Tag Archives: Fox

Emmy Nominations – Not Bad!

Shiny objects distract me.

 

The 62nd Annual Emmy Awards take place at the end of August but the announcements were made this week. Normally that’s great timing for television networks because their seasons are done and they need to attract attention to themselves and away from the summer blockbuster movies. 

But things have changed – basic cable has flexed its muscles in recent years, and proven powerhouses like The Closer, Mad Men and Rescue Me have just started their seasons. More shows have followed suit, and frankly White Collar and Louie are as entertaining as anything the networks have launched during the traditional season. And now that DVRs and TiVo are commonplace, there’s no longer a concern about weak numbers from failing to lure viewers inside on a nice summer night. 

Perhaps for that reason the networks seemed to be willing to take some chances last year – the Jay Leno 10pm debacle aside – and the voters seem to have responded. Like the Oscars, voters have tended to lean towards veteran shows, some nominations seemingly for a prior oversight or a body of work rather than the eligible time period. But this year freshman hits Modern Family and Glee dominated the nominations, although the multiple acting nominees might split the votes and give the advantage to the other actors. 

Omissions aplenty, like Nick Offerman (Parks and Recreation), Katey Sagal (Sons of Anarchy) and even Ed O’Neill on Modern Family. And my hopes of Better Off Ted getting its post-mortem due were crushed. But I was happy to see unexpected nods for unheralded and solid work, especially Andre Braugher (Men of a Certain Age) and both Connie Britton and Kyle Chandler for Friday Night Lights. And the final season of Lost did not go unnoticed, although it’s a shame that Michael Emerson and Terry O’Quinn can’t both win a statue. 

Looking at all the categories I was astounded at the level of detail. Awards for best single camera editing on a reality series? Best hair styling in a drama? Best commercial? But I’m glad to see categories like Best Casting, a reward hopefully for a solid ensemble show where everybody just looks right  (even if there are several glaring omissions). 

Here’s some of the major nominees and a link to the official Emmy website listing all the categories. I’ll make my predictions closer to the date. 

Outstanding Lead Actor In A Comedy Series
Jim Parsons as Sheldon Cooper
Larry David as Himself
Matthew Morrison as Will Schuester
Tony Shalhoub as Adrian Monk
Steve Carell as Michael Scott
Alec Baldwin as Jack Donaghy 

Outstanding Lead Actor In A Drama Series
Bryan Cranston as Walter White
Michael C. Hall as Dexter Morgan
Kyle Chandler as Eric Taylor
Hugh Laurie as Dr. Gregory House
Matthew Fox as Jack Shephard
Jon Hamm as Don Draper 

Outstanding Lead Actress In A Comedy Series
Lea Michele as Rachel Berry
Julia Louis-Dreyfus as Christine Campbell
Edie Falco as Jackie Peyton
Amy Poehler as Leslie Knope
Tina Fey as Liz Lemon
Toni Collette as Tara Gregson 

Outstanding Lead Actress In A Drama Series
Kyra Sedgwick as Deputy Chief Brenda Johnson
Glenn Close as Patty Hewes
Connie Britton as Tami Taylor
Julianna Margulies as Alicia Florrick
Mariska Hargitay as Det. Olivia Benson
January Jones as Betty Draper 

Outstanding Supporting Actor In A Comedy Series
Chris Colfer as Kurt Hummel
Neil Patrick Harris as Barney Stinson
Jesse Tyler Ferguson as Mitchell
Eric Stonestreet as Cameron Tucker
Ty Burrell as Phil Dunphy
Jon Cryer as Alan Harper 

Outstanding Supporting Actor In A Drama Series
Aaron Paul as Jesse Pinkman
Martin Short as Leonard Winstone
Terry O’Quinn as John Locke
Michael Emerson as Ben Linus
John Slattery as Roger Sterling
Andre Braugher as Owen 

Outstanding Supporting Actress In A Comedy Series
Jane Lynch as Sue Sylvester
Julie Bowen as Claire Dunphy
Sofia Vergara as Gloria Delgado-Pritchett
Kristen Wiig as Various Characters
Jane Krakowski as Jenna Maroney
Holland Taylor as Evelyn Harper 

