Tag Archives: Jane Lynch

Ehh-mmys

The good news was that tonight’s Emmy broadcast ended on time, roughly three minutes past the hour. The bad news is it seemed like the show took twice as long.

No, I’m not bitter that my guesses were as awful as usual; in fact I was delighted that a couple of my “should win” nominees actually did. And I thought Jane Lynch did about as good of a job as she could given the circumstances – aside from a weak jab at a superior talent (Ricky Gervais) she looked like she was having some fun up there. But as these shows often are, there was more pomp than circumstance.

All the winners are listed on the official site.

My take on the event…

  • Opening bit was very clever but waaaaay too long considering there were only a couple of truly clever sight gags.
  • Thinking’s a pain in the ass“. Yes, I watch television – this is likely a mantra.
  • Betty White is the reason we start the show at 5pm“. Great line.
  • Was I the only one watching the The Emmytones thinking there would be a wardrobe malfunction by Kate Flannery?
  • Jimmy Kimmel and Jimmy Fallon should go on the road together. And either would make a great Emmy host.
  • I did like the staging and the hi-tech graphics; first-rate technology.
  • I wish the guy commenting on the winners was louder because he was often hilarious.
  • Was Julianna Margulies wearing a rocks glass for a top?
  • Ty Burrell can’t not be funny.
  • Ricky Gervais was the funniest guy in the room and he wasn’t even in it.
  • Best camera aside – Steve Levitan’s wife. Twice.
  • Maybe he was pimping his upcoming Comedy Central Roast, or maybe it was supposed to be satire and his delivery sucked…but WTF was up with Charlie Sheen’s “apology”? I don’t know what they had over him, but that was the worst confession of guilt and remorse since…well, I’m going to have to think about that.
  • If after that speech Jon Cryer won Best Actor I think Vegas would have shut down the betting. He didn’t. They didn’t.
  • Why did I have to wade through Reality TV to get to Variety TV? That’s like offering me vanilla ice cream but insisting I mix in two tablespoons of shit before eating it.
  • Guy Fucking Pearce. Awesome actor.
  • Either Amy Poehler’s stage-jump was truly spontaneous or Edie Falco is an even better actress than I thought – her moment of hesitation looked genuine. And if it was…well, that explains why Amy Poehler should have won.
  • There are a lot of talented people writing comedy for Conan, Jon Stewart, Steve Colbert and others. Why doesn’t Emmy hire some of them to write the presenter banter?
  • Lonely Island does not work as well live as on video but “Freak Bill Macy” was worth it.
  • The Daily Show is an unstoppable force and I feel bad for anyone nominated against it. And damned if I’d be as humble as the host after an unparalleled record of success.
  • Nice to see Friday Night Lights finally get some love, albeit too late.
  • Kate Winslet is a great actress but I had hoped I had seen the last of her over-the-top insincere “I’m not worthy” acceptance speeches. Apparently not.
  • Line of the night – Martin Scorcese seeing the “hurry up” light and offering to “talk a little faster“.
  • No one followed up with the Two And A Half Men jokes when Peter Dinklage won? Where is Gervais when you need him…
  • Since when does Drew Barrymore get to “pass the torch” for Charlie’s Angels? Like anyone thinks that movie has a tenth of the legacy that the TV show did.
  • In Memorium always gets me, although this new trend of live vocalists is unnerving. Focus on the departed.
  • Mad Men is four-for-four and Modern Family is two-for-two. So much for change.
  • Margo Martindale gave the best performance of the year by anyone and I was fully prepared to see her get screwed over. Maybe the glass is half full after all?

"We're all winners!" (Um...not really.)

Advertisements

Leave a comment

Filed under Editorials, Film/TV

Ricky Gervais: Golden Balls

Thank God for Ricky Gervais, even if Ricky is an athiest.

Gervais, as he did last year, relentlessly skewered any pretense of dignity that some think the event has. Although it has been elevated to major award status, the fact remains that it’s just one more opportunity for Hollywood to pat itself on the back and ensure global domination of its main export, the American film. So widespread is its reputation for bribery, favoritism and hero-worship that even Robert DeNiro took several shots at the HFPA when receiving its highest honor.

