Tag Archives: Penelope Cruz

Corvette + Gore Girl = Gorevette

Ladies, lock up your sons and husbands.

As if it isn’t great enough that Nikki Corvette and Amy Gore (The Gore Gore Girls) have hooked up to form Gorevette, they just release a new EP (Lustfully Yours), finished a tour with The Donnas and are heading out this summer with Blondie!

From their bio… 1978 saw the birth of Nikki Corvette’s career with the release of the Nikki Corvette and the Convertibles single “Young and Crazy” b/w “Backseat Love” and “Criminal Element”. This was all happening in Detroit during the punk rock explosion, where Nikki would see herself sharing the stage with The Ramones, Johnny Thunders and The Romantics. By 1980 the band name was changed to Nikki and the Corvettes. They would release their legendary debut album on BOMP! Records, an incredible mixture of 60’s style girl group vocals, twangy guitars and teenage pop with plenty of punk rock attitude, with songs about cruising for boys and fun in the sun. The album and band would influence everyone from The Go-Go’s (to go for more of a “pop” sound) all the way to The Donnas (see the lyric “I wanna be like Nikki Corvette” from Gimmie My Radio).

Amy Gore was born in Detroit, Michigan and in 1997 she founded the Gore Gore Girls, the first of few all-female bands of the garage rock genre. Along with other bands such as The White Stripes, The Dirtbombs, The Detroit Cobras and others, the Gore Gore Girls helped establish the modern American garage rock scene of the 1990s in Detroit.

Hear Gorevette on MySpace

Check out this video for “Lustfully Yours”!

Gore Gore Girls website

***

Wait a minute.

Are you telling me that Ann-Margaret, Penelope Cruz, Jessica Alba, Bridget Moynahan and Elisabeth Rohm were all born on the same day? And no one has started planning late July conceptions hoping their daughter would also get the April 27th good looks gene?

And since all five of those ladies are out celebrating tonight…keep those sons and husbands locked up even after the Gorevette video.

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T.G.I.F. – Ten Globe Guesses

But before we get to the prognostication…and just to keep the teakettle whistling – here are the latest clips from the late night talk show hosts on the Tonight Show debacle, courtesy Gawker. Jimmy Kimmel bitch-slaps Jay Leno on his own show, and if you aren’t a Craig Ferguson fan after his clip…well, you might just be an NBC executive

So here are ten guesses for who will win at Sunday’s award show. I’ve limited this group to films; I always wonder why they even vote on American television programming anyway.

The Globes are always a crapshoot, since the voters are the Hollywood Foreign Press Association who (1) may not have seen all of the nominees, (2) might not get the context of American humor and cultural references and (3) tend to vote for their favorite people – those who play the schmooze game – regardless of merit. But what the hell, it’s only internet money.

Tune in to NBCif it’s still broadcasting – this Sunday night at 8:00pm EST to find out for yourself. (Even if you don’t care about the minor categories, watch or record the program; I wager that Ricky Gervais will make this an evening to remember).

Best Motion Picture – Drama:  There’s a lot of George Clooney love right now, but as much as I liked Up In The Air I think it’s been a wee bit overrated and it won’t hold up. Even those who don’t normally like war films are praising The Hurt Locker and I think it will resonate here as well

Best Actress in a Motion Picture – Drama:  The HFPA loves Sandra Bullock. Lovvvvvvve her. And since this is being hailed as her “greatest performance” they are all but being directed to strike while the iron is hot. I thought she was great in Crash but she makes too many cheesey comedies (not that it stopped the HFPA for nominating her for that also).

Best Actor in a Motion Picture – Drama: Did I mention how they love George Clooney? Caution spoiler: Morgan Freeman did play Nelson Mandela…

Best Motion Picture – Comedy or Musical – This is a horrible category. Of the films, I liked the flawed The Hangover the best, but the all-star cast suggests It’s Compicated is probably more up their alley.

Best Actress in a Motion Picture – Comedy or Musical: This category tells you all you need to know about the HFPA – Bullock chewing the scenery, Julia Roberts automatic nod and two Meryl Streep roles. The only way Streep loses is if she splits her own votes, but since HFPA also loves people playing real characters, it’s Streep for Julia and Julia.

Best Actor in a Motion Picture – Comedy or Musical: That Sherlock Holmes is a comedy tells you a lot about why I hate the very concept of the movie, but not enough people appreciate that Joesph Gordon-Levitt is the best young actor in Hollywood and not enough people cared about The Informant. So I’ll wager it’s Robert Downey Jr.

