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Best Comedy Albums of 2010: #3-2-1

Year End List caveat: I’m splitting comedy albums apart from comedy DVD projects, so if someone had a DVD that was basically the same as the album I’m rating it as an album. If someone winds up in the DVD category that doesn’t mean their album wasn’t top ten material…just trying to find some way of being fair. That said, there’s not an item on either of these lists that I don’t think is worth your immediate attention…click to hear clips and judge for yourself!

Maybe the most amazing thing about my list – and I didn’t realize what was happening until after I locked everything down – is that nine of the top ten were debut albums. That is partially due to the likelihood that an established seller will more likely get the financial backing for a DVD project. But it also signals the fact that a group of brilliant writers and performers (many of whom have been staff writers for successful and established shows and performers) are getting an opportunity to get their unique voices out there. 

It’s heartbreaking to realize how many great comic minds we’ve lost in recent years, but it’s reassuring to know that so many have picked up the torch.

Finalizing a top ten was tough, determining the top three was exasperating.

But here we go…

***

#03: Kyle Kinane, DEATH OF THE PARTY

Great imagery and material; immediately captivating with an incredibly original style. Sure, he looks and sounds disheveled, but this album straddles the line between stream of consciousness riffing and nuggets of cosmic gold. I will always marvel at the way Mitch Hedberg’s brain worked for puns and one-liners; and I think Kinane’s storytelling presentation is on that same level of greatness.  (A Special Thing Records)

***

#02: Anthony Jeselnik, SHAKESPEARE

He might be the smartest writer out there; if you don’t believe it just ask him! Deliberate slow pacing, where he clearly enunciates every word to squeeze every nuance, silence and twist for maximum effect. You have to be very skillful to present yourself as an arrogant know-it-all constantly baiting the audience, but when your CD is one perfectly constructed joke after another, you are acquitted. (Comedy Central Records)

***

#01: Auggie Smith, SMELL THE THUNDER

A great combination of social exasperation, political/religious commentary and brilliant writing. Smith’s album is a blend of Patton Oswalt, Dave Attell, Lewis Black, Bill Hicks and Doug Stanhope – basically everything I like about standup comedy. Great pacing, exceptional delivery and inflection, and even his throw-away lines are hilarious. In a year when many strong comedy albums were released, this was the cream of the crop. (Rooftop Comedy)

***

Next week: The Best Comedy DVDs of 2010.

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Best Comedy Albums of 2010: #7-6-5-4

Year End List caveat: I’m splitting comedy albums apart from comedy DVD projects, so if someone had a DVD that was basically the same as the album I’m rating it as an album. If someone winds up in the DVD category that doesn’t mean their album wasn’t top ten material…just trying to find some way of being fair. That said, there’s not an item on either of these lists that I don’t think is worth your immediate attention…click to hear clips and judge for yourself!

***

#07: Bill Burr, LET IT GO

Ok, probably cheating a wee bit here, because Burr does have a DVD of this show and there were a couple of extra jokes on it, but the two are very close in content. (I’m an equal opportunity cheater, as you’ll see when the DVD list is posted.) But no matter where this is listed, it’s great. Burr just keeps getting better every year, baring his soul in his shows and flushing out his brain, unfiltered, on his weekly podcasts. He’s the guy like you and I who is just too fucking tired of putting up with the lack of common courtesy, the ineptitude of customer service and the complete banality of what passes for modern society. The odd thing is that a lesser comic would go down in flames trying to work these topics, but Burr is so passionate and magnetic that he sells every moment. (Image Entertainment)

***

#06: Joe DeRosa, THE DEPRESSION AUCTION

A comedian – and an album – that deserves to be far better known. Both self-deprecating and intolerant of others, Joe’s aptly named collection of rants places him as the man who just doesn’t fit, whether it’s ineptitude at sports, being taken seriously as a person or just trying to justify his own anger at boorish people and bad cable before realizing that it would probably mean more if he wasn’t observing this from the fetal position. He tees off on hecklers, reality stars and himself and caps it all off with the tale of performing for fans of The Insane Clown Posse. I don’t know what’s stranger – that the Juggalos invited him to perform and he accepted…or that afterwards they invited him back again . (Comedy Central Records)

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#05: Myq Kaplan, VEGAN MIND MELD

A master of language, one of the best comic wordsmiths that I have heard in a long time. With his intellect, he could leave most of the audience in the dust and be the ultimate nerd comic playing to tiny Mensa gatherings. But fortunately he has a good dose of silly in his DNA and he loves puns. There are so many jokes layered within jokes that it will take multiple listens to shake every one of them loose. Incredible with call backs – if you saw him on Last Comic Standing you watched him weave them into every set. And for the icing on the cake, he’s a razor-sharp moralist taking society to task on politics and religion, which means he’s leaving you laughing and thinking.  (Live at Comix)