I had to laugh when reading reports this morning chastising Gervais for being irreverent and mean-spirited, and I was astounded to see that some didn’t even find him funny. Are you kidding me? Aside from a couple of good podium moments (David Fincher, Jane Lynch) and two good introductory bits (Robert Downey Jr. and the always-gold Tina Fey/Alec Baldwin combination) the show was an insufferable snore-fest. When he was off-screen for close to an hour, the show dragged. There were no huge upsets in the film categories (Paul Giamatti and Melissa Leo being the closest thing to surprises) and as usual the attendees were more interested in socializing between announcements than paying attention to the proceedings. If they’re not focused, why should I be?

Ah, but when Gervais was at the podium, they had to focus, because he’s fearless; you never know what he’s going to say and when. Are people really upset that he inferred that Mel Gibson, Charlie Sheen and Robert Downey Jr. have had personal issues? Was poking fun at some of the turkeys in a film resume really that insulting to a famous actor? And the joke about the omission of Jim Carrey’s performance in I Love You Philip Morris was brilliant; a one-two punch that savaged the voting board for its inconsistent temerity regarding homosexuality and launched a dig at pushy Scientology salesmen Tom Cruise and John Travolta

Also not nominated: I Love You, Philip Morris. Jim Carrey and Ewan McGregor. Two heterosexual actors pretending to be gay. Sort of the complete opposite of some famous Scientologists then…My lawyers helped me with the wording of that joke.”

Most of the celebrities seemed to get it; Downey countered with a great quote (“Aside from the fact that it’s been hugely mean-spirited, with mildly sinister undertones, I’d say the vibe of the show is pretty good so far, wouldn’t you?“) and even long-suffering Office doppelgänger Steve Carell dutifully played the fall guy for what must be the hundredth time. Only the HFPA President seemed truly miffed – or maybe his comic delivery just sucks – but I think he has bigger problems than a temporary insult most people will forget faster than they forgot his name. Perhaps those who didn’t laugh prove the old adage that “the truth hurts“, because the Sex In The City actresses are long in the tooth, Cher is not a hot commodity in 2011, and Tim Allen, nice guy that he is, doesn’t have a resume like that of Tom Hanks.

But there were some painful moments, too. I love Robert DeNiro, and few actors have had the kind of career he has assembled (even discounting most of the past decade). But anyone who has seen him on Saturday Night Live knows that he is abysmal when reading cue cards, especially when it is comic lines obviously written by someone else. It started awkwardly enough, dove into some racist territory and ended with a fairly creepy reference to Megan Fox. Within the speech there were some pretty great barbs deflating the HFPA, but it was as painful to watch as…well…Little Fockers, for one.

The biggest surprises of the evening were on the TV side of the fence; 30 Rock going home empty-handed, Modern Family losing to Glee (when their sophomore seasons have been such polar opposites, quality wise) and the lovely but absent Laura Linney grabbing the honor for The Big C. I was thrilled that Chris Colfer won for Glee; they handed him the ball this year and he really ran with it. Ditto Katey Sagal – not only finally getting noticed for her amazing work on Sons of Anarchy, but getting to take home the award.

The Observer from Fringe alongside Edgar Winter

So how did I do? Seven out of ten, but missing on three biggies. I guess the best movie can’t direct itself, but I think Nolan’s film was a superior effort. Loved seeing humble Colin Firth win, although if he stuttered during his speech that would have been much funnier. And I’m thankful that Natalie Portman won but was surprised by Paul Giamatti’s win, although he’s always good for a great speech, even when they censor the first ten seconds of it. The censors were uneven with their cut-offs and their music cues, but what the hell, I’ll be back next year to watch.

If the HFPA has even one-tenth the balls that Gervais does, so will Ricky.

The list of nominees and winners is here.

Here’s a link to a great page that lists the major category winners for the Critic Associations and provides a schedule for (and links to) all of the award ceremonies. Next up are the BAFTA nominations on Tuesday, with the Academy Award nominations the week after.

