rising to the occasion? Do bears shit in the woods?

Leary has always been loyal to his friends and associates, so thankfully that results in a lot of face time for Adam Ferrara and especially the great Lenny Clarke, whose Uncle Teddy character has shown he’s not shy about firing a sidearm. Also great to welcome back the luminous Andrea Roth, note-perfect as his exasperated (and smoking-hot) wife Janet.

I like Denis Leary the stand-up, but I really like Denis Leary the actor/producer/writer a lot more. He’s two-for-two already and I hope he and partner Peter Tolan have more concepts up their sleeves for 2012 and beyond.

Just two more home runs for FX, arguably the best channel on TV the past couple of years. And only a couple of more months before It’s Always Sunny In Philadelphia and Sons of Anarchy return.

Louie

Rescue Me

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T.G.I.F. – Ten Irreverent Laughs

Feeling a bit irreverent and acerbic today, and I could really go off on organized religion, and celebretards, and gullible people and mind contol and politics.

But why not leave that to the professionals?

 Life is short. Laugh every day.

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Stand Up Wit…Adam Ferrara

funny as hell 

Adam Ferrara has a new DVD called Funny As Hell, which is an appropriate title for the project and the man.

Adam’s stock in trade is the amiable wiseass; most of his routines center on dysfunctional families, ineptitude with the women and the ridiculous nature of machismo, even though he usually reports that last one from the inside. He’s fairly conventional and old school in his style, which is a refreshing alternative to…well, alternative comics.

Humor is mined from his Italian-American heritage, and neighborhood humor is pretty timeless for most people. Everyone has an uncle or cousin who makes a fool out of himself, a wisened aunt or grandmother, and no kid goes through life without witnessing a family member saying something wildly inappropriate and laughing in secret. Although he’s liberal with faces and physical gestures, it’s not schtick…watching Adam work is like having your funny friend tell you some great stories over a beer…except this friend is a lot better at it and has been for a long time.

Adam, like many comedians, is also a good actor. He was always funny on The Job, where he seemed to be playing a thinly disguised version of himself, but Denis Leary is wisely letting him stretch a bit on Rescue Me.

 Funny As Hell is available from Image Entertainment and Amazon.

Here’s Adam’s website.

Adam is also offering a free copy of his first audio CD, Have Some.

Rescue Me website on FX.

The Unholy Three

The Unholy Three

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