Tag Archives: Rockpile

New Album! The Refreshments

It’s gotta be both rock and roll…

The Refreshments have released another gem. Led by Joakim Arnell and piano master Johan Blohm, the Swedish rockers are in fine form – as usual – with another platter of boogie-woogie rock and roll destined for heavy airplay at my house. While American radio continues to shun the natural descendants of Chuck Berry and Jerry Lee Lewis, Sweden is among the many other lands who honor one our lands greatest exports – rock’n’roll. Sure, these unassuming middle-aged guys don’t look like rockers, but looks deceive. Check this out…

Video: A 40-minute set from Antone’s!

Of course, the band that will immediately spring to mind is Rockpile, and it was Billy Bremner who first sought out the band and even joined in for a couple of albums. Albert Lee also took a turn, and there was even a great tour with Bremner and Dave Edmunds (released as the latter’s A Pile Of Rock) immortalized on this DVD, which I just have to get my hands on. Like Rockpile, the music is infections and relentless, the sound of blues/pub/boogie performed with love…and incredible skill.

Video: JB Boogie

On this new one, the band delivers piano-pumping, horn-drenched rock in droves, but covers all the bases – rockabilly (“Go Baby Bird“), Everly Brothers pop (“By Your Side“), country roadhouse (“Old Hopes Brand New“) and Tex-Mex (“Negative Nancy“). It doesn’t matter what they tackle, they do it well, and it’s astounding that a melting pot of American roots music has been percolating for a quarter century halfway across the world without making a ripple in the States. Then again…why would that surprise me?

One could say that the band has never grown in their career; I say they’ve never regressed. Yes, you could probably buy the albums in any order and enjoy them just as much; they’re all fruit from the same tree. If you have the cash, you could catch up in one fell swoop with this 8-CD collection. I hope you have had the pleasure of enjoying this band, but when I can turn someone on to a great group like this, I must admit a selfish feeling of great satisfaction.

The Refreshments official website

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T.G.I.F. – Back To Schooldays

I don’t have to anymore, thankfully…

But September, and especially this weekend, brings the official end to summer and the start of the school year. (Feel free to substitute the word “football season” if you are a childless male past the age of eighteen.)

Music has always captured the essence of every emotion and occurence in our lives, and there certainly are many anthems that document the drudgery and celebrate the rebellion and pinpoint the pain. Many of these are obvious, although “School’s Out” will have to wait for June! And I didn’t want to go to hardcore teenage angst like Big Star‘s “Thirteen” and Ultimate Fakebook‘s “A Million Hearts” (an under-known classic!).

So as you hopefully are preparing for a safe and happy holiday, here are Ten Tunes to take you Back To Schooldays!

01 – “Schooldays” (The Kinks)

02 – “Be True To Your School” (The Beach Boys)

03 – “Back To Schooldays” (Graham Parker)

04 – “Hot For Teacher” (Van Halen)

05 – “My Old School” (Steely Dan)

06 – “School Days” (Chuck Berry)

07 – “School Days” (The Good Rats)

08 – “Teacher Teacher” (Rockpile)

09 – “High School Confidential” (Jerry Lee Lewis)

10 – “Rock and Roll High School” (The Ramones)

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Happy Birthday, Elvis Costello

Miracle Man.

Today we celebrate the birthday of one Declan MacManus, better known to the world as Elvis Costello, among other aliases over the years. Bursting onto the scene with what is arguably the best ever 1-2-3 punch of albums (My Aim Is True, This Year’s Model and Armed Forces), Elvis quickly grabbed your attention with short catchy songs, a rapier wit and his secret weapon, The Attractions.

For as good as this sneering, scrawny Buddy Holly caricature was – and he was great – Steve Nieve on keys, Bruce Thomas on bass and Pete Thomas (no relation) on drums were as formidable a rock band as you could hope for. They weren’t as spacial as The Police would become, nor were they thunderous like the then-still powerful Who, but they were so tight you couldn’t slip an ant’s ass hair through them.

But before Elvis Costello and The Attractions became one, it all started with an iconic debut; tracks laid down with session musicians who weren’t initially credited, total recording time adding up to less than one day.

People listen to records differently these days, especially if they are digital downloads. No tactile sensation of an album cover, liner notes, lyric sheets. Earbuds instead of walls of speakers. Sigh.

I remember the day my friend Phil showed up at my house with My Aim Is True; import version, of course. My roommate Larry and another friend were already hanging in the living room, music on as always. We had heard about the album coming out that day and planned to go grab it in a couple of hours. Phil was no procrastinator; he snagged it and came over where he knew there would be other willing participants to share the magic with. (Yet another earbud problem – isolation instead of the communal experience).

