Tag Archives: Metallica

New Album! Ray Davies

And while the world continues to wait for a new Kinks album…

See My Friends is the latest effort from Ray Davies, a duets album of sort featuring guest artists from across the musical landscape. Even as a fan of tribute albums I must admit that I dread these affairs, for recording with the honored artist usually results in one of two things – deferring to the honoree or an awkward mix of styles…and sometimes both. Although not scheduled for release in America until April, wily Kinks fans know the album is currently one click away at Amazon UK.

The album lurches off to an unfortunate start with “Better Things”, a normally irresistible tune punctured by the growling Bruce Springsteen; if anything it proves how much better a vocalist Ray Davies is by comparison. Bon Jovi fares no better, with a turgid bar band version of “Celluloid Heroes” minus the panache, and Metallica fails to add anything to “You Really Got Me” that Van Halen didn’t already do a quarter century ago…and better. Billy Corgan’s version of “Destroyer” is as lame and irrelevant as he is. Jackson Browne and Lucinda Williams (the latter backed by The 88) are fine but unremarkable, but it is poignant to hear the late, great Alex Chilton (a longtime Kinks fan) cover “Til The End of The Day”

While the veteran rockers mostly disappoint, those from the current era fare better, although mostly sticking to safe arrangements. Gary Lightbody, lead singer of Snow Patrol, is a natural complement to Ray’s warble, sounding fragile and exhausted on “Tired Of Waiting”. Spoon is a wise match for the title track and craft an arrangement that fits their style well. And while sticking to her normal voice Paloma Faith is dynamic during “Lola”, although switching to Minnie Mouse falsetto during harmonies is jarring. And I like Amy MacDonald’s contribution on “Dead End Street” but the mood is ruined by the small talk between she and Ray at the end – whose brilliant idea was that?

The clear standout on the album is Mumford & Sons; their organic performance brings new life to “Days” and “This Time Tomorrow” and the medley is brilliantly executed. I would love to hear Ray take on the entire Muswell Hillbillies album with them. And since there doesn’t seem to be a Kinks reunion in the works – on record or live – I hope he pursues a collaboration like that before it’s too late.

Video: Ray Davies with Mumford & Sons

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New Album! Ginger

Well, almost new. This will have to hold you until the new studio album from the new band (Ginger, Michael Monroe and others) produced by Jack Douglas hits the streets this year.

Ten is a sampler of sorts, featuring a few songs from a few solo albums with the obligatory new cuts to make it required purchasing for the completest (assuming you’re not thieving the damned thing, that is.)

The lead singer of The Wildhearts has always been interesting to me, for he’s all over the board musically. Some tracks sound like Metallica, all heavy thunder and woofer bleating. Others are delicate, hook-laden pop numbers, reggae tunes or straight-ahead glam rockers with catchy verses and a memorable chorus. Beatle sounds, glam, garage rock, power pop…all in a blender. When he and The Wildhearts are on, they remind me of  a cross between The Del Lords and Jason and The Scorchers…

Video: The Wildhearts – “The Revolution Will Be Televised

I first came across him in one of my favorite bands, The Quireboys, from which he was fired. Turns out the move was better for them as well as him, as The Wildhearts have had major success (although not so much here in the States). But equally fascinating are his multitude of side projects, including Silver Ginger 5, Brides of Destruction and Clam Abuse. Although he discounts his own singing ability, his acoustic shows prove that he’s adept whether playing a coffeehouse or Wembley.

Video: Ginger –  “Yeah Yeah Yeah

If you’re a Ginger guy you’re probably already all over this; if not 10 might be a good place to indoctrinate yourself. Personally I’d advise you to take a flyer on Valor de Corazon, Yoni or Market Harbor, but then again I like all his albums with the exception of Clam Abuse. I find that album almost as appealing as the band name.

Listen to clips at Amazon

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