Tag Archives: Matthew Sweet

T.G.I.F. – Ten For Matthew Sweet

To follow up on the announcement about Matthew Sweet’s new album Modern Art, I thought today’s TGIF would be a great time to give the under-appreciated popster a tip of the cap. It can’t be easy putting your heart and soul into being a pop craftsman and finding that despite some massive airplay early in your career, there aren’t any groundswell radio formats to celebrate the joyous jangle of a big hook and chorus. I’d like to think that had Matthew been around in the early 70s, he’d have had his singles on the charts alongside The Raspberries. But that didn’t work for Big Star, now did it?

But I’m glad he hasn’t given up the ghost, because we need all the Matthew Sweets we can get, larger than life. So this week’s TGIF is Ten For Matthew Sweet…and by the way, if you’ve never heard “Thunderstorm” from In Reverse, you are in for a real treat…

(01) – “We’re The Same

(02) – “Thunderstorm”

(03) – “You Don’t Love Me”

(04) – “Someone To Pull The Trigger”

(05) – “I’ve Been Waiting”

(06) – “Come To California”

(07) – “Girlfriend”

(08) – “Divine Intervention”

(09) – “Sick Of Myself”

(10) – “Evangeline”

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New Album! Matthew Sweet

The new album from Matthew Sweet is streaming at Soundcloud!

I must admit I’m not immediately blown away by Modern Art, although I can hear equal parts of his early pop and latter-day garage covers. Some songs are just not connecting at all. But tracks like “Sleeping” and “When Love Lets Go I’m Falling” hit the spot with me. Sweet has been hit or miss the last couple of releases, but he’s had a hell of a career run, and I would never count him out.

I can’t believe it’s been twenty years since Girlfriend, an album I can pull out at any time; I smell a Blast From The Past column on that one sometime soon. But that was then and this is now, and I will give this album an honest chance.

So check it out for yourself, end to end, for free.

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New Album! Smash Fashion

Glam punk powerpop alert!

I’ll admit it – I love everything about glam powerpop. The fat guitar chords, the thrashing drums, the foot-stomping beat and the huge hooks are the antithesis of subtle, but there’s a time and place for everything. I love Loudon Wainwright III but I don’t bounce down the street blasting “Your Mother And I” out of the car stereo, windows down, rear-view mirror shaking from the pulse of the woofers. Nope, that’s what glam and powerpop is for.

I missed Smash Fashion’s 2003 release (and have since made up for it) and almost did the same thing with 2010’s Don’t Pet The Sweaty Things. (Thank god for late night “sounds like” tangents on Amazon and CD Baby!) I wasn’t sure what to expect from a group photo that had one guy thrusting a Flying V guitar neck at me while sporting an eyepatch, but at the risk of hearing an album full of Dr. Hook covers I dove in.

Video: “She Goes Down

Like most powerpop bands, you can play spot the influence. For example:

  • Baby Dancer” and “Blonde Raccoon” are so reminiscent of Dwight Twilley I had to check the credits
  • Hard On Love” is as KISS-like as its title
  • Confessions of a Opium Eater” is the bastard child of “Auf Weidersehen
  • Proper Way To Eat A Muffin” is T.Rex incarnate
  • Sad Sweet Sick and Beautiful” has Mick Ronson’s fingerprints all over it 
  • All Systems Go” is like a mashup of Matthew Sweet and “If I Needed Someone
  • Mott The Hoople, The Sweet, Cheap Trick…and so on.

The title track is as close as you’ll get to a glitter ballad. There are also a couple of covers – the muscle pop rendition of Abba’sDoes Your Mother Know” is really good but “Benny And The Jets” was probably better left alone. Still, this impressive collection of glammy chestnuts is well worth getting and playing loud. These guys know exactly what they’re doing, and they sound like they’re having a blast in the process.

Life is short, stop taking it so seriously. Blast this mofo out a window.

Smash Fashion’s website and MySpace page

Listen/buy at CD BABY.

Smash Fashiion - worth the trip.

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Under The Radar: Sugarbuzz

Most band names don’t communicate the sound of the band. Sugarbuzz does.

Sugarbuzz was a late 90s collaboration between Brian Leach and Brian Reed (they even had a third Brian – Brian Krumm – add some lead guitar parts). Leach has a solo album called The Sunrise Nearly Killed Me, which is among many powerpop fans’ favorites, but frankly after fifteen plus years I’m getting the Leach/Sugarbuzz timeline confused. But I like all his stuff – in his normal vocal range he has a sweet pop voice but slides into a sandy rasp in the upper register. Still don’t know much about Reed.

Submerged is a really solid effort that is heavy on the powerpop but winds in other elements for a nice mix. Occasionally they will recall other bands but Leach’s vocal adds a quality to the mix that gives them a unique sound. Not a lot of power in the powerpop…more of a perfect album for a Sunday morning drive.

