Tag Archives: Learning Love

New Album! Bobby Emmett

My #5 album from 2009

I’ll forgive you if you think you somehow slipped a Raspberries album in your player when the familiar staccato power chords come blasting out of your speakers on the opening track; I sure did. But quickly the bridge will reassure you that this is a different journey…and then the high octave harmony vocals sell the chorus, and the Todd-like guitar solo stutters and rips across the melodic ribbon…and your jaw, like mine, has dropped.

Bobby Emmett – you know him from The Sights – has stitched together a Frankenstein monster of a record that splashes the DNA of just about every powerpop touchstone you can name into an infectious, joyous blast. That he recorded it in a bedroom and played and sang the vast majority of it himself just makes it that much more amazing. Many albums start strong, an obvious single in the leadoff slot, but four, five tracks in you will find yourself hard pressed to settle upon a favorite.

“Still Wanna Be With You” borrows a line from “1-2-3 Red Light” for the chorus but dunks it into a modern framework not unlike Silver Sun or Farrah (and that vocal flourish at the end is spine-tingling). Sure, the haunted vocal in “Moving Ahn” suggests John Lennon, and the spelling of the song title correctly suggests a mix of Billy Joel and Big Star (think Chris Bell singing “Moving Out”) before the coda drifts into a mash-up of Pink Floyd‘s “Great Gig In The Sky” with “I Want You” (either The Beatles or the Elvis Costello song – your pick).

I say all this with reverence and a straight face. There are enough copycat bands of all genres exhuming the work of their predecessors and passing it off as their own sound, but Emmett has assembled a ten-track killer of a solo album here. Whether it’s the soulful mid-tempo “November” (a hipper “Everything I Own”), the sweet Harrison slide of “Never Waited So Long”, the psychedelic “Love Is Real” or the straight-ahead pop majesty of “Broken Hearted” and “Queen of Hearts”, Emmett is all hooks and harmonies and ear candy. Learning Love is a joyous and stunning effort. 

This review is from the brand spanking new issue of Bucketfull of Brains. Use the link on their page and sign up for a sweet three issue subscription.

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T.G.I.F. – Top Ten Albums of 2009

Someone always disagrees

As you may or may not know, scrambling to assemble a Top Ten list of the year for anything is a pain in the ass, since many times eligible films and albums don’t come out until December. For that reason (let’s put procrastination aside for a moment) my deadline has always been Super Bowl Sunday, which use to be sometime in January. This year the Gods of Sport have decided to move the game back into February, probably to pretend its part of the Winter Olympics. And with all the wonderful decisions they have been making, who are we to question the brilliance of network television executives? 

But each year the deadline for the Village Voice gets earlier. So while I am still filtering through decisions on the lower end of the top forty, the Top Ten is cut in stone. (The full list will be available after the Super Bowl.)

I’ve already posted reviews for some of these albums, others will be forthcoming (some are not yet published in the respective magazines they were submitted to). So without further ado, I hereby announce my choices for the Top Ten Albums of 2009: 

  

One : Love and Curses (The Reigning Sound) 

Two: Lions in the Street (Lions in the Street) 

Three: National Champions (Olympic Ass Kicking Team) 

Four: 1372 Overton Park (Lucero) 

Five: Learning Love (Bobby Emmett) 

Six: More Like Me (Webb Wilder) 

Seven: Tinted Windows (Tinted Windows) 

Eight: Little White Lies (Fastball) 

Nine: Spills and Thrills (John Paul Keith and the One Four Fives) 

Ten: House To House (Tripwires) 

 

Link to my Village Voice Pazz & Jop ballot

My centricity rating, or how far off center my choices are. (Very

*** 

R.I.P. – the Greta Garbo of authors, J.D.Salinger 

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