1 Comment

Filed under Editorials, Film/TV, Reviews

Glee Whiz

Not with a bang, but a whimper…

I should have known better than to have been too jazzed to see the cast of Glee take on Rocky Horror. Like many, I fell for the promo clips and well-distributed cast photos and falsely assumed that they would really take a…um…bite out of the classic musical. And when the show opened with those lips and almost a full take on “Dammit Janet“, I thought maybe they were going to really pull out the stops this time. It’s not like there is a shortage of great songs in that show – hell, they’re all great.

But sadly, the sappy melodrama that is Mr. Schuester dragged the whole thing down into the mess that is his character’s personal life. I’m not certain what the motivation is behind that character arc, but what was once a sympathetic and likeable character has quickly become a wimp, a loser, and finally, a cad. If they’re trying to tell us that even an adult can suffer like a high school student, stop – we get it. Lately when Jane Lynch isn’t shredding the room with her Sue Sylvester quips, there are only two reasons to watch the show these days, and they’re named Kurt and Brittany. Chris Colfer and Heather Morris never fail to hit it out of the park. More of them, please, before it’s too late.

Frankly, the best moment of the night was having the camera pan past Barry Bostwick and MeatLoaf (for those who don’t know, they played Brad and Eddie in the film). A more courageous show would have left it right there, a perfect sight gag, much like the camera panning by The Three Stooges in fireman gear in It’s A Mad Mad Mad Mad World. Instead they tried to milk it in a follow-up scene where they played soulless network execs trying to stir controversy out of the production. Amusing, yes, but an overplayed hand.

Not that the casting matchups were bad. Lea Michele aped Susan Sarandon’s voice (as opposed to her usual Streisand channeling) but was overshadowed by Cory Monteith’s dorky take on Brad (not far from his Finn character). Chord Overstreet (yes, that’s a real name) looks so much like the original Rocky character it’s as if he was hired just for this episode.

In the line of the night, Artie suggests that he plays “the guy in the wheelchair”, and John Stamos even got to wear his Elvis “Comeback Special” catsuit and belt out “Hot Patootie” (in B flat, mind you!). And while Amber Riley (Mercedes) flexed her always-great pipes on “Sweet Transvestite”, the modernization of the song (let alone the neutered lyrics) fell flat.

Overall the ensemble did a nice job on “Time Warp”, with Santana and Brittany frighteningly well cast as Magenta and Columbia, and Kurt finally got to flaunt a little Riff Raff. But did we really need the downright creepy scene between Scheuster and Emma in place of remakes of classic scenes from the film, let alone full versions of the songs? Not only was it completely out of character for Emma to behave as she did, but thanks to that lame subplot we never got to hear “Rose Tint My World” or “Eddie” or “I’m Going Home”. (Remember, the rule is more Kurt and Brittany…)

So a couple of bright spots, but mostly underwhelming. Hey, if they could suck it up and go to the wall for Madonna, they could have paid just as much respect to Rocky Horror. Just sayin’.

Lesson learned again – like most times, stick with the originals. And if you can’t do that…well. it’s midnight somewhere – get thee to a theatre!

The Rocky Horror ShowOriginal cast soundtrack

Rocky Horror Picture ShowOriginal film soundtrack

Yes, that was Santana.

1 Comment

Filed under Film/TV, Music, Reviews

Rocky Horror Glee Show

There are some things that I’ll never understand.

I don’t get the fascination people have with reality television and celebretards. Nor do I get why there have been seventy-six editions of the Now That’s What I Call Music series to date, with no sign of stopping.

I also don’t understand how the CD releases from Glee have sold over five million copies so far, presumably to the same people who watch the show religiously. They’re simply collections of cover songs, organized by theme or artist, marketed to the same people who watch the show and buy the DVDs. (And Gleeks, you know that you are buying the DVDs and all the CDs.) Television hasn’t sold music this well since The Monkees.

The songs are well produced and arranged, of course, and the vocals are usually very good but (1) they’re usually straightforward covers, not reinvented arrangements and (2) the thrust of the show is the melodramatic, over-the-top theatrical production surrounding it. You’re not capturing that on an audio CD.

But I soon might have to make an exception.