Outstanding Supporting Actress In A Drama Series
Sharon Gless as Madeline Westen
Rose Byrne as Ellen Parsons
Archie Panjabi as Kalinda Sharma
Christine Baranski as Diane Lockhart
Christina Hendricks as Joan Harris
Elisabeth Moss as Peggy Olson 

Outstanding Comedy Series
Curb Your Enthusiasm • HBO
Glee • FOX
Modern Family • ABC
Nurse Jackie • Showtime
The Office • NBC
30 Rock • NBC 

Outstanding Drama Series
Breaking Bad • AMC
Dexter • Showtime
The Good Wife • CBS
Lost • ABC
Mad Men • AMC
True Blood • HBO 

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TV Critics Award Nominees

Just when you thought it was safe to go back in the water, another awards show drops a list of nominees. The Television Critic’s Association Awards are a little different than other TV back-slapping fests in that lead and supporting actors are combined in one field. Also, there is a category for program of the year (even though there are awards for both comedy and drama). Odd stuff, this.

Here are the nominees in five of the major categories. Some obvious and worthy nominees, but also some surprising omissions and oversights. Of course, with only five slots covering not only lead and supporting roles but also both genders, many people deserving of recognition didn’t make the cut.

Hard to predict what the television writers will go with (they tend to be more likely to vote quality over buzz than the Golden Globes or Emmys) but I’ll take a shot. I’ll note who I think will win in red and who I would vote for with an asterisk (*)…there’s really only one category where it’s split.

Of course, I’m only working with the nominees that were announced, not adding my own. For example, I can think of several shows that deserved a nod over Parenthood.  

The winners will be announced July 31st.

Individual achievement in drama:
Bryan Cranston (“Breaking Bad,” AMC) *
John Lithgow (“Dexter,” Showtime)
Julianna Margulies (“The Good Wife,” CBS)
Aaron Paul (“Breaking Bad,” AMC)
Katey Sagal (“Sons of Anarchy,” FX)

Individual achievement in comedy:
Ty Burrell (“Modern Family,” ABC)
Jane Lynch (“Glee,” Fox)
Nick Offerman (“Parks and Recreation,” NBC)*
Jim Parsons (“The Big Bang Theory,” CBS)
Eric Stonestreet (“Modern Family,” ABC)

Outstanding achievement in drama:
“Breaking Bad” (AMC)*
“Lost” (ABC)
“Mad Men” (AMC)
“Sons of Anarchy” (FX)
“The Good Wife” (CBS)

Outstanding achievement in comedy:
“Glee” (Fox)
“Modern Family” (ABC) *
“Parks and Recreation” (NBC)
“Party Down” (Starz)
“The Big Bang Theory” (CBS)

Outstanding new program:
“Glee” (Fox)
“Justified” (FX)
“Modern Family” (ABC)*
“Parenthood” (NBC)
“The Good Wife” (CBS)

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TV *and* Not TV!

A crapshoot usually results in…crap.

We’re at the cusp of some major decision-making at the major television networks. Although a few things have leaked out already, the upfronts which are scheduled for the next couple of days will find ABC, NBC, FOX, CBS and others setting the stage for their Fall 2010 programming. Sometimes it’s not so much what they say as what they don’t say.

For example, you’re unlikely to see a formal announcement confirming Better off Ted is cancelled. But when you look at the ABC schedule, it won’t be there. Sayonara, genius comedy show.

This season sees a few iconic shows come to an end. Law and Order, tied for the longest-running night-time drama program ever, just got its walking papers…yet the network picked up Law and Order Los Angeles (or as Ray Davies and I like to call it, LOLA!). Soon the entire network will be L&O, CSI and NCIS. If you don’t like acronym drama, TFB – you’re SOL.

Lost is ramping up to its final weekend with an episode this Tuesday, some recaps on the weekend and then a two and a half hour finale on Sunday May 23rd. The next night, 24 will sign off its final season with a two-hour show before Jack Bauer and company undoubtedly head for the big screen.

