Tag Archives: Procol Harum

Rock’n’Roll Hall of Shame (Again)

The Mistake By The Lake

The Mistake By The Lake

I don’t know why I even bother getting agitated anymore. 

I don’t take it seriously, and it’s been a long time since I have gone out of my way to look for the list of nominees, let alone actually root for someone to make it in. It’s a sham, a political clusterfuck of a process, and certainly bears no resemblance to a recognition of the truly worthy. But the other day an email hit my mailbox listing some of the nominees, and well…here we go again.

Some of the finalists this year include The Stooges (again), and KISS (finally), two bands that have obviously made an impact on rock’n’roll, albeit in very different ways. Even The Hollies surfaced after being eligible for over two decades.

But Donna Summer? Disco-thumping, heavy-breathing Donna Summer? Are you kidding me? Sure, she sold a lot of records in the 70s, but so did Cheap Trick and Deep Purple. She might get in before them? They haven’t even hit the finalists list yet! Hall and Oates were way bigger than Donna Summer could ever dream of, with a long string of hit singles that dominated the charts, but I don’t see their name.

And L.L.Cool J? Why- because he stars in a new CSI spin-off show? I like the guy, but not only does his music have nothing to do with rock, there are tons of deserving artists with longer careers who sold more records – what’s the criteria here? And how are rap artists more rock than progressive rock veterans like Yes and King Crimson? Where are The Moody Blues and  Procol Harum?

And before you start tossing the race card at me, I’m not rushing to send Laura Nyro in there, either. At least she has been an influence on a number of rock artists, but until the day Carole King walks through that door, don’t talk to me about great female songwriter/performers. (I wouldn’t have voted Bonnie Raitt in that quickly – yes, she’s had a lengthy and brilliant career, but she’s far from a household name. John Hiatt is a far better songwriter and he’s not in; and if you want to talk underappreciated musical geniuses, where’s Rory Gallagher’s name on that wall?)

And I’m still appalled that bands like R.E.M. – worthy eventually – are in while earlier artists aren’t.  No J. Geils Band, Humble Pie or Johnny and Edgar Winter? All those record sales and The Guess Who, The Turtles and Tommy James are waiting? No Small Faces? Where the hell is Lou Reed?

Some of the elections are artists who also have success as producers, but Todd Rundgren and Rick Derringer have done both – where are their names on the ballot? And if the anything-but-rock Madonna is in because of cultural impact and huge record sales, why not The Monkees?

No idea who the final five will be, but since it’s the 25th Anniversary you can be sure that fanfare will trump honest voting (just ask The Dave Clark Five about that one) because they gotta sell those dinner tickets. Predictability? You’ll see a female artist or female fronted band, a disco or rap artist, a blast-from-the-early-days, a hugely famous artist/band, and one crapshoot. That’s how they roll in Cleveland…well, actually New York, where Jann Wenner and his cronies run the floating crap game. They need to uproot the damned thing and move it to Detroit where it belongs.

The absurdity can be summed up in five words: Alice Cooper isn’t in it.

Here’s a list of the current inductees. For a list of the truly worthy artists and a real Hall of Fame, do what I do – look at your record collection.

If not, enjoy your Eminem and Beyonce inductions. Maybe you can hang on until 2034 when Chickenfoot is eligible.

Without some of this kind of DNA, you ain't rock'n'roll

Without some of this kind of DNA, you ain't rock'n'roll


Filed under Editorials, Music

New Album! Procol Harum

Barricades intact

Barricades intact

Many bands extend their bandwidth by trying (or revisiting) different arrangements of songs; Unpluggedhas become a rite of passage for rock acts trying to become (or  stay) relevant. Likewise, several bands will go the orchestral route, swelling their sound with a twenty, thirty, eighty piece orchestra to channel their bombast and maybe even gussy up some of those relatively ordinary chestnuts from their catalogue. But making the effort is one thing – making it worthwhile is something else entirely.

Let’s face it – for some bands, playing with an orchestra is just silly. The Rolling Stones would be neutered, although it would be fun watching Keith Richards trying to conduct the orchestra with head twitches and fey wrist movements. KISS actually recorded an album with the Melbourne Symphony, but all that did was expose the weakness of the material (no great shocker there) and reduce the accompaniment to an eighty piece echo.

But some bands were made to collaborate with such an organism, and Procol Harum is one of them. When your music is that majestic and complex, the backing of large and versatile instrumentation turns it into a 3-D experience. Arrangements color subtleties and enhance delicate movements, pin-drop beats explode into a thundering chorus. Add in the lyrics of a storyteller and an emotional vocalist and it can occasionally be breathtaking.

Procol Harum just released a CD and DVD of their 2006 performance with the Danish National Concert Orchestra and Choir (Eagle Vision) and if I could pick one moment to illustrate the powerful emotions I described, it would be “A Salty Dog”. I’ll wager there were people in the audience moved to tears.

Procol Harum is no stranger to this motif; back in 1972 they released an album recorded with the Edmonton Symphony Orchestra. Great to see that forty-plus years later, it’s still a perfect fit for them.

Here’s my review of the new album at Blurt Online.

Procol Harum fan page.

Eagle Rock / Eagle Vision

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Filed under Music, Reviews