 In October, Glee will broadcast a Rocky Horror Show episode. After wading through terrible rap tunes, Lady GaGa drivel, overblown Journey crap and an entire episode of Madonna dreck (saved only by the brilliant Jane Lynch performing “Vogue“), I’m thrilled that the majestic, fantastic Richard O’Brien opus will get its due. Hell, thirty five years later it’s still an iconic classic whose songs never fail to get me going…high praise after dozens of post-midnight screenings with props and audience participation.

The full track listing for  ”Glee: The Music, The Rocky Horror Glee Show” is as follows:

  1. Science Fiction Double Feature
  2. Damn It, Janet
  3. Whatever Happened To Saturday Night?
  4. Sweet Transvestite
  5. Touch A Touch A Touch A Touch Me
  6. There’s A Light (Over at Frankenstein Place)
  7. Time Warp

Glee has had three consecutive number one album releases and I suspect this will be their fourth. Hell, I might even have to break down myself and grab one.

I think my cat is reading my diary.

Meantime, tonight I will survive an onslaught of Britney Spears horse shit just for the ability to see the incredible Heather Morris (who plays Brittany, the dimmest bulb on television) get her turn in the spotlight. That should hold me over until Neil Patrick Harris returns for another guest spot.

Admittedly, my initial enthusiasm for the show has waned, but Lynch and Morris are consistently funny and the dynamic between gay Kurt and his dad (Mike O’Malley in a flawless performance) is some of the best work on TV, period.

And please…can Tim Curry make an appearance on October 26th?

6 Comments

Filed under Comedy, Film/TV, Music, Reviews

TV Critics Award Nominees

Just when you thought it was safe to go back in the water, another awards show drops a list of nominees. The Television Critic’s Association Awards are a little different than other TV back-slapping fests in that lead and supporting actors are combined in one field. Also, there is a category for program of the year (even though there are awards for both comedy and drama). Odd stuff, this.

Here are the nominees in five of the major categories. Some obvious and worthy nominees, but also some surprising omissions and oversights. Of course, with only five slots covering not only lead and supporting roles but also both genders, many people deserving of recognition didn’t make the cut.

Hard to predict what the television writers will go with (they tend to be more likely to vote quality over buzz than the Golden Globes or Emmys) but I’ll take a shot. I’ll note who I think will win in red and who I would vote for with an asterisk (*)…there’s really only one category where it’s split.

Of course, I’m only working with the nominees that were announced, not adding my own. For example, I can think of several shows that deserved a nod over Parenthood.  

The winners will be announced July 31st.

Individual achievement in drama:
Bryan Cranston (“Breaking Bad,” AMC) *
John Lithgow (“Dexter,” Showtime)
Julianna Margulies (“The Good Wife,” CBS)
Aaron Paul (“Breaking Bad,” AMC)
Katey Sagal (“Sons of Anarchy,” FX)

Individual achievement in comedy:
Ty Burrell (“Modern Family,” ABC)
Jane Lynch (“Glee,” Fox)
Nick Offerman (“Parks and Recreation,” NBC)*
Jim Parsons (“The Big Bang Theory,” CBS)
Eric Stonestreet (“Modern Family,” ABC)

Outstanding achievement in drama:
“Breaking Bad” (AMC)*
“Lost” (ABC)
“Mad Men” (AMC)
“Sons of Anarchy” (FX)
“The Good Wife” (CBS)

Outstanding achievement in comedy:
“Glee” (Fox)
“Modern Family” (ABC) *
“Parks and Recreation” (NBC)
“Party Down” (Starz)
“The Big Bang Theory” (CBS)

Outstanding new program:
“Glee” (Fox)
“Justified” (FX)
“Modern Family” (ABC)*
“Parenthood” (NBC)
“The Good Wife” (CBS)

Leave a comment

Filed under Film/TV

T.G.I.F. – Ten Glee Greats!

...and here are eight of them.

 

Unless you’re living under a rock – and maybe even that isn’t sequestered enough – you know that Glee has returned from hiatus to complete its run of episodes this Spring.  

This week’s show was a bit of a mixed bag, with the obligatory re-establishment of the key plot points, the introduction of new characters (including Idina Menzel from Rent and Wicked), and the trucking out of one of the most dreadful songs ever written, Lionel Ritchie’s “Hello”.  

