Tag Archives: Jerry Lee Lewis

Under The Radar: Venus Throw

As soon as I saw this cover I knew I had to buy the CD.

When I first heard the title track, I was wondering if Venus Throw was one of my favorite cowpunk bands performing under an alias. Damned if Bruce Smith’s voice didn’t call to mind E*I*E*I*O, Jason and the Scorchers and The Accelerators. All the songs were written by Smith, who also handled guitar and bass duties; Johanna Boulden played keyboards and Herbie Gimmel manned the drums.

The title track is a greasy, garagey tribute to its title, even bastardizing a bit of the “Peter Gunn” theme in the mix. That same pulsating downbeat is used to great effect in “Black Cherry Blues“, so guttural in tone that it sounds like the woofers in your cabinet are already blown out. (Attention kids – woofers are part of real speakers.) Love the humor in “Ten Horn Devil” as well; these guys have that roadhouse roots rock thing down. Swamp rock? Noirbilly?

Walk Dumaine” is a more kinetic paced rocker, but even that is ambling compared to the Webb Wilder meets Jerry Lee Lewis vibe of “Get Hot Or Get Gone“, a perfect closer that leaves you wanting more (and by “more” I mean “hit the repeat button while you Google for other albums”).

Film Noir is a tight and rocking appetizer, but now I have to get my hands on a copy of Raised Right, Gone Wrong, which came out last year after an apparent eight year hiatus.  The band is now completely different except for Smith; Dirk Laguna is now on bass, with Eddie Brown on drums and Bill Motley on keyboards.

If it’s as good as this one, it’s another reward for my incessant tangent tracking and blind faith purchasing. Once again, how could I not buy a CD with a cover like that? Both covers were illustrated by Robert Ullman and I hope he and the band signed on for life.

Drop a mere fin for this great EP on CD Baby or Amazon.

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And Maybe Rock’n’Roll Began When…

Jackie Brenston recorded “Rocket 88“?

Sixty years  ago todayaccording to Al Gore’s Internet – the first rock’n’roll single was recorded. Cars? Yep. Girls? Yep. Booze? Yep. Hmmm…maybe so.

I dunno, I can’t help but point back at people like Chuck Berry and Little Richard as the true architects, but there are some who will point at this song as the genesis of rock’n’roll. Sam Phillips was able to tout it to such an extent that it financed the beginning of Sun Records, and we know where that went.

Of course, sixty years turns a lot of fable into truth, but I’m more concerned about the survival of the art form that it’s zygote moment. Brenston was dead by age forty-nine, and for a guy serving a tenure with Ike Turner, that’s probably a long life. Maybe he was the guy. Maybe not.

But considering the historic occasion, why not give a listen?

And if you want to start an argument in a bar, research this page first!

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Top Ten Albums of 2010 – #3

You’ve heard the phrase actions speak louder than words? Well, before I say any more I implore you to watch this video clip and tell me it isn’t the most ass-shaking, head-knocking rock and roll track of 2010…

Video: “High Horse

The Jim Jones Revue can lay claim to being the fiercest rock’n’roll band on tha planet right now, and while that might not prove absolute, I guarantee you  they’d be in the final rounds. Slam some Little Richard, Elvis Presley and Jerry Lee Lewis down your throat and follow it with a chaser of Ziggy-era David Bowie and The Stooges and you’re only scratching the surface.

Video: “Shoot First

The band exploded (probably literally) on the English scene in 2008 and issued a hastily recorded self-titled album; last year a compilation of singles and b-sides called Here To Save Your Soul followed. Jones (formerly of Thee Hypnotics) fronts a powerhouse band featuring guitarist Rupert Orton, bassist Gavin Jay,  drummer Nick Jones and keyboard player Elliot Mortimer. Everyone is great – obviously – but it’s piano man Mortimer whose raucous boogie-woogie attack gives the band its hybrid punk/rockabilly energy. It’s scary how good this band has gotten in less than two years; I cannot wait to see them live.

Video: Live at the Dirty Water Club

Burning Your House Down is not only one of 2010’s most aptly named albums, it’s one of the loudest records you will ever own.

And it is absolutely one of the best.

Melt your ears at Amazon

Jim Jones website

Jim Jones Revue on MySpace

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Under The Radar: The Sleepers

If I were going to start a rock band, I’d want the boozy swagger of The Faces and The Rolling Stones mixed with the glam punch of Bowie and The New York Dolls plus the bombast of AC/DC and the stoner buzz of The Black Crowes and Izzy Stradlin. Looks like The Sleepers beat me to the punch.

Featuring a twin guitar attack over a kinetic rhythm section and an emotive (yet not preening) lead vocalist in Tommy Richied, their album Comeback Special distills all those influences through a combination ’77 punk attitude and a Sunset Strip hair metal glitz. And although it’s hit and miss – largely hit – it has that indescribable sound that wants to make you roll down the car window and blast it so the guy next to you can offer a knowing nod and smile.

I’m not one to fall for hyperbole without a second look, but I must admit that “what would happen if Jerry Lee Lewis married Appetite For Destruction instead of his cousin” is a hell of a description.

If that doesn’t do it for you, how about song titles? Any band that titles their songs “She Is My Drinking Problem” (think Poison amping up a country weeper), “Dirty Cop” and “Jailbait” has a sense of humor, at least, but while song subjects might not call Dylan to mind, they’re vehicles to set the tone for some great back-beats and some guitar noodling.

Tony Manno and Kevin Bannon interplay well on guitars, while Chris Cormier on bass and (I am not making this up) Johnny Action on drums are rock-solid. Kudos also to Elisa Carlson who adds piano and organ on a few tracks; they might want to bring her on full time. (This album came out in 2008; according to their website, Richied is no longer in the band and Bannon has taken over lead vocals).

Sometimes you need to remember that rock’n’roll can be straightforward and simple. I never heard the Chicago based band’s one previous album (Push It Nationwide) but after blasting this one a few times I’ll be seeking it out.

Listen to The Sleepers on Amazon.

The Sleepers on MySpace

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T.G.I.F. – Back To Schooldays

I don’t have to anymore, thankfully…

But September, and especially this weekend, brings the official end to summer and the start of the school year. (Feel free to substitute the word “football season” if you are a childless male past the age of eighteen.)

Music has always captured the essence of every emotion and occurence in our lives, and there certainly are many anthems that document the drudgery and celebrate the rebellion and pinpoint the pain. Many of these are obvious, although “School’s Out” will have to wait for June! And I didn’t want to go to hardcore teenage angst like Big Star‘s “Thirteen” and Ultimate Fakebook‘s “A Million Hearts” (an under-known classic!).

So as you hopefully are preparing for a safe and happy holiday, here are Ten Tunes to take you Back To Schooldays!

01 – “Schooldays” (The Kinks)

02 – “Be True To Your School” (The Beach Boys)

03 – “Back To Schooldays” (Graham Parker)

04 – “Hot For Teacher” (Van Halen)

05 – “My Old School” (Steely Dan)

06 – “School Days” (Chuck Berry)

07 – “School Days” (The Good Rats)

08 – “Teacher Teacher” (Rockpile)

09 – “High School Confidential” (Jerry Lee Lewis)

10 – “Rock and Roll High School” (The Ramones)

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