Tag Archives: In Color

Hello There, Ladies And Gents…

…are you ready to rock? Are you ready to rock?

That’s right, there is a new Cheap Trick album on the way. Order it here! Listen to the first single “Sick Man Of Europe” here.

The album will be available on CD, vinyl…and even 8-Track (sonnng…..ka-CHUNK….sonnnng). And the band will be playing the summer shed and amphitheatre tour with Def Leppard and Poison. (I hope they Scotchguard that tour bus, because I see a Petri dish in the making…)

No, those are not canes.

No, those are not canes.

Far more on Cheap Trick another time; I’m just thrilled they’re releasing another studio album 32 years after the debut. I was a record store guy at the time, and cracking that puppy open was a revelation. By In Color, it was madness. (And we all know what happened after Budokan.)

Cheap Young Trick

Cheap Young Trick

Cheap Trick’s YOUTUBE Channel.

Cheap Trick’s  official website

He’s A Whore“…one of the reasons I was onto this band from the jump.

One of my favorite Cheap Trick songs, “Oh Candy

Practice Makes Perfect.

Cheap Trick with…James Burton? Now you know…the rest of the story.

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NEW ALBUM! Tinted Windows

Pure Pop for Then People

Pure Pop for Then People

I’m going to lay my cards on the table right up front, so if you want to be one of the snarky majority you can click away now. Because I’m here to tell you that Tinted Windows – the self-titled album from Bun E. Carlos, Adam Schlesinger, Taylor Hanson and James Iha – is the best pop record anyone has released to date in 2009.

(Waits for snarky people to laugh…or leave…)

Sample this, mofos.

This album rockets right out of the box with “Kind of a Girl” and doesn’t let up, which is no surprise considering Fountain of Wayne‘s Adam Schlesinger wrote the first four tracks (and seven of the eleven songs overall – eight if you count the co-write with Hanson). “Kind of a Girl” is jukebox glory; it has the big hooks, the octave choruses, the machine gun drums and Hanson’s best Robin Zander impression. Like a few songs on the album, it’s reminiscent of Cheap Trick‘s landmark In Color album (look no further than the ‘c’mon c’mon’ within “Messing With My Head”, another single in waiting). Adam’s second best contribution is the rocking “We Got Something”, which hopefully follows “Kind of a Girl” out of the chute as a single. It’s classic 70s powerpop with a more muscular mix.

But the killer single here might be track 3, the power ballad “Dead Serious” – I don’t think I’ve heard a better radio song all year. It is a monster. You give this track to any American Idol contestant, any young pop star being marketed to the melodic pop crowd…hell, any country-pop female from Kelly Clarkson to Shania Twain and they could top the charts with it. It’s that simple. It’s that infectious. It’s that perfect. But the industry isn’t going to let a man band run with this, even if the lead singer is as close to a teenybop idol as the rock world has at the moment.

“Dead Serious” live at SXSW.

James Iha adds a hooky mid-tempo “Back With You” (Bryan Adams would top the charts with this) along with the riff rocker “Cha Cha”(if The Sweet reunites, this is a natural). Hanson’s two efforts are solid pop as well; “Nothing To Me” again sounds like a Big Star track ghostwritten for Zander, and the co-write with Schelsinger (“Take Me Back”) is classic stutter-stop power-pop, complete with those ooh-ooh-ooh choruses that make girls swoon. Bubblegum pop so sticky sweet that you’ll need to wipe your hands after listening…not that there’s anything wrong with that.

But despite all of the above, this album and band/project (whichever it turns out to be) will ultimately fall a bit short. Why? Because there is no market for power-pop. Every one of these tracks would sound just fine blasting from the radio, especially in summer, but the likelihood of that peaked thirty to forty years ago. Powerpop doesn’t have a fan fest. Powerpop doesn’t have a video channel. Powerpop doesn’t go well with skateboards and hoodies.

You could give these songs to Pink and she’d make an album that would sell millions with minimal changes to the arrangements. Shania would have Mutt country-punch the production and she’d revive her career. Britney Spears could even have her people douse these songs in beats, ridiculous echo and synth programming and hire forty dancers…but if she cut these songs people would take her seriously again.

But any of those people – and more – would probably just fuck it up anyway. Instead we have the right men for the job, albeit at the wrong time. It’s too bubblegum for Cheap Trick. It’s too consistently rocking for Hanson. It’s too lyrically adolescant for Fountains of Wayne. And as far as Smashing Pumpkins…well, it doesn’t suck.

But whoever cobbled this foursome together hit the bullseye – a great songwriter, a classic pop drummer, a chunking power chord guitarist and a cherubic vocalist. They sound like they’re having a blast and most importantly they play to their strengths. Iha proved on his solo album that he’s not a front man, but he has chops; likewise Schlesinger knows these songs are more about hooks than message and need to be sung by a younger, more enthusiastic pop star. Carlos, as always, is a rock solid foundation. They released a great album. Hopefully the lads will look in the tinted mirror and tell themselves  “We Got Something”.

All those bad reviews are missing the whole point. They are wrong. I am right.

But stop reading and let your ears decide.

 Live version of “Cha Cha”

Live version of “We Got Something”

Video for “Kind of a Girl”

Video for “Messing With My Head”

NOT Tinted Windows.

Frankenstein project, monster hits.
Frankenstein project, monster hits.

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