Best Actress in a Supporting Role in a Motion Picture: As intense and worthy as Mo’Nique was in Precious, and as revered as Penelope Cruz is in general, I just have a gut feeling that Vera Farmiga will benefit from being in the most likeable film in the group. Not that she isn’t worthy – tough crowd here.

Best Actor in a Supporting Role in a Motion Picture – This is quite possibly the best group of nominees on the whole show (and they didn’t even nominate Christian McKay for Me and Orson Welles!) Any other year Stanley Tucci walks away with this for his chilling performance in The Lovely Bones, but Christoph Waltz probably gave a performence for the ages in Inglorious Basterds.

Best Director – Motion Picture – It makes no sense that someone could helm the Best Picture and not win as Best Director, but Avatar is a tidal wave and James Cameron gets rewarded for the sheer scope of the film.

Best Screenplay- Motion Picture – I think this is where the HFPA again gets to reward a feel-good picture (even though it was anything but feel-good) by Globing Jason Reitman and Sheldon Turner for Up in the Air.

The full slate of categories and nominees can be found here. I’ll post links to the results, along with my reactions, on Monday January 18th.

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Things I Learned From Award Shows, Part Two

More snarky observations from the weekend, as the Hollywood Elite shook the Santa Monica sand out of their shoes (well, those with any Indie cred, anyway!) and headed to Red Carpet Land for the Big Show…

The 81st Annual Academy Awards

I'd like to fawn a friend...

I'd like to fawn a friend...

  • Sorry, Eric Roberts. For one night, at least, Hugh Jackman Is The Man.
  • Nice to have five former Oscar winners help present each acting award. But was that an introduction or a coronation? Did it really take fifteen minutes to fawn over Best Supporting Actress nominees? It looked like they were inducting a new member into The Skull And Bones Society.
  • Millions of dollars to reconfigure the theatre, douse it in brilliant lights and wire it to the heavens with cameras, screens and special effects. And the first time they try to use it, some stagehand forgets to open the curtain. (It’s a union job, smart money says he was probably in an oil drum in the Pacific by midnight)
  • Why did people think that Hugh Jackman – a singing, dancing Broadway veteran – couldn’t sing and dance? Great ten cent sets for the Best Picture tributes, but none funnier than the tribute to The Reader.
  • Anne Hathaway Is The Man.
  • Ben Stiller was only the second best faux Joaquin of the weekend, but still funny.
  • More actor fawning from prior Oscar winners. It’s a good thing that after the huge salary, the legions of fans, the constant media attention and the stroll down the Red Carpet through a crowd of sycophants, these poor people were able to get great seats and have their egos stroked by having lavish compliments spread over them with a trowel.
  • Is there a stupider question in the universe than “Who are you wearing?”
  • Judd Apatow Is The Man. (Or maybe Seth Rogen? No, no…James Franco!)
  • Having the two-time Oscar winning cinematographer tell his collegue to “suck it”.
  • Christopher Walken disappointingly did not do his Christopher Walken impression.
  • No Jack Nicholson. What, was there a Laker game?
  • Queen Latifah has a great voice, and “I’ll Be Seeing You” is a classic song. But when paying tribute to deceased Academy members, silence is golden.
  • Slumdog Avalanche.
  • Robert DeNiro on Penn: “How did Sean Penn get all those jobs playing straight guys” and he “gently reasons with the paparazzi”. Funnier than most of Bob’s last dozen comedies.
  • Good night for Oscar Dads. Heath Ledger’s father gave a heartfelt and passionate speech, and Kate Winslet’s Dad’s whistle was the highlight of her speech.
  • Has Jerry Lewis ever been that humble? Or succinct?
  • Speaking of Kate, I do admire her always solid work, but if I don’t see her at a podium again for a while that will be just fine. (At least she toned down the breathless “I am so shocked” routine). I suppose I have to blame Ricky Gervais for this. Will she be “playing a mental” next time out?
  • I am Woool-verrrr-iiiiiiine!”
  • Tina Fey and Steve Martin: Master class on comic timing.
  • Philip Petit. I bet that humility and a cool magic trick will be remembered more fondly than leaping over the backs of chairs.
  • Bill Maher (following an emotional moment in the show): “Great. Everyone’s crying and now I have to go on!”
  • Sean Penn’s speech.
  • A. R. Rahman running offstage after each win, much to the surprise of the presenters and usherette.
  • In a world where we have so many movie trailers, how did the tribute omit Don LaFontaine?
  • The Jimmy Kimmel promo was brilliant. It’s possible to like Tom Cruise when he’s not being Scientologish.
  • Domo Arigato, Mr. Roboto

Full list of winners here.

