Tag Archives: Liz Phair

Blast From The Past: Sheryl Crow

Digging through albums while assembling candidates for end-of-the-year’s “Best Of” is always fun;because I invariably come across a forgotten treat. In this case, it was Sheryl Crow’s third album, The Globe Sessions.

WTF, Doc? She’s a mainstream success, a household word!

Yeah? So what? Her first album was launched on the backs of her songwriter circle collaborators – a cardinal sin – and lately she’s been so glammed up she makes Liz Phair look positively indie again. There’s a slew of people who love her regardless of what tripe whe shovels out (her cover of “The First Cut Is The Deepest” was brutal)…but there are also people who slag her simply because she’s successful…or has legs to die for. I prefer to consider the music above the rest.

I’m just saying that sometimes you need to be more open-minded. This was a good album – here’s my original review from TransAction Magazine.

Crow’s third record is a large leap forward, and she may have finally shaken the critical backlash shes been wallowing in ever since her initial success. Maybe its the freedom the label gave her, maybe its a natural maturation of a songwriter, or maybe she just doesnt give a shit about pleasing others anymore, but whatever crawled up her back and forced this out should be bottled and saved.

Amid the nods to Tom Petty, The Band and especially The Rolling Stones, Crow’s confessional songs about sour relationships, painful affairs and surviving the nineties are light years better than her previous work. She wrote most of the songs on bass to force a fresh approach and produced the record herself; songs like “My Favorite Mistake”, There Goes The Neighborhood”, “Anything But Down” and “Am I Getting Through” are much the better for it.

The instrumentation is diverse and well chosen, and her vocals have never been better. Bonus video of “My Favorite Mistake” for those playing the CD on their computer. Give this one a spin before you dismiss her; you might be very surprised at what you think afterwards.

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Under The Radar: The Lovelies

According to a promo blurb, The Lovelies formed in Austin, Texas in the 90’s, headed up by Liv Lovely (aka Liv Mueller). The band saw a few lineup changes and garnered a lot of attention following a move to Milwaukee. The group disbanded with the last lineup as Barb Enders on bass and Damain Stringes playing drums. You might come across a Euro band with the same name, but these Lovelies were a female fronted band.

I first caught up with them years ago with White Leather, their album on the Force MP label. In addition to the references below, if you’re into bands like The Eyeliners, The Gore Gore Girls or even 80s bands like The Photos, you’ll probably like a lot of this.

Here’s my review from Yeah Yeah Yeah in 2003:


Okay, so sue me; upon first look at Liv and Barb Lovely I thought “Blondie times two!” before I even slipped the cd into the player. (Bulletin to whomever designed the user-unfriendly digipak that almost caused me to snap the cd in half – what were you thinking?) But it turns out that I’m not so far off the mark – maybe Veruca Salt with better chops?

White Leather is a good balance of stripped-down alterna-pop and catchy three-chord rock and often captures the same juxtaposition of pouting sexuality and power pop chops that made Ms. Harry and company instantly accessible. Occasional clunkers (“Tommy”) aside, many strong cuts like “In Over My Head”, “Constellation” and “I Want Your Love” stick on first listen, and Liz Lovely’s pipes can sell just about anything. Nothing overtly commercial, good versatility and obvious conviction.

Maybe this is the record that Liz Phair fans thought they were going to get?

Listen for yourself at Amazon.

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