Heroes has bitten the dust, although there will be a 2-4 hour special to hopefully wrap up all the plotlines. No such luck for FlashForward (which I still think would have made a nice lead in to V, which did get renewed), and Happy Town is apparently already slated to burn off and die in the summer. So much for novel ideas. Bring on the cop shows and medical dramas; America can’t get enough of people in uniforms. Even those who snog their co-workers.

Even the smaller cable networks are dicing and splicing. The once highly promoted Sarah Silverman Program has gotten the axe from Comedy Central, and Justified might be on life support at FX.

Thankfully, some quality dramas (Fringe, Castle) and comedies (Parks & Recreation, Community) survived their initial spotty ratings long enough to build a following and gain renewal. Others likely to get renewed defy all logic.

It will be an interesting week – each network has a long-standing favorite leaving the air, and NBC’s Jay Leno Show disaster leaves them with a gaping hole to fill (Parenthood is weak and The Marriage Ref is horrid, but any port in a storm, yes?). Be sure to follow the upfronts here at TV By The Numbers.

Or Entertainment Weekly’s Bubble Show Scorecard.

***

Some people get so frustrated, they want to blow up their television.

Now you’re talking!

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TV or not TV?

Get back here and WATCH ME, dammit!!

It’s been an interesting year for television.

With ratings sinking, cheap reality programming gaining traction and a couple of long-running landmark programs coming to an end, the landscape for the next year or two might be a complete crapshoot. 

Although I don’t spend my time wallowing in celebrity gossip, I do find the machinations of the television industry fascinating. And this year has been particularly bizarre, with the whole Leno/Conan debacle the biggest story of the year – unless you want to separate Leno’s return to The Tonight Show from the single greatest disaster in prime time history. Ironic that Jay would make Headlines wither way. 

"Man single-handedly kills 15 hours of broadcasting"

Somehow The Simpsons keeps rolling along, South Park remains controversial and long running franchises Law And Order and CSI Wherever multiply like rabbits. Networks try to feed us more copycat cop crap, lame lawyer shows and miserable medical dramas. When they come up with something original (FlashForward) or even a reinvention of a past success (V) they forget that a complex serialized drama can’t have a huge gap in its schedule or momentum will be lost. (And speaking of Lost, someone at ABC couldn’t even understand the concept of  the phrase “uniterrupted schedule”, choosing to air a repeat episode April 25th). 

Fox has announced that 24 is ending this season, no doubt largely in part to the high cost of the program. But they hit the jackpot with Glee, and hopefully will pour some American Idol profit into keeping the wonderful Fringe alive. NBC looks like it might finally have a Thursday night comedy block again (Community, Parks and Recreation, The Office and 30 Rock) but is scrambling to replace the third of their schedule that The Jay Leno Show wiped out. If ABC drops it’s two high-priced sci-fi shows and cancels Heroes, they virtually  concede Monday and Tuesday nights; only Castle and Modern Family have broken the mold of celebretard programming. CBS might have found a winner in The Good Wife but the network is still more likely to clone a show than create one. 

 It’s not all hopeless. USA came up with a winner in White Collar which should help ease the loss of Monk.  Friday Night Lights returns this week thanks to the cost-sharing deal between NBC and DirecTV, whereby DirecTV gets to air the series on pay TV in the Fall, then NBC gets to air it on broadcast TV in the Spring. (Maybe that strategy can save shows like Damages and Southland; adult oriented drama that doesn’t pull vampire numbers in the ratings.) 

And the summer brings us basic cable winners like The Closer and Rescue Me and Mad Men as the more nimble basic cable channels like TNT, AMC and FX counter-program the dead season. Elmore Leonard on television is a good thing.  Louis C.K. on television is a good thing. 

If the smaller channels can get it right…why can’t the major networks? Pretty soon it’s all going to be internet television anyway, so the smart and savvy will survive. There is still a large audience that wants great storytelling and well-written comedy

But every year I still cringe when brilliant shows get cancelled. Watching the slow death of Better Off Ted was reminiscent of Arrested Development’s demise, only accelerated. And why would you have a show called The Unusuals and not let it be…unusual? But I could just be bitter. Hell, I still haven’t forgiven CBS for cancelling EZ Streets. 

