Tag Archives: Melissa Leo

…and now, The Oscars

Finally, the big daddy of the back-patting events is upon us.

Tonight’s Oscar hosts are James Franco and Anne Hathaway, as the industry makes an obvious ploy to skew younger. That sentiment probably won’t carry over into the actual voting, where veteran actors who might have been bypassed earlier in their careers get rewarded at the expense of a newcomer who has his whole career ahead of him. Really…Al Pacino won for Scent Of A Woman? Paul Newman won for The Color Of Money?

And sometimes this screws over a more deserving veteran actor. Yes, I’m talking to you, Henry Fonda! No way Burt Lancaster shouldn’t have won in 1981 for his amazing performance in Atlantic City!)

But I digress. The Oscar host thing has always been a conundrum. Bob Hope owned the role for years, as did Johnny CarsonBilly Crystal did it well and got to keep the job for a while, seemingly alternating every couple of years with Steve Martin and Whoopi Goldberg. But lately it’s been as volatile and unpredictable as a Charlie Sheen alibi; the only repeat host in the last ten years was Jon Stewart in 2006 and 2008 (Steve Martin hosted in 2003 but co-hosted in 2010). Stewart was excellent, but has the grind of his Daily Show schedule. But Wolverine Hugh Jackman was incredibly game and entertaining and got raves for his stint, yet wasn’t asked to repeat?

Perhaps tonight will be fine; Franco is a likeable guy, and Hathaway proved she is as fearless as she is talented when she joined Jackman onstage a few years ago. But for the self-proclaimed “Hollywood’s Biggest Night“, one would expect a real game-changer at the helm. And as afraid of him as they obviously are, I think any awards show not hiring Ricky Gervais is settling.

Here is the list of nominees.

I’m pretty much sticking with the picks I made right after the nominations came out, although The King’s Speech has picked up incredible momentum since then, along with Geoffrey Rush. But I have a feeling that the Darren Aronofsky magic touch will again become the Darren Aronofsky curse; Mickey Rourke lost to more established Hollywood veteran Sean Penn, and Annette Bening has never won for Best Actress despite four nominations. (No truth to the rumor that Natalie Portman got pregnant to sway the sympathy vote.) I also wouldn’t bet my life on Supporting Actress, as this is a category where teenagers can and do win, especially when they are playing more of a lead role.

My predictions for tonight’s winners:

Best Picture: The Social Network
Best Director: David Fincher, The Social Network
Best Actor: Colin Firth, The King’s Speech
Best Actress: Annette Bening, The Kids Are Alright
Best Supporting Actor: Christian Bale, The Fighter
Best Supporting Actress: Melissa Leo, The Fighter
Best Adapted Screenplay: Aaron Sorkin, The Social Network
Best Original Screenplay: Christopher Nolan, Inception
Best Cinematography: Wally Pfister, Inception
Best Score: Trent Reznor, The Social Network

While you await tonight’s ceremony here are some treats to pass the time:

Conan O’Brien and Andy Richter act out the Best Picture nominees

Ricky Gervais wrote an opening script for Franco and Hathaway

You can bet on anything – even the In Memorium montage.

Racetrack odds on tonight’s favorites to Win…Place and Show mean nothing!

***

Tomorrow: The winners, the losers, the analysis.

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Brit Film Awards and Dead Namesakes

The 64th Annual British Academy Film Awards were announced today, and I guess it’s no surprise that The King’s Speech would take Best Picture over there. But that is some serious momentum in a category that was all but conceded to The Social Network  not so long ago. Only two weeks until the Academy Awards, and it looks like we might have a couple of horse races after all. The major awards went this way:

Best Picture: The King’s Speech

Best Actor: Colin Firth

Best Actress: Natalie Portman

Best Director: David Fincher

Best Supporting Actor: Geoffrey Rush

Best Supporting Actress: Helena Bonham Carter

That’s four of the big six going to The King’s Speech; only Carter would be considered an underdog for the Oscar, although Christian Bale still looks like the favorite over Rush. The Brits do love their own (Rush is an Aussie, close enough) but momentum-leading Melissa Leo wasn’t even nominated for a BAFTA.

I’m just thrilled that the brilliant dark humorist Chris Morris won an award as first-time director for Four Lions. Maybe there is hope for award ceremonies.

The full list of nominees and winners can be found here.

As to the second part of today’s title, I was stunned ten days ago to read that Neil Young, Robert Young and Tony Levin all died on February 3rd.

I was briefly logging on to a news website and almost spat out my coffee wondering why the loss of a rock legend, a classic TV Dad and one of the best bass players ever to walk the Earth had not gotten even a crawl mention on CNN. Turns out that while celebrity deaths do happen in threes, the deceased were not the people I imagined but instead were an English footballer, a former Olympian and a jazz drummer.