It was astonishing.

Two of the songs didn’t even hit the two-minute mark. The opening rocker “Welcome To The Working Week” somehow jammed a boatload of hooks, wry lyrics and choruses into a minute in a half; “Mystery Dance” sputtered and tumbled much like the clumsy lover the narrative depicted. There was fury and sarcasm, and there was great wit and wordplay, and the band (preAttractions musicians from Clover and The Rumour, among others) snapped everything to attention.

And maybe it was because it stood out with its winsome melody and broken heart, but “Alison” was an instant classic. The chink in the armor was there for all to see; this snarling wise-ass had feelings after all. When not long after I heard him nail this live it sent chills up my spine.

We were gobsmacked; I can’t tell you how many times we played this album over and over and over that day. It was all we would talk about with friends for days after, and whenever someone came over that album would come out and they would get indoctrinated. Not long afterwards some friends in a band worked up three of his songs so that I could duck out from tending bar and play lead singer for ten minutes. (We were the first Syracuse band to play Elvis Costello songs, and yes, I’m proud of that!)

Of course, Costello continued to floor us with one great album after another, and thanks to him and Rockpile and Graham Parker and Joe Jackson there was a new, fresh volley of literate songwriters serving up an alchemic stew of influences and flushing the distaste of disco and flaccid pop out of our ears. 

The trend wouldn’t last of course – none do – but the music proved timeless. On Friday I’ll celebrate Costello’s career with an Elvis-themed TGIF.

And yes, I know that today is also the birthday of Gene Simmons, Ruby Keeler, Tim Burton, Rob Halford, Wayne Shorter, Walt Kelly (Pogo), Regis Philbin and several others…as well as the tenth anniversary of Jack Nitzsche‘s death and the first for Ted Kennedy. But today, I must honor the Elvis who has been a part of my musical life for over three decades.

No offense, Mr. Presley.

Elvis Costello  wiki page

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Today also marks the 35th anniversary of Born To Run, when a talented performer, a crack band, a savvy manager and an all-too-eager mainstream press joined hands to crown the new King of rock and roll. Bruce Springsteen has since earned every jewel in that crown and then some, but it’s yet another reminder of how fractured the entertainment industry has become. It’s no longer possible to make the stars align on that kind of scale, and with very few exceptions, those things never happened organically.

But that can’t and won’t tarnish the memory of a time when it seemed like a blue-collar bar room rocker grabbed the brass ring and pulled down the whole damned curtain with it. Rock concerts would never be the same.

Could that really have been thirty-five years ago?

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Blast From The Past: Walter Clevenger

Revered in powerpop and roots rock circles but unfortunately not a household name, Walter Clevenger and his band play an appealing blend of those musical styles and are as strong as a live act as they are tight on record. I had the pleasure of seeing them play a couple of times many years ago, and each time they grabbed the crowd from the opening song and never let go.

And much in the same way, Clevenger’s albuns have held up very well – I still play them loud and often. Frankly, in a world where Tom Petty has achieved rock royalty status, I’m stunned when artists who are as good as Clevenger don’t find mass appeal from the same audience. If you’re one of them, I implore you to click the links at the bottom of this essay and listen to some song clips.

Could that commercial apathy be part of the reason that it has been seven years since Walter Clevenger and The Dairy Kings last blessed us with an album? I do know that it’s been thirteen years since my review of The Man With The X-Ray Eyes ran in Consumable Online

“Love can make you happy/or it can spit right in your face…”

Therein lie the two moods of one Walter Clevenger, whose yang and yin theories of love and relationships pack an impressive debut record. And if the “yang” is the “my life is so blissful with you” half of that couplet, this album is chock full of yin. Thank God for that!

The first thing the listener will zero in on is that Clevenger sounds uncannily like Nick Lowe. In fact, I’ll wager that I could play “Love You Like A King” , “Love (A Misunderstood Thing)” and “Angels” to friends who are fans of Nick Lowe and they’d swear it was their boy. Although Nick is one of Walter’s heroes, I don’t consider this record a rip-off or even a homage to Jesus Of Cool; rather it’s a case of someone who grew up loving a certain type of music naturally emanating it in his own. That said, however, the converse is certainly true – if you do like Nick Lowe, you’ll love Walter Clevenger.