“Overthrown” is one of my favorites, strongly recalling T.Rex, while the guitar and chord structure of “Lost Sensation” and “A World Away” recalls Jellyfish (especially the staccato strings and guitar solo). and I hate to use the word “beats” when talking about music, but “Born Again” sounds like the percussion was played by a guy on a street corner with an inverted plastic paint bucket. “The House That Never Sleeps” uses some subtle wah-wah and background string-bending to produce an infectious spacy sound; “Long Hot Summer” takes that ambling psychedelic approach to a point where you almost feel the exhaustion he’s singing about. I really like “On Some Other Day” where Leach (or Krumm?) goes all Joe Walsh for a couple of minutes.

I always lump Leach in with Matthew Sweet and artists from Champaign, Illinois (Velvet Crush, Adam Schmitt) probably because all this came out in the late 90s, although he and Reed really don’t sound that much like them. But if you are a fan of the aforementioned bands, I think you’ll like Sugarbuzz a lot. And like many pop albums that never made a big splash, an enterprising fan could get this for a song.

A few clips on MySpace

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Big Star Third, Revisited

SONGS/PERFORMERS

1.  “Kizza Me”                     MATT MCMICHAELS (from Mayflies USA)
2.  “O Dana”                        IRA KAPLAN  (Yo La Tengo)   
3.  “For You”                        JODY STEPHENS (Big Star)
4.  “Nighttime”                     NORMAN BLAKE (Teenage Fanclub)
5.  “Jesus Christ”                MIKE MILLS (R.E.M.)  
6.  “Take Care”                    IRA KAPLAN    (Yo La Tengo)                                
7.  “Big Black Car”               MATTHEW SWEET
8.  “Stroke It, Noel”              NORMAN BLAKE  (Teenage Fanclub)
9.  “Blue Moon”                    JODY STEPHENS  (Big Star)
10. “Femme Fatale”            SINGER NOT CONFIRMED
11. “Downs”                        VARIOUS  
12. “Dream Lover”              TIFT MERRITT  
13. “Holocaust”                    DJANGO HASKINS (The Old Ceremony”     
14. “You Can’t Have Me”     TIFT MERRITT
15. “Kanga Roo”                 MICHAEL STIPE  (R.E.M.)
16. “Thank You, Friends”    VARIOUS

Plus a rich encore list featuring the above plus Brett Harris and Fan Modine…

Um…do I really need to add more? Go, whydoncha?

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Do Ya (Feel Lucky, Punk)?

The Powerpop Criminals are at it again…

This time it’s a thematic album composed of rock and powerpop bands covering the classic Move song, “Do Ya“. One of the all-time classics, it’s been a favorite cover tune for a lot of bands with its off-kilter verbal cadence and its anthemic sing-along chorus. Hell, if you only know the words “do ya do ya want my love?” you’re already halfway there.

Video: “Do Ya” (The Move, studio version)

Although the song was first done by The Move, it was one of its spin-off bands that made it more famous – The Electric Light Orchestra, or as they are better known, ELO. I love The Move and Roy Wood, but Jeff Lynne made a much superior version with ELO.

Video: “Do Ya” (ELO, live version from Midnight Special)

Powerpop bands gravitate to this song like moths to a flame – chunky fat power chords, opportune for great background harmonies, and a stomping beat that has serviced every rock band since the invention of the third chord.

So click here!

Included in this compilation are versions by Jason Falkner, Matthew Sweet, Ace Frehley, Yo La Tengo and Todd Rundgren’s Utopia, the latter from the initial three-keyboard version of the band. (By the way, those first two albums – Utopia and Another Live – kick serious ass!)

And lest you think this is the first time someone came up with this idea, may I introduce you to the amazing Anna Borg, whose TallBoy Records issued an extended play clear vinyl single in 2002 with four bands covering the classic: Parallax Project, Kenny Howes and the Yeah, Linus of Hollywood and Einstein’s Sister. You can buy that here along with many other great releases (I highly recommend that Sugarplastic series of singles!)

So…do ya feel lucky, punk?

Do Ya?

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Meet The Beatles, Sorta

Time once again to pay homage to Angelo over at Power Pop Criminals, whose mixtapes (will someone please come up for a less cumbersome word for mix disc?) are always first-rate works of art. And that includes the art, by the way – original work always created with affection, humor and great skill.

Over the past couple of years I’ve tipped you to many of his powerpop anthologies, Beatle album tributes and collections of tribute songs. This weekend I’m recommending you check out two of his more eclectic tributes, starting with Meet The Beatlesque. We’ve all heard bands and songs that make you think of The Fab Four; pretty much any pop band around has some Beatle DNA in their bloodstream.

So where many bands cover Beatle songs outright, here we are talking about bands who are channeling their influence or building off their foundation. Angelo describes the selections as those “who have had a Beatlesque moment, whether consciously or not. Beatlesque means bearing a definite resemblance, often to a specific Beatle song. To be truly Beatlesque,a record must wear that influence openly.”

So who does that? Hmm…how about The Raspberries, Utopia, The Rutles, Marshall Crenshaw, The Smithereens, ELO, 20-20 and The Flamin’ Groovies? That’s only a small sampling…from Disc One! Disc Two features Badfinger, Klaatu, Matthew Sweet, Cheap Trick, Emitt Rhodes, The Gurus, The Jamfifty tracks of fab between the two discs!

So click here to visit PPC and download this great collection. Enjoy!

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