Condolences to the families and friends of the actual deceased of course. And while I should have remembered that TV’s Robert Young left this mortal coil twelve years ago, I’m happy to report that Neil Young and Tony Levin are still alive and rocking. Like Meatloaf sang, two out of three ain’t bad.

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Academy Award Nominations (and Razzies, Too!)

The Oscar nominations were announced this morning with few surprises…

I don’t know why they do this at such an ungodly hour (5:30am PST!) unless it’s to capitalize on a full news cycle, including green rooms filled with likely nominees ready to haunt the set of AM YourCityNameHere or The View. Imagine being on set at a talk show and having your agent tweet you to quietly slip out the side door since your name didn’t get announced.

(Hey…that’s Christopher Nolan slipping into that cab…)

Is Nolan so good that he’s being taken for granted? Even if Following didn’t make its mark until after the similarly structured Memento broke big, all the guy has done is make successful motion pictures that combine escapism with intelligence. I could see overlooking Batman Begins but The Dark Knight was a critical and popular success. His filmscapes are daring; for him to go from Insomnia to the world of Batman and Inception shows huge range. And he wrote and directed most of these films.

Two Academy Award nominations for screenplay, including this year. But not one nomination as Best Director; his omission for this latest masterwork is inexcusable.

The King’s Speech led all films with a dozen nominations; True Grit followed with ten and both Inception and The Social Network have eight. Roman Polanski’s film The Ghost Writer was blanked, as was Shutter Island. Black Swan might have been overtaken by The King’s Speech as the likely main competition for The Social Network.

Colin Firth is probably as close to a lock as there has been in recent memory, but the other acting categories have at least a strong two-way competition. The wild card could be True Grit’s Steinfeld stealing a win if Adams and Leo split votes for The Fighter.

Here are the six major categoriesthe full list can be found here.

Best Picture: “Black Swan,” ”The Fighter,” ”Inception,” ”The Kids Are All Right,” ”The King’s Speech,” ”127 Hours,” ”The Social Network,” ”Toy Story 3,” ”True Grit,” ”Winter’s Bone.”

Best Actor: Javier Bardem, “Biutiful”; Jeff Bridges, “True Grit”; Jesse Eisenberg, “The Social Network”; Colin Firth, “The King’s Speech”; James Franco, “127 Hours.”

Best Actress: Annette Bening, “The Kids Are All Right”; Nicole Kidman, “Rabbit Hole”; Jennifer Lawrence, “Winter’s Bone”; Natalie Portman, “Black Swan”; Michelle Williams, “Blue Valentine.”

Best Supporting Actor: Christian Bale, “The Fighter”; John Hawkes, “Winter’s Bone”; Jeremy Renner, “The Town”; Mark Ruffalo, “The Kids Are All Right”; Geoffrey Rush, “The King’s Speech.”

Best Supporting Actress: Amy Adams, “The Fighter”; Helena Bonham Carter, “The King’s Speech”; Melissa Leo, “The Fighter”; Hailee Steinfeld, “True Grit”; Jacki Weaver, “Animal Kingdom.”

Best Director: Darren Aronofsky, “Black Swan”; David O. Russell, “The Fighter”; Tom Hooper, “The King’s Speech”; David Fincher, “The Social Network”; Joel Coen and Ethan Coen, “True Grit.”

My immediate hunch picks are in red, but I’ll revisit this in more detail as we get closer to February 25th.

On the other side of the coin, there’s always Ashton Kutcher, Megan Fox, Twilight and the Sex In The City movie franchise, all proud nominees for this year’s Razzie Awards. (I link you to the Wikipedia listing because the Razzie site is loaded with pop-ups.) Like their nominations, their ceremony also usually occurs one day prior to the Academy Awards.

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Ricky Gervais: Golden Balls

Thank God for Ricky Gervais, even if Ricky is an athiest.

Gervais, as he did last year, relentlessly skewered any pretense of dignity that some think the event has. Although it has been elevated to major award status, the fact remains that it’s just one more opportunity for Hollywood to pat itself on the back and ensure global domination of its main export, the American film. So widespread is its reputation for bribery, favoritism and hero-worship that even Robert DeNiro took several shots at the HFPA when receiving its highest honor.

I had to laugh when reading reports this morning chastising Gervais for being irreverent and mean-spirited, and I was astounded to see that some didn’t even find him funny. Are you kidding me? Aside from a couple of good podium moments (David Fincher, Jane Lynch) and two good introductory bits (Robert Downey Jr. and the always-gold Tina Fey/Alec Baldwin combination) the show was an insufferable snore-fest. When he was off-screen for close to an hour, the show dragged. There were no huge upsets in the film categories (Paul Giamatti and Melissa Leo being the closest thing to surprises) and as usual the attendees were more interested in socializing between announcements than paying attention to the proceedings. If they’re not focused, why should I be?