His lyrics are witty and biting, as anyone who has been on the wrong end of a romantic crash can attest. Sometimes it’s utter dejection (“I used to make the hit parade/Now I only line the cage“) and sometimes bitterness (“You say you’re sorry/I don’t believe you/’Cause sorry couldn’t cover/half of what you’re doing“). Even when he is singing about a happy relationship, it turns out that it’s one that slipped through his fingers. If you’re despondent about love, this is the soundtrack for your life, and it will either pick up your spirits or hit you deep. Either way, it leaves a mark.

Musically, Clevenger nails the pop bulls eye by wrapping up pathos in three-minute nuggets. There are a few different sounds to the record, which may be a result of it having been recorded over a longer period of time. Most are 70s/90s classic pop (“Yesterday’s News Now” could be a Rockpile outtake) and some, like “Cries Of Desperation”, suggest folk and country-pop influences like the Everly Brothers. Only the closer, “I Don’t Like Your Face (Just Git)”, sounds out-of-place. But hey, rednecks gotta cry at the jukebox too, so why not to this one?

Clevenger recorded most of the record at his home and issued it under the title PoPgOeStHeMuSiC in 1995. (The cassette-only release quickly sold out through word of mouth and is now a collector’s item.) I was delighted to see that Walter’s recording was picked up by a label for distribution, and not just any label, either. Permanent Press Recordings is headed by Ray Paul (Klimek), a popster himself, who has also released records by deserving artists like Bob Segarini and Klaatu.

The Man With The X-Ray Eyes is proof positive that sometimes the best music around is being made in someone’s bedroom or garage.

After The Man With The X-Ray Eyes, he went on to record more albums that were as good or better (Love Songs To Myself in 1999 and Full Tilt And Swing in 2003) as well as contributing tracks to tribute albums like the Bobby Fuller song (below) and his own homage project, Lowe Profile.

Video: “Only When I Dream

And while he has been preoccupied with production and his own label (Brewery Records), the band does still perform. I noticed a couple of slots at the upcoming IPO Festival in Los Angeles next month. But I sure could use a new Walter Clevenger album, and I know I’m not alone in that thought.

How about it, Walter?

Walter Clevenger website and MySpace site.

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T.G.I.F. – Ten Powerful Pub Rockers

Seems like everybody was sick of the radio as the mid-70s approached. Some went underground. Others got back to their roots, whether it was nihilistic and chaotic (punk) or traditional (roots rock). Some literally hit the UK corner bars for an evening of well-played r&b/country blues and rock’n’roll; hence pub rock.

Strip away the nomenclature and you’re back to upbeat, rhythmic, toe-tapping, air-guitar slinging music that will put a smile on your face whenever you slap it on. If there is such a thing as Friday music, this is it.

Perhaps a slight bit of liberty on my part if a few of these tracks are from outside the immortal era; if so, at least the musicians performing the material have validated roots.

So here are ten powerful pub rockers to start your weekend off!

01. Graham Parker and the Rumor:   “Empty Lives

02. Dr. Feelgood:   “Roxette

03. Mickey Jupp:   “Georgia George

04. Eddie and the Hot Rods:   “Quit This Town

05. The Inmates:   “I Thought  I Heard a Heartbeat

06. Ducks Deluxe:   “Coast To Coast

07. The Motors:   “Dancing The Night Away

08. Brinsley Schwarz:   “Surrender to the Rhythm

09. Bram Tchaikovsky:   “Girl of My Dreams

10. Rockpile:   “If Sugar Was as Sweet

Yeah, I know that last band is only one-quarter Brit (two Welsh and a Scot), and for all their related efforts only have one proper album. But pub rock is about the music, not birthplace, and Rockpile was a pub rock supergroup.

Besides, if it was about being in pubs, these would all be Faces tunes, yes?

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T.G.I.F. – Ten Glee Greats!

...and here are eight of them.

 

Unless you’re living under a rock – and maybe even that isn’t sequestered enough – you know that Glee has returned from hiatus to complete its run of episodes this Spring.  

This week’s show was a bit of a mixed bag, with the obligatory re-establishment of the key plot points, the introduction of new characters (including Idina Menzel from Rent and Wicked), and the trucking out of one of the most dreadful songs ever written, Lionel Ritchie’s “Hello”.  

I realize that the script occasionally needs to twist uncomfortably to work in the theme for the songs, and there’s enough about the show that’s enjoyable that I can roll with it. But even though “Hello” is a viable duet that fits the concept, a shitty song is a shitty song is a shitty song. Music is subjective. Your mileage may vary.  

And speaking of shitty songs, there’s “Vogue” by Madonna. Hate, hate, hate that song. But Jane Lynch knocked that bitch out of the park. Then again, Jane Lynch can do no wrong. Next week is a whole Madonna-themed episode, so I’ll have my sick bag at the ready.  

