Oranjuly is the name for the one-man whirlwind named Brian King, whose obvious love of The Beach Boys, Jellyfish and other harmony-intensive pop bands bleeds through his music. Not certain if the choice of name combines his favorite fruit with his favorite month, but the band name isn’t important – the music under the banner is. And that’s what I’m touting tonight.
You want me to drop more names? Various songs recall Todd Rundgren, Badfinger, Weezer, Van Duren, Big Star and fill-in-your-pop-hero here. And of course, those Beach Boys. Listen to the keyboards and bass line of the opening track and tell me you don’t think of both “Good Vibrations” and “Wouldn’t It be Nice”, even though his track “Her Camera” sounds like neither. And when those a capella harmony vocals come in on the bridge? Holy crap.
My two favorite songs are the delicate “At Any Time” (think Bleu or Mike Viola) and the bouncy “I Could Break Your Heart” – especially that irresistable chorus couplet. But it’s deeper than earworm hooks; even with the pop-single lengths of three minutes plus, King flashes some instrumental chops, too. “Mrs. G” wraps up the coda with rollicking piano and tasty guitar leads, but even a stripped down song like “South Carolina” floats its hook over acoustic guitar and piano…and bass/drum support right out of the McCartney/Starr playbook.
I remember when a solo album meant just that – a talented performer was playing all the instruments and singing all the parts. King is very impressive here, filling the voids with strings and keyboards and horns and absolutely nailing the vocals. Very, very strong album – I’ll certainly remember this at year-end time.
Check out the Oranjuly website.
Buy the album from Not Lame.
Filed under Music, Reviews
Although the band name is also a slang term for the aftermath of a self-pleasuring act, here the creamy goodness of Icecream Hands only refers to sweet music. As the title Memory Lane Traffic Jam implies, there’s a wealth of classic powerpop influences wedged together here. The band is okay with that as long as it’s a “B” – Beatles, Beach Boys, Byrds, Big Star, etc.
I discovered the band around the time of this, their second album, four years after their debut. I was glad to see that these Aussie popsters recently fired up the bus again, releasing a new album in 2007 after a layoff of a few years. From their page:
After laying low for a few years, raising families and pursuing solo projects, the Icecream Hands have recently found a new home in the form of Melbourne label Dust Devil Music and have just released their fifth studio album – The Good China. With songs galore and a new spring in their step, their legion of fans worldwide can expect nothing more than an album full of glittering, guitar soaked, harmony laden rock’n roll jewels; fit to be worn by Australia’s regal kings of power pop.
Sounds good to me; that’s twice now that these guys slippedUnder The Radar. Here was my initial quick take on them from TransAction Magazine…
Formerly The Mad Turks, these Aussie popsters call to mind all the usual suspects like Shoes and Badfinger, but on their slower tunes like “Embarassment Head” and “Early Morning Frost” they are also reminiscent of more commercial pop fare like Semisonic and The Gin Blossoms. I much prefer them when they showcase their harmonies on rocking songs like “Here We Go Round Now” and “Supermarket Scene” where their Posies-like energy can really catch fire.
Those who have Bomp’s Pop On Top collection will recognize “Bye”, an excellent Jellyfish–Queen moment that is actually track thirteen but was inadvertently left off the liner notes (ironically it’s the best song on that disc by a mile). Three “real” bonus tracks round out a solid effort.
Icecream Hands website
Icecream Hands on MySpace
Filed under Music, Reviews
“The oasis of pop for many an Internet surfer, the Not Lame Recording Company is a clearing house for power pop bands of all shapes and sizes – reissued classics and the best new hopefuls from around the world. Label head Bruce Brodeen is a pop fan first and foremost, and his passion for the genre has helped his business grow from a dream into a necessary conduit for many of the lesser known bands to connect with their potential audience.”
I wrote those words thirteen years ago when reviewing Not Lame’s first sampler for Consumable Online. It’s out of print now – a used copy is going for a hefty price on Amazon. Check out this list of artists (in bold); many were just breaking through in 1997 and have become favorites of the genre:
Plastic Moon Rain (Moptops) / Exit To Stay (DT’S) / It’s A Shame (This Perfect Day) / Just Another Day (Twenty Cent Crush) / Love You Like A King (Walter Clevenger) / Brenda Revisited (Martin Luther Lennon) / Colours (The Rooks) / Easy On The Eye (Kenny Howes) / Waking From A Dream (Micah Gilbert) / Miss July (Brad Jones) / What Goes Around (Barely Pink) / Go (Willie Wisely) / Yes Yes Hey Hey (Wunderband) / Today Will Be Yesterday (Big Hello) / Waterfall (Heavy Into Jeff) / Almost Something There (The Beatifics) / Wave To Ride (The Living Daylights) / Throw Me Down (Cool Blue Halo) / Try Not To Care (DGS Younger) / Nervous Man (Stellaluna) / So Low (Dead Flowers) / Take Me Or Leave Me (Time Bomb Symphony).
My money was on Stellaluna, a North Carolina band that got some help from Jamie Hoover of The Spongetones. They didn’t become a household name, but popularity has never had anything to do with quality. Read my full review of the Not Lame sampler here.
Bruce and Not Lame are still going strong; besides being a primary distributor for pop and rock bands, his label continues to release first-rate albums on their own imprint. Beyond their own artist roster, their tribute albums and box set anthologies are labors of love that have quickly become collectors items. Visit them here.
Bruce is Very Highly Recommended
Filed under Music, Reviews