The Film Independent Spirit Awards will be broadcast this evening. Hosted by Joel McHale, the event is known for being a loose and casual affair; the last two events were held inside a tent on the Santa Monica beach (2009) and in a downtown LA parking lot (2010). Libations flow, no one plays a winner off the stage, and some memorable speeches come tumbling out of the mouths of the presenters and nominees. And as the last awards show prior to tomorrow’s Academy Awards presentations, many will ponder about the momentum that some of these films and actors have built up.
Of course, the Oscar tabulations are already signed, sealed and delivered. But what’s Tinseltown without a little drama?
More and more films blend the line between “indie” and “studio”, a separation that is more about funding than location. Luminaries like Quentin Tarantino and The Coen Brothers have their heart and mind firmly in the independent mode when it comes to the type of material that they choose, but their successes have moved them into a financial category that dwarfs their former associates. I’d rather focus on the fact that films like Black Swan and The Wrestler are finally being appreciated by a wider group of people (Oscars, Globes) rather than pinch pennies and mince words. Despite some thundering clunkers, 2010 had its share of good films.
Here is a list of the nominees. You can watch the broadcast at 10pm ET/PT and guess along with me, but since the ceremony took place earlier today, the list of winners is no doubt all over the web. Don’t Google! Walk away from your computer and enjoy the suspense. If you must sit at your keyboard, avoid the news sites and watch and chat live with IFC host Matt Singer.
I’ll be back later with a review of the show and my comments.
Well, that was pretty boring.
Host Joel McHale did what he could, opening with a sense of irreverence, a wink at some of the nominated films, and a gaggle of cunnilingus jokes, but no one else picked up the ball for the rest of the evening. The filmed bit combining the “reading of the rules” and “the magic of 3D” was amusing, but the only other attempt at humor was presenting In Memorium 2011 a year early. Celebrating the industry deaths that would occur over the next twelve months had great potential, but a technical glitch ruined the pace and sucked the life of it. Still, it’s good to prepare oneself for the loss of Mad Men star Jon Hamm from excessive consumption of clove cigarettes and fake alcohol.
Presenters joked all night about the cold (the tent was on the beach) but people were visibly bundling up, and the slick surface caused many to slip (and one winner to fall not once but twice). And the noise level increased exponentially, no doubt from attendees hitting the bar to pound down more Jameson’s in a show of support for one of the evening’s sponsors.
Another oddity was the announcement of two awards that had been presented prior to the telecast – one for cinematography and the other for screenplay. Really? You couldn’t squeeze two more awards into a two and a half hour program? Overall, no huge surprises. But no memorable speeches and no water cooler moments.
Well, unless you want to count Paul Rudd’s threesome with Rosario Dawson and Eva Mendes…
Here is a list of the winners:
Best Feature: “Black Swan”
Best Director: Darren Aronofsky, “Black Swan”
Best Screenplay: Stuart Blumberg, Lisa Cholodenko, “The Kids Are All Right”
Best First Feature: “Get Low”
Best First Screenplay: Lena Dunham, “Tiny Furniture”
John Cassavetes Award: “Daddy Longlegs”
Best Female Lead: Natalie Portman, “Black Swan”
Best Male Lead: James Franco, “127 Hours”
Best Supporting Female: Dale Dickey, “Winter’s Bone”
Best Supporting Male: John Hawkes, “Winter’s Bone”
Best Cinematography: Matthew Libatique, “Black Swan”
Best Documentary: “Exit Through the Gift Shop”
Best Foreign Film: “The King’s Speech”