There are a few excellent resources for those of you looking into that crystal ball wondering what’s happening with your favorite shows…or with the schedule in general. You’ll probably want to bookmark them. The week of May 17th might be D-Day for many of these programs as the networks finish Sweeps and sharpen the axes.

 

The Futon Critic is an excellent resource for TV news and even includes this handy guide to how many episodes are left for each program. Shows are listed by network in a cancel/renewal status grid  (note that a lot of them are TBD). 

The aptly named Is My Show Cancelled site focuses on just that very thing. 

TV By The Numbers takes a more statistical approach to the situation, tracking ratings on a daily basis and making some predictions based upon trends and historical decision points.

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T.G.I.F. – Ten Glee Greats!

...and here are eight of them.

 

Unless you’re living under a rock – and maybe even that isn’t sequestered enough – you know that Glee has returned from hiatus to complete its run of episodes this Spring.  

This week’s show was a bit of a mixed bag, with the obligatory re-establishment of the key plot points, the introduction of new characters (including Idina Menzel from Rent and Wicked), and the trucking out of one of the most dreadful songs ever written, Lionel Ritchie’s “Hello”.  

I realize that the script occasionally needs to twist uncomfortably to work in the theme for the songs, and there’s enough about the show that’s enjoyable that I can roll with it. But even though “Hello” is a viable duet that fits the concept, a shitty song is a shitty song is a shitty song. Music is subjective. Your mileage may vary.  

And speaking of shitty songs, there’s “Vogue” by Madonna. Hate, hate, hate that song. But Jane Lynch knocked that bitch out of the park. Then again, Jane Lynch can do no wrong. Next week is a whole Madonna-themed episode, so I’ll have my sick bag at the ready.  

But that got me thinking…they’ve already tackled Queen, Journey, The Doors, AC/DC, The Pretenders, John Lennon…hell, even Generation X! They’s as unafraid to toss out a classic rock song as they are to pomp with fluff. So here are ten terrific tunes that I’d like to see Glee-ified…  

01: “Pushin Too Hard” (The Seeds) – perfect for Artie, I think. Especially since “Wheels” would be too Americana for Glee

02: “Can’t Hardly Wait” (The Replacements) – a back beat made for dancing, plus they get to use the horns and strings that always seem to be available. 

03: “Better Things” (The Kinks) – Any show about high school deals with overcoming adversity or at least hoping that things will turn around. And what better song for that than this? 

04: “One Way Ticket To Hell and Back” (The Darkness) – man, they missed the boat by leaving this one out this week. Perfect blend of AC/DC and falsetto would have provided great solos for many in the cast. 

05: “It Wouldn’t Have made Any Difference” (Todd Rundgren) – they do like their power ballads on the show, emotional vocal drama helps sustain the plot. Given the current relationship angst, is there a better choice than this classic? 

06: “We Hate It When Our Friends Become Successful” (Morrissey) – because this sentiment is high school in a nutshell. Maybe even  “I Know It’s Going To Happen Someday”? But they’ll never do “You’re The One For Me, Fatty”. 

07: “Come On Eileen” (Dexy’s Midnight Runners) – actually, I can’t believe they haven’t done this one yet! Not certain who would sing it, but I want to see some of these people rocking the overalls. 

08: “Teacher Teacher” (Rockpile) – “Schools Out” would be too corny, and “Hot For Teacher” might be too risqué…but this little Rockpile ditty would be perfect

09: “Doll Hospital” (John Hiatt) – we need a song for the Cheerios girls, don’t we? Not to mention this could be the subplot for the one who’s preggers. (I’d use the studio version in the show, but any excuse I get to pimp Sonny Landreth is worth taking). 

10: “September Gurls” (Big Star). Because Alex Chilton deserves a wider audience for posterity. Because it’s one of the most perfect pop songs ever written. And because, like Alex, I can vouch that December Boys got it bad

You can already grab the first part of the season on DVD, not to mention the first and second albums collecting songs from the show.  

And here’s your Glee episode guide, courtesy TV.com.  

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Holy Crap! Conan to TBS!

I guess George Lopez is taking to everybody these days.

First Sandra Bullock. Now Conan.

