Tag Archives: Jeff Foxworthy

Happy Birthday, Mel Brooks!

 

He’s given us (among other things) Get Smart, The Critic, Young Frankenstein, Blazing Saddles, and The Producers. He helped get The Elephant Man and My Favorite Year brought to the screen. He made his bones in a writer’s pit with Neil Simon, Carl Reiner and Sid Caesar

As an actor, director, producer, screenwriter, lyricist, singer and playwright he has helped introduce satire and parody to the last three generations…and his timeless work will continue to entertain the planet (and whatever life-forms visit in the future) for eternity. 

He’s won an Emmy, a Grammy, a Tony and an Oscar

 

He is, without a doubt, a comic genius

He is Melvin KaminskyMel Brooks to us – and he’s 83 years old today

I’m sure I’m not the only person who can recite lines from Blazing Saddles and Young Frankenstein by heart – I might, if pressed, spill out the whole movie. When The American Film Institute (AFI) released their recent poll of the funniest movies ever made, Brooks scored three of the top thirteen: Blazing Saddles (#6), The Producers (#11), and Young Frankenstein (#13). That is astounding

As an Alfred Hitchcock fan, I have a soft spot in my heart for High Anxiety, which skewers several Hitchcock films perfectly while maintaining a suspenseful (but hilarious) plot of its own. It’s a funny film if you’ve never seen a Hitchcock film, but if you know the master, it’s priceless. And who but Brooks would float a silent movie – called Silent Movie, of course – where the one spoken word came from the mouth of the world’s most famous mime? 

I realized recently that there were a lot of people who were very familiar with Young Frankenstein and Blazing Saddles (film and Broadway versions) but were unaware of Mel’s iconic “2000 Year Old Man” character, a routine played to perfection with the great Carl Reiner. A few months ago Shout Factory released a box set collecting all the albums and cartoons, adding some commentary and rare footage. It’s a first-rate package and a must-own for comedy fans. 

 Here is my review from earlier this year… 

 

Reiner recalls that the genesis for the 2000 Year Old Man occurred when he approached Brooks with “Here’s a man who actually knew Jesus” and Brooks deadpanned “Oh, boy”. But although they would continue the routine in private for years as parlor entertainment for themselves and their friends, it wasn’t until they were finally prodded by Steve Allen to record it in his studio. (Or perhaps it was George Burns asking if the routine had been recorded, playfully insinuating that he’d swipe it if it wasn’t.) Reiner had gotten in the habit of bringing a tape recorder to these parties because Brooks never said the same thing twice, and he was astute enough not to let this comedic gold slip away. 

  

Over the years the pair released five albums: 2000 Years with Carl Reiner and Mel Brooks (1961), 2000 and One Years with Carl Reiner and Mel Brooks (1961), Carl Reiner and Mel Brooks at the Cannes Film Festival (1962), 2000 and Thirteen (1973) and The 2000 Year Old Man in the Year 2000 (1998). The 1998 album won the Grammy for Best Spoken Word Comedy Album, besting fellow nominees Steve Martin, Jerry Seinfeld, Jeff Foxworthy and The Firesign Theatre.  

The structure of featuring the title character as one among many was continued on the second and third albums, but the fourth and fifth albums were dedicated solely to the man who survived modern history. Reiner continued to play the voice of the audience, asking questions and challenging answers. “He was like a District Attorney” claimed Brooks, who felt that Reiner’s real-life knowledge of history and important events raised the bar on the exchanges. “I knew the questions” quipped Reiner, “but I didn’t know the answers”. 

Read the rest of my review at PopMatters

Mrs. Robinson, I think you DID seduce me!

Mel Brooks wiki 

Get this incredible collection of Mel’s films for a pittance! 

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Stand Up Wit…Jon Reep

...but lock the screen door.

...but lock the screen door.

Comedian  Jon Reep won the fifth season of Last Comic Standing, but like me, you probably know him better as the redneck hillbilly in a recent series of Dodge commercials. I was amazed that a caricature that deep featured a guy who  (1) had more than three teeth, (2) was able to navigate to another vehicle in traffic to check out the engine, and (3) had the vocabulary skills to pronounce the word “hemi”. (Face it, this could have been the banjo playing kid from Deliverance all grown up and edjumicated except that the actor in the commercial exuded a trailer full of charm. Welcome to our radar, Jon Reep!

Fast-forward a couple of years, and the genial, likeable guy parlayed that Andy Warhol moment into a nice career, a Comedy Central special and his first album, Bless His Heart. Basically an extended series of self-depricating jokes and cracks at Southerers, what saves Reep from falling into that tired genre is that same likeability and charm, which thankfully comes across on record as well. Although he’s playing a character, it’s more of an angle than a full blown persona like Dan Whitney’s Larry The Cable Guy or Andrew Clay’s Dice. He doesn’t play dumb; it’s closer to incredulous, as if he’s as weirded out as you are. (Rule Number One…make the audience like you.)

Nothing too subversive here, and while not wall-to-wall funny he does have some great bits on phrases we take for granted (“Ever try to shoot fish in a barrel? They’re fast!”) and wondering why Jimmy would smoke that crack corn, anyway. Sure, he might circle back to the catchphrase “Bless His Heart” a little too often (“always followed by something terrible”, he says), and picking on West Virginia and Louisiana is an interesting approach for a guy from North Carolina.

But somehow he pulls it off, like pointing out that Louisiana turned down Federal money for two years so they could keep the drinking age at a minimum (If you get pulled over in Louisiana and your blood-alcohol level is lower than the cop who pulls you over, you’re free to go!”). Or that his illiterate relative couldn’t spell I.Q. but could build an engine out of a tin can and a chicken heart. Crap jobs, bad movies, weird parents, messing with strangers, mascots and referees, restaurant pepper pimps…everyday material, but elevated by Jon’s energy and personality. (And yes, he does make fun of the absurdity of the whole “Hemi” situation, from the agent’s pitch to the auditions to pulling up alongside a Dodge Ram in traffic.)

If you like the Foxworthy/Larry genre, check out Jon’s Comedy Central clips and you’ll get a good read on what the album is like. (And keep an eye on your Hemi.)

Buy the CD at Jon’s official website

Jon Reep sampler.

The Hemi commercial that started it all. Or was it this one? Or maybe this?

Reep tells a Jeff Foxworthy joke without using words.

Reep on Mad TV

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