The new season of Stewart Lee’s Comedy Vehicle is upon us.
Not everyone gets Lee. Then again, not everyone got Bill Hicks, or Lenny Bruce, or Mort Sahl for that matter. There are those today who don’t “get” Doug Stanhope or Louis CK or Marc Maron, either. Y’know…because they don’t tell “jokes”…
“There’s that word again: jokes. Does it matter if Lee doesn’t have jokes, in the usual sense? Is his humour, mainly derived from a tortuous style and pregnant pauses, hilarious on its own merits? The gag of Lee’s performance is that he’s not prepared to give general audiences what they expect from stand-up comedy — with a pace that makes Steven Wright look like Lee Evans. Lee would rather breakdown the minutiae of his own material, during the gig itself, and preempt audience criticism in the moment.”
Read the rest of Dan Owen’s piece here.
Load up on Stewart Lee here and here.
R.I.P. Jackie Cooper.
Famous to many for The Champ, also for his career rebirth in the Superman movies. But when I was a kid, I knew him best as the towhead who had a big crush on Miss Crabtree. I didn’t blame him.
We continue the countdown of the ten best comedy DVDs of 2010…
#4) Richard Herring: Hitler Moustache
There are people willing to take chances, and then there is Richard Herring in 2010. Determined to take back the toothbrush moustache from the legacy of Hitler and return it to comedy where it belongs, Herring uses this simple premise (or as he suggests, this terrible idea) as a platform from which to discuss racism, prejudice, hypocrisy and every other foible of human behavior. And, of course, he’s funny as hell in the process.
Available as a two-disc set packed with features, there’s actually a third disc available, albeit only from the distributor. Herring continues to create inventive, daring and unique comedy for those unsatisfied with the ordinary. (Go Faster Stripe)
#3) Maria Bamford: Plan B
Maria Bamford doesn’t have her own television show, although she should – she’s the strongest and most versatile comedienne since Tracey Ullman. And like Ullman – and Carol Burnett before her, Bamford has an uncanny ability to inhabit characters so thoroughly that you see the whole array of them in front of you even without makeup or a costume change. Like Sybil, but for your entertainment.
So in this show she performs her own sitcom – or dramedy – centered upon her family as if it’s a therapeutic exercise to excise some demons. It’s a brilliant performance, just Bamford in a t-shirt and jeans with a chair and a couple of lighting cues. It’s occasionally uncomfortable and overtly personal, but it’s riveting. Dozens of additional short offstage clips act as a psychological travelogue, at you at once wonder just how fragile she really is…and why the hell she isn’t a household name. (Stand Up! Records)
The countdown concludes tomorrow with #2 and #1