Tag Archives: New Wave

Under The Radar: The Sweat

I occasionally refer you to my friends at Power Pop Criminals, Power Pop Overdose and similar sites as they have a knack for putting together some great mix discs (god, I really miss the word mixtape…). There are certainly millions of blogs out there and lord knows I’ll miss many good ones simply for the lack of time. But I do try to pop around every so often and am always astounded when I come across a reference to another solid disc that demands play time right away. So not only was I was glad to see that the Power Pop Lovers blog has decided to reanimate, but thanks to them I came across a little gem from The Sweat, a Belfast band I hadn’t heard about.

The original band (Clive Culbertson: vocals,bass,guitar / Michael Katin: guitar / David Stuart: keyboards /Ricky Bleakley: drums) was called No Sweat, but reportedly was sued by Pete Townshend‘s Eel Pie Records because they alreadyhad a band by the same name. (That’s a pretty common problem, especially for a pretty common band name. Even today when you try to research The Sweat, you might confuse them with these guys…wrong band, although they aren’t too bad either!)

But the pop references that were tossed around were pretty spot on;  if you liked The Jags, The Romantics, Dirty Looks, The Beat and The Records, you’ll find The Sweat right up your alley. Clive Culbertson, Adrian Culbertson, Sean Donaghy, Paul Coates – the current version of The Sweat – continue to kick a little ass today.

Video: “Why Did You Have To Lie?” 

Sure, maybe their sound is a little more polished and reserved than the name check bands, but you can’t deny the great vocals and the hooks in the chorus. I really hear more postNew Wave pop in their sound; bands like The Producers and Great Buildings come to mind. The title song has a whiff of Greg Kihn to it, and tracks like “Please Don’t Say You Love Me” and “I Can’t Hardly Wait” (not the Replacements classic) would slide seamlessly onto any playlist from the time. The production is a little thin and tinny (like many of the commercial pop albums of the early 80s) but the songs are three minute pop nuggets from start to finish.

Check out The Sweat and No More Running for yourself – you probably missed this gem as well.

The Sweat at MySpace

Buy the album from 1977 Records Japan

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Under The Radar: Coward

Sometimes you hear a band and think they’ve got something happening that will surely grow in time; you’re witnessing the awkward first steps of a future success. But sometimes, that just doesn’t happen. I could have sworn that Long Island power-pop-punk band Coward was going to make some noise; they were on a major and getting the big push. But…no.

Even when pulling this out today and writing I was certain they made it under another name, but I came up dry.  I did recently track down Joey Sykes, the guitar player and co-writer of many of the songs; he’s got a new album which I’m reviewing for another publication. Producer Jerry Finn (who also handled Blink 182, Sum 41, Green Day and several other pop punk masters) sadly passed away in 2008.

As their MySpace page says, plenty of bands came along later and found success with the same sound. These guys just never made it. Doesn’t mean the album isn’t a good listen! So maybe they’re under your radar, too.

From my original Consumable Online review:

How’s this for irony? The band kicks off the record with a tune called “Cliche” that apes every 1970’s rock move right down to the synthesizer fills and the “C’mon C’mon” vocals. Pretty ballsy – are they in on their own joke, or what?

Must admit that when I got this CD I wasn’t enthused. Front cover band name in “neon lights” (Heavy Metal Alert #1) and on the back cover of the CD, a tight shot of that “devil horn salute” fist raised, pinky and index finger extended) that usually means a moron is attached directly below.

Well, glad I continued. “Fell Down”, the second cut, mines that territory that houses pop bands from The Cars to Silver Jet – attention grabbing, hooky numbers that follow the tried and true power chord formula. However, most of the songs like “Boring” and “My Wisdom” even take it a step further, echoing New Wave heroes like The Jags and The Fools more than modern power pop.

Others like “Swallow” and “I’m All Right” kick in with a harder edge (think Green Day). Good harmonies, chunky guitars and tight playing throughout the record make it enjoyable, albeit short, ride. My favorite is probably the snappy “Popularity Kills” – silly, but with an infectious chorus that you can’t get out of your head.

Probably best heard at high volume with the windows rolled down, there’s lots of promise here, whether they’re truly into this style or just aping a la Weezer. But next time I hope they leave that damn synthesizer at home.

Cheap grab at Amazon.

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Blast From The Past – The Raves

Really, really fab!

Your collection, if like mine, contains several hidden gems that even you forget about over time. But when you stumble across them years later, you immediately know why you were hooked in the first place. With so many bands springing up in the post-Beatle era and beyond, how could you know about them all? Some incredibly talented ones never got too far outside of their zip code for one reason or another, but we all know there are diamonds in that rough…

One such band was The Raves, from Atlanta. Years after its release. their album Past Perfect Tense is still a sixteen-track breath of fresh air. Here’s what I wrote for TransAction a dozen years ago…

My God, two of them even *look* like John and Paul! This collection of Beatle-esque pop from the 1980s proves that along with The Flashcubes and The Toms there were many other great bands that didn’t get their due. Chuck, John and Jim Yoakum handled the guitar-bass-drums axis while Ken Kennedy added some flash lead guitar. Although the production immediately screams “local band”, the songs don’t – they’re pure New Wave pop.

 “Any Way You Can”, “Every Little Bit Hurts” and “Make Up Your Mind” are just three of the sixteen tracks that you can play in tandem with bands like Artful Dodger, The Jags and The Sinceros. “Tonight It’s Going To Be Great” is The Records via Buddy Holly and you’ll like the Elvis Costello nod on the intro to “Chastity”. Four guys weaned on classic pop rock who decided to make some of their own.

Go ahead – drop a few more names. The Rubinoos. Dwight Twilley. Sloan. Everly Brothers. Name any melodic or powerpop band you want…if you like them, you’ll like this. I have no idea what happened to the band after this – a very common tale – although Chuck did work with the late Graham Chapman of Monty Python.

But do try and track down this hard to find little gem – you will be richly rewarded.

The Raves at AllMusic.com

A couple of YouTube videos courtesy The Yoakum Channel.

An old interview at Bubblegum The Punk

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