Tag Archives: Elliot Easton

New Album! The Cars!

Just a day or two left to stream the new Cars album, Move Like This.

I must admit, I didn’t think these guys were going to get back together, especially after Ben Orr’s death. But maybe Ric Ocasek felt he had to clear the world’s palette after this happened.

I think if you loved the short, sharp pop that the band issued in their heyday, you’ll eat this up. Sure, they’re older, and yes, Ben Orr is a huge loss, but damned if they don’t sound like they just hit the pause button in 1988. They’ve all been busy, of course – hell, I saw Greg Hawkes playing as a member of The Turtles a couple of years ago! But that signature sound remains – you can definitely pick up snippets of old hits in “Sad Song“, “Blue Tip” and several others. Check it out now!

Click here to go to Soundcloud.

Pick this up cheap at Amazon.

Old Cars are still on the road

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Blast From The Past: The New Cars

It’s Memorial Day Weekend here in the United States, but since I have to account for our society’s short-term memory (and McNugget lifestyle), today I’m only dropping back five years!

Let’s turn the Wayback Machine to my 2005 review…

Is nothing sacred? Those were the first three words out of my mouth when I heard that Todd Rundgren and two-thirds of his current band were hooking up with the lesser half of The Cars to exhume the Boston band’s legacy and (ahem) take it for a spin. But with Ben Orr resting in peace and Ric Ocasek – the face of The Cars – unwilling to sign on, how could one possibly take a new version of The Cars seriously?

A famous musician covering others is nothing new. Utopia’s Deface the Music was a brilliant take on The Beatles, but it was an album of originals, not covers. And when Todd has done the cover route, most notably on Faithful, the results have been stellar…but always under his own name. Ringo takes a few…er, ringers on the road every summer, but he doesn’t call it The Beatles. Elliot Easton, on the other hand, had no problem whoring out (*) as a member of Credence Clearwater Revisited.  (And let’s face it, without John Fogerty, what is there to revisit?) Considering the collective history of this quintet of players, they could have called themselves NazzCar or Autopia and at least had a sense of humor about it, but…no.

And the record? Mostly (cough) faithful and energetic live renditions of the Cars catalogue, the faster tunes more acceptably juiced up. Todd channels Ocasek’s vocal mannerisms for “Best Friend’s Girl” and “Shake It Up” but Sulton’s take on “Drive” is a disappointment. One new track, “Not Tonight”, is probably the poppiest thing Rundgren has written in years but is ruined by ridiculous lyrics. Does this longtime pop craftsman really think a Blackberry is good subject matter? As for the other two new tracks, they’re so forgettable that I have thankfully forgotten them already.

The set here, like the live shows, is padded with Todd songs, so the catalogue is obviously thin. Anytime a “band” has more apparel than material, you have to take them for what they are – a money grab, famous guys leaning on a legacy and going for it (read: merchandising) as an over-qualified cover band.

Cars? They just don’t make ‘em like they used to.

(* ironic present day update: Greg Hawkes is a Turtle)

Judge for yourself: listen at Amazon

Five years later…I’ve probably softened on my initial reaction since then, if only for the continuing struggle that so many of my musician acquaintances endure. Can’t afford health care…their work shamelessly stolen and distributed by pirates…an entertainment industry focused solely on spectacle and tweens at the expense of a generation of living, breathing musicians.

Still hate the Blackberry idea though…

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