***

#04: Hannibal Buress, MY NAME IS HANNIBAL

Buress redefines casual; unlike comics who start their set with a bang, he’s so laid back that you might wonder if he’s talking in his sleep. But he’s s sneaky bastard. Little jokes start piling up one after another and before you know it, that snowball is hurtling down the hill like an avalanche. And when he does eventually explode with an expletive or a loud voice, it only makes the punch line that much funnier. He has a great knack for making the mundane sound insane, and his absurdist takes are stellar. It’s as if Louis C.K. and Bill Cosby had a love child – he’s got the Cosby pacing and the lunacy of Louie. How could SNL suck so bad if he is writing for them? (Stand Up! Records)

***

The countdown concludes tomorrow with #3, #2 and #1.

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Best Comedy Albums of 2010: #10-9-8

Year End List caveat: I’m splitting comedy albums apart  from comedy DVD projects, so if someone had a DVD that was basically the same as the album, I’m rating it as an album. If someone winds up in the DVD category that doesn’t mean their album wasn’t top ten material…just trying to find some way of being fair. That said, there’s not an item on either of these lists that I don’t think is worth your immediate attention…click to hear clips and judge for yourself!

***

#10: Mike DeStefano, OK KARMA:

What a breakout year for Mike, who lit it up on Last Comic Standing and brought cringe humor to the forefront. Hysterically funny, he also has a personal back story so cathartic and outrageous that it will stop you dead in your tracks. Many comedians have a persona, but I believe this is the melting pot of the real guy bursting through. Irreverent and fearless, I love that he’ll swing for the fences, miss, and then dig in and swing harder because he knows he will get you eventually. (Stand Up! Records)

***

#09: Matt McCarthy, COME CLEAN

Total nutjob, and that’s fine by me. Prone to explosive rants of ridiculous logic as frequently as deceptively subtle comic gold, McCarthy’s debut album still has me laughing months later, especially the closing piece where he answers an Internet survey in reverse. Probably the most unusual opening and closing bits on any comedy album, ever, but both kill …as does most of what’s in between them. (Live at Comix)

***

#08: Sean Kent,  WAITING FOR THE RAPTURE

Kent’s “take no prisoners” attitude is relentless but funny, even bringing a unique take to common targets like Wal-Mart, Glenn Beck, Facebook and religious fanatics. Sure, there are dick jokes and local references and social outrage and little girlie voices, but Kent is willing to go all the way out there to take the mundane and the topical and wring something fresh out of both.  (Uproar Entertainment)

***

The countdown continues Wednesday with #7, #6, #5 and #4.

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Stand Up Wit…Matt McCarthy

You might have seen that expressive Irish puss on commercials for Verizon, Doritos and other companies, or perhaps like me your first prolonged encounter was on John Oliver’s New York Stand-Up program on Comedy Central. Or maybe you know him from his work with Front Page Films along with Pete Holmes (no relation!) and Oren Brimer. Whatever way it happens, Matt McCarthy makes an immediate impression. 

Looking like a leprechaun on steroids, McCarthy is a bit of a madman onstage, prone to explode on occasion in a loud and boisterous manner. Hell, you can tell he’s a little nuts just by the URL for his MySpace page. His debut comedy album Come Clean (recorded at Comix in New York City in April 2009) was just released and is available digitally; hard copy CDs are only sold at his shows. Which now gives you two reasons to go see the man perform, of course. 

Video: The first KISS meeting. 

 Come Clean is pretty hilarious, but I’ll admit when the first track “Greetings” (a string of ethnic impressions) kept going and going I wondered why he had opened by beating something to death. But just as it got uncomfortably awkward he segued into Zortar, a man from the future…and I lost it – I almost drove off the road. 

And that’s McCarthy in a nutshell – unafraid to go off the radar if there’s a great line at the end worth getting to. And who records his own preview track and inserts it into the middle of the album…or segues The Incredible Hulk, American Beauty and not-so-tough guys together into one joke? “Badass Poetry” was hit and miss, but there are so many original ideas like the “Love Lotto” or the Planned Parenthood t-shirt bit that are pure genius. 

Other highlights include “Funerals and First Dates”, “Old Suicide Notes” (a great segue from “Black Ops”) and the brilliant closer  “Get To Know Me”. A bookend to the protracted intro track, he bids the crowd good night while rapidly completing a twenty-five question Internet poll in reverse (“favorite flower” and “favorite vegetable” are among the many killers). It’s like the fireworks display at the end of an event; everything including the kitchen sink gets tossed at the crowd before he spikes the ball and leaves. 

I’ve heard Come Clean three times already and I’m still laughing. But I never want to hear the phrase baboon load again. Ever

Really...don't ask.

Matt’s commercial reel 

Matt McCarthy videos at Comedy Central 

McCarthy’s classic Michael O’Donahue impression 

Come Clean at iTunes

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