“If you haven’t heard by now, Conan O’Brien will be joining us on late-night on TBS. Welcome!, Welcome! I want to say this, I want to say that I am completely 100% on board with this move. I talked to Conan on Wednesday and I talked to him last night and I said I welcome you into my deep loving embrace. Then I said let’s take the party and make it bigger and take it into the next generation of late-night TV. Lets do that! Lets do that! Lets do that! Everybody’s heard of ‘I’m with CoCo’ but now everybody can ‘Go LoCo’.”

Lopez also made a great crack about how doing his show an hour later wouldn’t be the same – basically a nod and a wink to Conan’s response to NBC. Of course, he’s able to laugh because he knows that he just scored a major lead-in for his show.

Yeah, I was shocked at the TBS signing; I figured FOX was in the driver’s seat all the way. And I wasn’t the only one with dropped jaw. But it makes sense for a network that refers to itself as “very funny”. They need to be very funny. And Conan fills the bill.

Face it, the Tonight Show is a brand name, but the legacy is irrevocably tarnished. People refer to the choice as Leno or Letterman, not Late Night vs. The Tonight Show. And Leno’s viewing audience is old…and getting older. Lopez, on the other hand, skews young. So does Conan. Tonight might have the name, but lately Jimmy Fallon is hipper, and NBC knows it. Enjoy that deal with the devil.

This year TBS even tried a comedy show – underpromoted, of course – called Very Funny. Imagine how much talent they will attract when the comedians know they will be cross-promoted on Conan’s show…where they will also appear. Imagine the new wave of comedians that will get airtime knowing that they are on basic cable, not network television.

And frankly, aside from the depth of penetration, what is network television? Very few cities still receive over-air broadcast; it’s almost all digital. Most people get something beyond basic cable, and many of those basic cable packages include TBS. And thanks to Al Gore, we have this medium you’re using right now. In other words, a platform is a platform in the twenty-first century. If you want to see something, you can.

All Conan did over the past year was (1) legitimize his ability on the grander stage, (2) exit a horrible situation with class, good will and a shitload of money, and (3) raise his profile ten times higher than a great run on NBC would have done. Win, win and win.

I cannot wait! Until then, catch the mad redhead on the road.

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T.G.I.F. – I’d Rather Coco

Before anything else, let’s credit the man who created this artwork in the first place – Mike Mitchell. I’ve seen this replicated everywhere and not only does he not get the props but people are slightly modifying and then selling his image without compensation. I believe we call that (ugh)… sampling.

Now on to the guest of honor.

Tonight is the last Tonight Show with Conan O’Brien. Final guests? Tom Hanks, Will Ferrell and Neil Young, plus an unannounced pop-in or two, I’m sure. An unfunny comic segment that appears to cost NBC a fortune in royalties. A long standing ovation before the show – and afterwards, of course. Ratings to die for. And the last glimpse of what should have been a show we could have all grown old with.

This whole situation has been nothing buy ugly, and while I don’t blame Jay Leno for setting the chain of events in motion, I do think he should have taken the high road and just moved on. His weak explanation – I’m just an employee doing what my boss asks – isn’t fooling anyone. He never wanted to leave the Tonight Show and although he might feel bad for Conan, I’d bet the farm that he’s secretly delighted that he’s back in the chair. But this mess is squarely on the NBC executives shoulders.

Conan is a brilliant writer and knows funny. He’ll survive. He’ll come up with something that will entertain and amaze us, and whether that’s a new show on Fox or an Internet podcast that opens the door to the next generation of broadcasting, it doesn’t matter.

Thanks for a short but great run, Conan. Kudos for fighting to get severance for your entire staff, the majority of whom will hopefully be asked to rejoin Team Conan for the next adventure.

Tonight, in honor of Conan, I defer my usual Friday TGIF routine of posting ten links, clips or facts to someone who will surely do it better. Tune in tonight and see.

Watch the Hope for Haiti telethon this evening and please give what you can; there but for the grace of fate go you. Then let’s all dial in one last time to say “see you soon” to Coco. It will be tough to top Robin Williams (try here or here – I’m sure these clips will come down as quickly as NBC can find them) but let’s give it a shot.

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