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Things I Learned From Award Shows, Part One

It’s a guilty pleasure, I must admit. And when both the Independent Spirit Awards and the Academy Awards occur over the same weekend, well…that’s a lot of couch time. And snack food. (And snarky observations).

Independent Spirit Awards

Faux Christian Bale and Joaquin Phoenix as co-presenters...no caption could do this justice.

Faux Christian Bale and Joaquin Phoenix as co-presenters...brilliant!

  • Eric Roberts Is The Man
  • Emily Deschanel is pretty hot in Bones, but Zooey Deschanel (Almost Famous) is even hotter.
  • It’s hard to think of Woody Allen as “independent” when everyone else in the room seems to have financed their movie on a relative’s Visa card. But although $15 million (Vicki Cristina Barcelona’s budget) is an unthinkable fortune compared to Frozen River’s $1 million, it’s still a pittance in an industry where you would have to dig even deeper just to pay a Julia Roberts, Nicole Kidman or Reese Witherspoon to ruin your movie.
  • Someone has to explain “business casual” to Philip Seymour Hoffman
  • I don’t know what Rosie Perez is doing career-wise, but her amicable smack-down of Penelope Cruz should be in her highlight reel.
  • Ditto Penelope Cruz’s story about Woody Allen
  • The “musical numbers” for the Best Picture nominees might be an idea stolen from Billy Crystal, but since the Academy isn’t letting Billy Crystal host the Oscar telecast, I’m glad to see these guys picked up the ball. Which of course, leads to…
  • Rainn Wilson Is The Man.
  • Michael Bolton can be the punch line of a joke that is funny and has nothing to do with his singing, and he can be a good sport about it.
  • Jason Bateman and Ellen Page need to take their act on the road.
  • Is there anyone more comfortable in his own skin than John Waters? Then again, he’s probably comfortable in yours, too.
  • IFC likes awards shows without interruption of any kind – commercials, censors, or otherwise. AMC has editors (and presumably, viewers with more sensitive ears).
  • Steve Coogan is no Ricky Gervais, but then, who is? Nice job, mate.
  • If you didn’t already think Charlie Kaufman was one odd dude based upon his screenplays, listening to him speak should seal the deal for you.
  • I know why Mike Myers wasn’t there last night.
  • The only thing that would have made Melissa Leo‘s acceptance speech better was if she gave a shout-out to the cast of Homicide.
  • Nothing would have made Mickey Rourke‘s speech better.

Full list of winners here.

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Up The Academy

Okay, I admit it – I’m an Oscar geek.

I have long given up on the Grammys, where the same music can be nominated as “Song of the Year” one year and “Record of the Year” the next. Hello, people…calendar?

And the Golden Globes are basically a hundred or so fawning writers eager to schmooze with celebrities, 98% of which will never set foot in their respective countries. Don’t blame them for taking advantage of their opportunistic position, but really…does that opinion extrapolate?

And the city critic groups – New York, Los Angeles, Chicago, Boston and a handful of others vying for supremacy – well, that’s just a local segment of the National Critics…right?

Boy Oscar, my Oscar…right or wrong you are the pinnacle of self-congratulation, the don’t-we-love-each-other hugfest that separates the elite from the great unwashed. It’s where speeches launch (or save) careers, where catch-phrases tag an actor forever (“you like me…you really like me!”), and where for some reason who you wear is important.

But seriously, it’s where movie legacies are finalized. And frankly, where Las Vegas really ramps up the odds. So here are my “should win” and “will win” for some of the major categories, and if you followed my Golden Globes predictions, you’ll keep your wallet in your pants.

No Joke

Good evening, ladies and gentlemen. We are tonight's entertainment!

 

Best Film: What, no Dark Knight? Fanboys, rage…rage against the light!

Should Win:  Milk, which blended flashbacks, voice overs, stock footage into the film seasmlessly.

Will Win:  Slumdog Millionaire, whose train is running too fast to stop.

click here to continue reading the full article…

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