I realize that the script occasionally needs to twist uncomfortably to work in the theme for the songs, and there’s enough about the show that’s enjoyable that I can roll with it. But even though “Hello” is a viable duet that fits the concept, a shitty song is a shitty song is a shitty song. Music is subjective. Your mileage may vary.  

And speaking of shitty songs, there’s “Vogue” by Madonna. Hate, hate, hate that song. But Jane Lynch knocked that bitch out of the park. Then again, Jane Lynch can do no wrong. Next week is a whole Madonna-themed episode, so I’ll have my sick bag at the ready.  

But that got me thinking…they’ve already tackled Queen, Journey, The Doors, AC/DC, The Pretenders, John Lennon…hell, even Generation X! They’s as unafraid to toss out a classic rock song as they are to pomp with fluff. So here are ten terrific tunes that I’d like to see Glee-ified…  

01: “Pushin Too Hard” (The Seeds) – perfect for Artie, I think. Especially since “Wheels” would be too Americana for Glee

02: “Can’t Hardly Wait” (The Replacements) – a back beat made for dancing, plus they get to use the horns and strings that always seem to be available. 

03: “Better Things” (The Kinks) – Any show about high school deals with overcoming adversity or at least hoping that things will turn around. And what better song for that than this? 

04: “One Way Ticket To Hell and Back” (The Darkness) – man, they missed the boat by leaving this one out this week. Perfect blend of AC/DC and falsetto would have provided great solos for many in the cast. 

05: “It Wouldn’t Have made Any Difference” (Todd Rundgren) – they do like their power ballads on the show, emotional vocal drama helps sustain the plot. Given the current relationship angst, is there a better choice than this classic? 

06: “We Hate It When Our Friends Become Successful” (Morrissey) – because this sentiment is high school in a nutshell. Maybe even  “I Know It’s Going To Happen Someday”? But they’ll never do “You’re The One For Me, Fatty”. 

07: “Come On Eileen” (Dexy’s Midnight Runners) – actually, I can’t believe they haven’t done this one yet! Not certain who would sing it, but I want to see some of these people rocking the overalls. 

08: “Teacher Teacher” (Rockpile) – “Schools Out” would be too corny, and “Hot For Teacher” might be too risqué…but this little Rockpile ditty would be perfect

09: “Doll Hospital” (John Hiatt) – we need a song for the Cheerios girls, don’t we? Not to mention this could be the subplot for the one who’s preggers. (I’d use the studio version in the show, but any excuse I get to pimp Sonny Landreth is worth taking). 

10: “September Gurls” (Big Star). Because Alex Chilton deserves a wider audience for posterity. Because it’s one of the most perfect pop songs ever written. And because, like Alex, I can vouch that December Boys got it bad

You can already grab the first part of the season on DVD, not to mention the first and second albums collecting songs from the show.  

And here’s your Glee episode guide, courtesy TV.com.  

2 Comments

Filed under Comedy, Film/TV, Music

Golden Globes: Four Words

Well, compared to last year, I was a little more on target. Still there were some surprises along with the close races that just tipped the other way. After John Lithgow and Michael C. Hall won, I figured Dexter was a shoo-in for Best Drama, but you can’t stop Mad Men with a bullet. And as the nominees were read, I was reminded again how many serious omissions there were.

And I’ve really had my fill of talk about the “greatest crew” and the “best job” and “loving to come to work every day” to “a true collaborative effort”. At least do what Chloe Sevigny did and name some names (she thanked one of her PAs for running lines with her every day). But there’s something about seeing Mike Tyson on stage in a tuxedo being celebrated for his role in the highest-grossing comedy film of all time that puts things into perspective.

