Tune it Monday night at 11pm for The Return of Conan!
If you missed any of the great promos, click here.
I guess George Lopez is taking to everybody these days.
“If you haven’t heard by now, Conan O’Brien will be joining us on late-night on TBS. Welcome!, Welcome! I want to say this, I want to say that I am completely 100% on board with this move. I talked to Conan on Wednesday and I talked to him last night and I said I welcome you into my deep loving embrace. Then I said let’s take the party and make it bigger and take it into the next generation of late-night TV. Lets do that! Lets do that! Lets do that! Everybody’s heard of ‘I’m with CoCo’ but now everybody can ‘Go LoCo’.”
Lopez also made a great crack about how doing his show an hour later wouldn’t be the same – basically a nod and a wink to Conan’s response to NBC. Of course, he’s able to laugh because he knows that he just scored a major lead-in for his show.
Yeah, I was shocked at the TBS signing; I figured FOX was in the driver’s seat all the way. And I wasn’t the only one with dropped jaw. But it makes sense for a network that refers to itself as “very funny”. They need to be very funny. And Conan fills the bill.
Face it, the Tonight Show is a brand name, but the legacy is irrevocably tarnished. People refer to the choice as Leno or Letterman, not Late Night vs. The Tonight Show. And Leno’s viewing audience is old…and getting older. Lopez, on the other hand, skews young. So does Conan. Tonight might have the name, but lately Jimmy Fallon is hipper, and NBC knows it. Enjoy that deal with the devil.
This year TBS even tried a comedy show – underpromoted, of course – called Very Funny. Imagine how much talent they will attract when the comedians know they will be cross-promoted on Conan’s show…where they will also appear. Imagine the new wave of comedians that will get airtime knowing that they are on basic cable, not network television.
And frankly, aside from the depth of penetration, what is network television? Very few cities still receive over-air broadcast; it’s almost all digital. Most people get something beyond basic cable, and many of those basic cable packages include TBS. And thanks to Al Gore, we have this medium you’re using right now. In other words, a platform is a platform in the twenty-first century. If you want to see something, you can.
All Conan did over the past year was (1) legitimize his ability on the grander stage, (2) exit a horrible situation with class, good will and a shitload of money, and (3) raise his profile ten times higher than a great run on NBC would have done. Win, win and win.
I cannot wait! Until then, catch the mad redhead on the road.
But before we get to the prognostication…and just to keep the teakettle whistling – here are the latest clips from the late night talk show hosts on the Tonight Show debacle, courtesy Gawker. Jimmy Kimmel bitch-slaps Jay Leno on his own show, and if you aren’t a Craig Ferguson fan after his clip…well, you might just be an NBC executive…
So here are ten guesses for who will win at Sunday’s award show. I’ve limited this group to films; I always wonder why they even vote on American television programming anyway.
The Globes are always a crapshoot, since the voters are the Hollywood Foreign Press Association who (1) may not have seen all of the nominees, (2) might not get the context of American humor and cultural references and (3) tend to vote for their favorite people – those who play the schmooze game – regardless of merit. But what the hell, it’s only internet money.
Tune in to NBC – if it’s still broadcasting – this Sunday night at 8:00pm EST to find out for yourself. (Even if you don’t care about the minor categories, watch or record the program; I wager that Ricky Gervais will make this an evening to remember).
Best Motion Picture – Drama: There’s a lot of George Clooney love right now, but as much as I liked Up In The Air I think it’s been a wee bit overrated and it won’t hold up. Even those who don’t normally like war films are praising The Hurt Locker and I think it will resonate here as well
Best Actress in a Motion Picture – Drama: The HFPA loves Sandra Bullock. Lovvvvvvve her. And since this is being hailed as her “greatest performance” they are all but being directed to strike while the iron is hot. I thought she was great in Crash but she makes too many cheesey comedies (not that it stopped the HFPA for nominating her for that also).
Best Actor in a Motion Picture – Drama: Did I mention how they love George Clooney? Caution spoiler: Morgan Freeman did play Nelson Mandela…
Best Motion Picture – Comedy or Musical – This is a horrible category. Of the films, I liked the flawed The Hangover the best, but the all-star cast suggests It’s Compicated is probably more up their alley.
Best Actress in a Motion Picture – Comedy or Musical: This category tells you all you need to know about the HFPA – Bullock chewing the scenery, Julia Roberts automatic nod and two Meryl Streep roles. The only way Streep loses is if she splits her own votes, but since HFPA also loves people playing real characters, it’s Streep for Julia and Julia.
Best Actor in a Motion Picture – Comedy or Musical: That Sherlock Holmes is a comedy tells you a lot about why I hate the very concept of the movie, but not enough people appreciate that Joesph Gordon-Levitt is the best young actor in Hollywood and not enough people cared about The Informant. So I’ll wager it’s Robert Downey Jr.
Best Actress in a Supporting Role in a Motion Picture: As intense and worthy as Mo’Nique was in Precious, and as revered as Penelope Cruz is in general, I just have a gut feeling that Vera Farmiga will benefit from being in the most likeable film in the group. Not that she isn’t worthy – tough crowd here.
Best Actor in a Supporting Role in a Motion Picture – This is quite possibly the best group of nominees on the whole show (and they didn’t even nominate Christian McKay for Me and Orson Welles!) Any other year Stanley Tucci walks away with this for his chilling performance in The Lovely Bones, but Christoph Waltz probably gave a performence for the ages in Inglorious Basterds.
Best Director – Motion Picture – It makes no sense that someone could helm the Best Picture and not win as Best Director, but Avatar is a tidal wave and James Cameron gets rewarded for the sheer scope of the film.
Best Screenplay- Motion Picture – I think this is where the HFPA again gets to reward a feel-good picture (even though it was anything but feel-good) by Globing Jason Reitman and Sheldon Turner for Up in the Air.
The full slate of categories and nominees can be found here. I’ll post links to the results, along with my reactions, on Monday January 18th.
Frankly, I don’t think Conan needs me to fight his battles – looks like he’s perfectly capable of handling this all by himself.
(As a bonus, the Letterman clips prove once and for all that Paul Shaffer – great bandleader, good storyteller in the proper setting – should have his lips stapled shut whenever Letterman is talking.)