Tag Archives: Peter Buck

Do It Again

It’s only appropriate to follow a Kinks reunion post with a Kinks film-related post, since the Oscars are taking place this evening. (By the way, how did I miss Alex Chilton in that list of collaborators on the album-in-progress? Holy shit!) The film Do It Again isn’t in the running this year, but with several prominent film festival appearances this Spring, who knows what will happen next year?

Boston Globe reporter and die-hard Kinks fan (are there any other kind?) Geoff Edgers took his frustration about the Kinks dormancy a step further and made a documentary film about trying to reunite the band. Obviously he didn’t succeed (at least by the time the documentary was edited) but this film is about the journey, not the result. Do It Again features his encounters with members of The Kinks as well as Sting, Zooey Deschanel, Clive Davis, Peter Buck, Paul Weller and Robyn Hitchcock, among others.

* Watch a promo video about the film.

* Read the review in Variety.

Geoff made this film on a…wait for itLow Budget. Which means that without a major studio or even Harvey Weinstein picking up dinner checks, this is coming out of his pocket. Like any artist in the era of cuts in arts funding, Geoff is taking advantage of what available means of financing remain to help defray the cost. Enter Kickstarter, a site that allows artists to set up a funding website, track pledges and offer updates and rewards to the backers. Edgers has set up a very modest goal to be able to participate in the film festivals, and as of today he is almost halfway there.

Click for the Do It Again Kickstarter site.

So far it’s a still man and a dream. But as stated yesterday, perhaps Ray and Dave will Give The People What They Want and we’ll all experience Better Things. For now, I’m helping Geoff out with a little Word Of Mouth. And if you have a few bucks, maybe consider helping Geoff out…because Money Talks.

And Ray, regarding the film and the reunion rumors…may I please use your own lyrics to plead my case? The clock is ticking…

The days go by and you wish you were a different guy,
Different friends and a new set of clothes.
You make alterations and affect a new pose,
A new house, a new car, a new job, a new nose.
But it’s superficial and it’s only skin deep,
Because the voices in your head keep shouting in your sleep.
Get back, get back.

Back where you started, here we go round again,
Back where you started, come on do it again.

Back where you started, here we go round again,
Day after day I get up and I say, do it again.
Do it again.
Day after day I get up and I say, come on do it again.

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NEW ALBUM! Tommy Keene


Same as it ever was, same as it ever was...

Same as it ever was, same as it ever was...

Although far from a household name, Tommy Keene has been around for a long time and has a strong following in power-pop circles. He’s never had a hit record per se, but those who are knowledgeable about the indie and melodic rock scene are very familiar with the singer-singwriter’s catalogue; he’s been a critical favorite for almost thirty years. Not exceedingly prolific, there have been a couple of breaks in his career, but just as interestingly, a couple of kick-starts. (I really thought the Alias retrospective The Real Underground would have launched him into the stratosphere…maybe with a Warner Brothers or Columbia budget it might have).

He’s been on the cusp of stardom for so long he probably has an office there. Geffen Records tried to promote him as a pop hero in the post-New Wave era. He’s had credible players like Peter Buck, Jay Bennett and Robin Wilson helping out on albums where his strong originals are often accompanied by great cover songs like Lou Reed’s “Kill Your Sons” or “Tattoo” from The Who Sell Out. He’s partnered with Bob Pollard and hit the road as a lead guitarist (where he rocks considerably harder than on his own material) with Paul Westerberg and Velvet Crush. But despite often great critical acclaim, he’s managed to stay on the cult side of the popularity fence while far less talented artists landed on the front pages.

Tommy Keene live performing “Run Now

There are a lot of artists who haven’t hit a high note in their catalogue to touch “Places That Are Gone“, “Run Now” or “Back To Zero“, and while I don’t think he’s recaptured that majesty in a while himself, there’s a great body of work out there well worth exploring. I think at this stage of the game he’s just in it to please himself, which allows him to wallow in the areas he enjoys without concern for the headlines. It gives him a chance to dabble in artistic relationships he enjoys, do his own thing or pinch-hit with others, and every four years or so drop another project out there for the fans (while that group may not be massive, they are loyal). Sounds like a nice life to me.

You can read my review of In The Late Bright in Blurt Magazine.

Tour info, clips and tons more at Tommy Keene’s website.

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Filed under Music, Reviews