Ah, but when Gervais was at the podium, they had to focus, because he’s fearless; you never know what he’s going to say and when. Are people really upset that he inferred that Mel Gibson, Charlie Sheen and Robert Downey Jr. have had personal issues? Was poking fun at some of the turkeys in a film resume really that insulting to a famous actor? And the joke about the omission of Jim Carrey’s performance in I Love You Philip Morris was brilliant; a one-two punch that savaged the voting board for its inconsistent temerity regarding homosexuality and launched a dig at pushy Scientology salesmen Tom Cruise and John Travolta

Also not nominated: I Love You, Philip Morris. Jim Carrey and Ewan McGregor. Two heterosexual actors pretending to be gay. Sort of the complete opposite of some famous Scientologists then…My lawyers helped me with the wording of that joke.”

Most of the celebrities seemed to get it; Downey countered with a great quote (“Aside from the fact that it’s been hugely mean-spirited, with mildly sinister undertones, I’d say the vibe of the show is pretty good so far, wouldn’t you?“) and even long-suffering Office doppelgänger Steve Carell dutifully played the fall guy for what must be the hundredth time. Only the HFPA President seemed truly miffed – or maybe his comic delivery just sucks – but I think he has bigger problems than a temporary insult most people will forget faster than they forgot his name. Perhaps those who didn’t laugh prove the old adage that “the truth hurts“, because the Sex In The City actresses are long in the tooth, Cher is not a hot commodity in 2011, and Tim Allen, nice guy that he is, doesn’t have a resume like that of Tom Hanks.

But there were some painful moments, too. I love Robert DeNiro, and few actors have had the kind of career he has assembled (even discounting most of the past decade). But anyone who has seen him on Saturday Night Live knows that he is abysmal when reading cue cards, especially when it is comic lines obviously written by someone else. It started awkwardly enough, dove into some racist territory and ended with a fairly creepy reference to Megan Fox. Within the speech there were some pretty great barbs deflating the HFPA, but it was as painful to watch as…well…Little Fockers, for one.

The biggest surprises of the evening were on the TV side of the fence; 30 Rock going home empty-handed, Modern Family losing to Glee (when their sophomore seasons have been such polar opposites, quality wise) and the lovely but absent Laura Linney grabbing the honor for The Big C. I was thrilled that Chris Colfer won for Glee; they handed him the ball this year and he really ran with it. Ditto Katey Sagal – not only finally getting noticed for her amazing work on Sons of Anarchy, but getting to take home the award.

The Observer from Fringe alongside Edgar Winter

So how did I do? Seven out of ten, but missing on three biggies. I guess the best movie can’t direct itself, but I think Nolan’s film was a superior effort. Loved seeing humble Colin Firth win, although if he stuttered during his speech that would have been much funnier. And I’m thankful that Natalie Portman won but was surprised by Paul Giamatti’s win, although he’s always good for a great speech, even when they censor the first ten seconds of it. The censors were uneven with their cut-offs and their music cues, but what the hell, I’ll be back next year to watch.

If the HFPA has even one-tenth the balls that Gervais does, so will Ricky.

The list of nominees and winners is here.

Here’s a link to a great page that lists the major category winners for the Critic Associations and provides a schedule for (and links to) all of the award ceremonies. Next up are the BAFTA nominations on Tuesday, with the Academy Award nominations the week after.

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Golden Globes Tonight

Well, this should be interesting…

Predicting the Golden Globe winners is a hit-and-miss affair, mostly because some of the members are plain batshit crazy. How else do you explain Johnny Depp’s two nominations in films that were widely panned?

But what the hell, I’ll take a crack at it. Below are my picks for who I think will win, not who I would want to win. And if you would like to play along, here’s a printable Globes ballot for you.

Best Picture (Drama)
The Social Network” – in a field of five good nominees, I would not be mad if any of them won.

Best Picture (Comedy/Musical)
The Kids Are All Right” – probably the perfect intersection of theme and actress for this voting group.

Best Director
Christopher Nolan, “Inception” – amazing film needs to get some reward, right?

Best Actor (Drama)
Colin Firth, “The King’s Speech” – great performance + voter guilt for prior exclusions

Best Actor (Comedy/Musical)
Johnny Depp, “Alice in Wonderland” – I would have wiped all five nominees and started fresh.

Best Actress (Drama)
Nicole Kidman, “Rabbit Hole” – I hope I’m wrong but the HFPA loves Nicole Kidman.