So I think a lot of my post-Golden Globes impressions can be summed up in four words

Not enough Ricky Gervais. He had some great moments, whether tossing zingers at upcoming presenters or pimping his own DVDs, but it seemed like there were often ten or fifteen minute gaps between appearances. Maybe it just seemed that long because (as usual) actors reading scripted gags from cue cards are painful to watch, especially when they’ve been downing champagne at a furious pace. But it probably didn’t matter that he didn’t get more podium time because…

They didn’t get him. “Looking at all the faces here reminds me of some of the great work that’s been done this year – by cosmetic surgeons.”…”I’ve had a penis reduction. Just got the one now. And it is very tiny. But so are my hands. So when I’m holding it, it looks pretty big. I wish I was doing that now instead of this, to be honest.”…(After visibly drinking beer from a pint glass hidden in the podium) “I like a drink as much as the next man. Unless the next man is Mel Gibson.”…comedy gold! But when the cameras panned to the crowd they were either enveloped in conversation or staring blankly. Too hip for the room, but thankfully not for those watching the broadcast.

The Dude finally abides. Jeff Bridges finally won on his fourth nomination, and between his appearance and attitude and his reminiscing about his father (Lloyd Bridges) and family, I would not have been surprised if he asked where his carpet was.

Jane Lynch got screwed. No disrespect to Chloe Sevigny, but this award should have had Jane Lynch‘s name on it. Her bitch-in-a-track-suit character from Glee is far from a one-note performance, as we got to see in episodes that exposed her family life and dating woes. Glee did upset 30 Rock for Best Comedy, however. (“This is for anybody and everybody who got a wedgie in high school” quipped director Ryan Murphy).

Meryl Streep is funny. “I want to change my name to T-Bone. T-Bone Streep!” Priceless.

Drew Barrymore was acting. So one minute she’s sitting at her table, giggling with friends, looking as comfy as can be. Then the red light comes on and she’s blubbering about growing up in Hollywood and dancing really close to the cliff of Sally Field’syou really like me” implosion. Yawn. Take a cue from Robert Downey Jr. next time and do something unique.

Mo’Nique nailed it. Great, emotional speech and a sincere call-out to victims of abuse to have the courage to come forward and heal. I don’t know why I thought the HFPA wouldn’t get such a dark performance, because every award ceremony seems to be honoring it. But if the night had a lump-in-throat moment, it was hers.

Martin Scorcese is awesome. What a fascinating man, and a true champion of film preservation. His batting average as a director is astounding, and he’s been blessed to have actors like Robert DeNiro, Harvey Keitel and Leonardo DiCaprio as collaborators and lead actors. Even DeNiro‘s odd comic riff about Scorcese having sex with film canisters couldn’t tarnish the accomplishments of a true giant in the industry.

Sir Paul is cool. “I’m Paul McCartney, or as I’m known, that guy from Rock Band“. Great line about animation being for “adults who take drugs“, but oddly not a peep out of the crowd when he dropped that blatant hint about a resurrected Yellow Submarine project.

NBC ducked a bullet. Outside of a couple of barbs from Julianne Margulies (“thanks to Les Moonves for believing in a 10:00 drama”) and Gervais (joking that NBC would replace him with Jay Leno during the show), the Tonight Show fustercluck was hardly mentioned. I heard there were comments on the red carpet part of the program, but I don’t do red carpets.

And most importantly I should never wager. Sure, I picked three of the four NFL playoff games (and would have won all four had San Diego’s kicker not gone Norwood on them) but betting on film awards is a good place to clean out your wallet. Six out of ten isn’t bad, but nothing to brag about. (Wrong picks in red.)

Best Picture (Drama): Avatar (The Hurt Locker)
Best Picture (Musical or Comedy): The Hangover (It’s Complicated)
Best Director: James Cameron, Avatar
Best Actor (Drama): Jeff Bridges, Crazy Heart (George Clooney)
Best Actress (Drama): Sandra Bullock, The Blind Side
Best Actor (Musical or Comedy): Robert Downey, Jr., Sherlock Holmes
Best Actress (Musical or Comedy): Meryl Streep, Julie & Julia
Best Supporting Actor: Christoph Waltz, Inglourious Basterds
Best Supporting Actress: Mo’Nique, Precious (Vera Farmiga) 
Best Screenplay: Jason Reitman and Sheldon Turner, Up in the Air

But I’ll be doing this again at Oscar time, of course. It’s only Internet money, right?

Golden Globe nominees and winners.

Critic’s Choice Movie Awards also announced this weekend.

2 Comments

Filed under Editorials, Film/TV, Reviews