Best Actress (Comedy/Musical)
Annette Bening, “The Kids Are All Right” – see Nicole Kidman, above.

Best Supporting Actor
Christian Bale, “The Fighter” – if Michael Douglas wins I will shoot my television.

Best Supporting Actress
Melissa Leo, “The Fighter” – many say Helena Bonham Carter is a lock, but…

Best Screenplay
The Social Network” – Aaron Sorkin should be the safe bet here.

I can’t even bear to think about their television nominations because of the long list of oversights and the nomination of Matthew Morrison for Best Actor for Glee. But I am very much looking forward to watching Ricky Gervais eviscerate the celebrities.

My review of the show will run tomorrow.

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Things I Learned From Award Shows, Part One

It’s a guilty pleasure, I must admit. And when both the Independent Spirit Awards and the Academy Awards occur over the same weekend, well…that’s a lot of couch time. And snack food. (And snarky observations).

Independent Spirit Awards

Faux Christian Bale and Joaquin Phoenix as co-presenters...no caption could do this justice.

Faux Christian Bale and Joaquin Phoenix as co-presenters...brilliant!

  • Eric Roberts Is The Man
  • Emily Deschanel is pretty hot in Bones, but Zooey Deschanel (Almost Famous) is even hotter.
  • It’s hard to think of Woody Allen as “independent” when everyone else in the room seems to have financed their movie on a relative’s Visa card. But although $15 million (Vicki Cristina Barcelona’s budget) is an unthinkable fortune compared to Frozen River’s $1 million, it’s still a pittance in an industry where you would have to dig even deeper just to pay a Julia Roberts, Nicole Kidman or Reese Witherspoon to ruin your movie.
  • Someone has to explain “business casual” to Philip Seymour Hoffman
  • I don’t know what Rosie Perez is doing career-wise, but her amicable smack-down of Penelope Cruz should be in her highlight reel.
  • Ditto Penelope Cruz’s story about Woody Allen
  • The “musical numbers” for the Best Picture nominees might be an idea stolen from Billy Crystal, but since the Academy isn’t letting Billy Crystal host the Oscar telecast, I’m glad to see these guys picked up the ball. Which of course, leads to…
  • Rainn Wilson Is The Man.
  • Michael Bolton can be the punch line of a joke that is funny and has nothing to do with his singing, and he can be a good sport about it.
  • Jason Bateman and Ellen Page need to take their act on the road.
  • Is there anyone more comfortable in his own skin than John Waters? Then again, he’s probably comfortable in yours, too.
  • IFC likes awards shows without interruption of any kind – commercials, censors, or otherwise. AMC has editors (and presumably, viewers with more sensitive ears).
  • Steve Coogan is no Ricky Gervais, but then, who is? Nice job, mate.
  • If you didn’t already think Charlie Kaufman was one odd dude based upon his screenplays, listening to him speak should seal the deal for you.
  • I know why Mike Myers wasn’t there last night.
  • The only thing that would have made Melissa Leo‘s acceptance speech better was if she gave a shout-out to the cast of Homicide.
  • Nothing would have made Mickey Rourke‘s speech better.

Full list of winners here.

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Up The Academy

Okay, I admit it – I’m an Oscar geek.

I have long given up on the Grammys, where the same music can be nominated as “Song of the Year” one year and “Record of the Year” the next. Hello, people…calendar?

And the Golden Globes are basically a hundred or so fawning writers eager to schmooze with celebrities, 98% of which will never set foot in their respective countries. Don’t blame them for taking advantage of their opportunistic position, but really…does that opinion extrapolate?

And the city critic groups – New York, Los Angeles, Chicago, Boston and a handful of others vying for supremacy – well, that’s just a local segment of the National Critics…right?

Boy Oscar, my Oscar…right or wrong you are the pinnacle of self-congratulation, the don’t-we-love-each-other hugfest that separates the elite from the great unwashed. It’s where speeches launch (or save) careers, where catch-phrases tag an actor forever (“you like me…you really like me!”), and where for some reason who you wear is important.

But seriously, it’s where movie legacies are finalized. And frankly, where Las Vegas really ramps up the odds. So here are my “should win” and “will win” for some of the major categories, and if you followed my Golden Globes predictions, you’ll keep your wallet in your pants.

No Joke

Good evening, ladies and gentlemen. We are tonight's entertainment!

 

Best Film: What, no Dark Knight? Fanboys, rage…rage against the light!

Should Win:  Milk, which blended flashbacks, voice overs, stock footage into the film seasmlessly.

Will Win:  Slumdog Millionaire, whose train is running too fast to stop.

click here to continue reading the full article…

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