But that got me thinking…they’ve already tackled Queen, Journey, The Doors, AC/DC, The Pretenders, John Lennon…hell, even Generation X! They’s as unafraid to toss out a classic rock song as they are to pomp with fluff. So here are ten terrific tunes that I’d like to see Glee-ified…  

01: “Pushin Too Hard” (The Seeds) – perfect for Artie, I think. Especially since “Wheels” would be too Americana for Glee

02: “Can’t Hardly Wait” (The Replacements) – a back beat made for dancing, plus they get to use the horns and strings that always seem to be available. 

03: “Better Things” (The Kinks) – Any show about high school deals with overcoming adversity or at least hoping that things will turn around. And what better song for that than this? 

04: “One Way Ticket To Hell and Back” (The Darkness) – man, they missed the boat by leaving this one out this week. Perfect blend of AC/DC and falsetto would have provided great solos for many in the cast. 

05: “It Wouldn’t Have made Any Difference” (Todd Rundgren) – they do like their power ballads on the show, emotional vocal drama helps sustain the plot. Given the current relationship angst, is there a better choice than this classic? 

06: “We Hate It When Our Friends Become Successful” (Morrissey) – because this sentiment is high school in a nutshell. Maybe even  “I Know It’s Going To Happen Someday”? But they’ll never do “You’re The One For Me, Fatty”. 

07: “Come On Eileen” (Dexy’s Midnight Runners) – actually, I can’t believe they haven’t done this one yet! Not certain who would sing it, but I want to see some of these people rocking the overalls. 

08: “Teacher Teacher” (Rockpile) – “Schools Out” would be too corny, and “Hot For Teacher” might be too risqué…but this little Rockpile ditty would be perfect

09: “Doll Hospital” (John Hiatt) – we need a song for the Cheerios girls, don’t we? Not to mention this could be the subplot for the one who’s preggers. (I’d use the studio version in the show, but any excuse I get to pimp Sonny Landreth is worth taking). 

10: “September Gurls” (Big Star). Because Alex Chilton deserves a wider audience for posterity. Because it’s one of the most perfect pop songs ever written. And because, like Alex, I can vouch that December Boys got it bad

You can already grab the first part of the season on DVD, not to mention the first and second albums collecting songs from the show.  

And here’s your Glee episode guide, courtesy TV.com.  

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Mixtape: Vinyl Devotion

I put this mixtape together many many years ago for a tape tree on the Audities mailing list. I look at mixtapes as something to be taken in one sitting, ideally something slapped in for a car trip where the flow of the music is the center of attention, like I’ve got one shot to program an hour on the radio to win you over. So I started going through my vinyl alphabetically; just vinyl albums – no singles, CDs, or cassettes.

Remember mixtapes? Remember vinyl?

As the people I was trading with have pretty deep roots, I avoided the obvious (ie Beatles, Big Star, Cheap Trick, etc) and went for other songs that stir my stewpot. By the time I got through the “D”s, I easily had twice as much as I needed, and that wasn’t even taking into account the 3-400 albums that were in the “to be filed” pile.

But I came up with a beauty filled with great bands and great songs. I’ve included the original track-by-track annotations that I used for Vinyl Devotion’s liner notes, and since this was in the mid 90s, some of the references will be out of date. But the music is timeless – not a tune that doesn’t stand up today.  Mixtapes were a labor of love; even the needle dropping at the start of side A was intentional.

Side A

01 THE BOYS – “First Time Out”
Since you need something to get you out of the driveway, why not something young, loud and snotty? This was quintessential New Wave pop punk. Billy Joe of Green Day probably has a Boys lunchbox. (LINK TO A LIVE VERSION)

02 THE ATLANTICS – “One Last Night”
If INXS were cool and they grew up on 50’s and 60’s American radio, they’d sound like this. But they weren’t, andthey didn’t, and they don’t. Singer’s a bit of a crooner, but it’s a cool song nevertheless.

03 DANCING HOODS – “She May Call You Up Tonight”
Yep, the Left Banke song. I think this version is better. I loved this band but Relativity sank like a stone and these guys with them. The singer, Bob Bortnick, is now in A&R and Mark Linkous is in Sparklehorse. Too bad.

04 THE dBs – “Working For Somebody Else”
So why does everyone hate THE SOUND OF MUSIC? I think the Holsapple era is great. This is almost Chilton-ish rock – the harmonica solo, ringing phone, and the great way Peter pronounces the word “car-REEEP”.

05 THE BEAT FARMERS – “Ridin”
God Bless the late Country Dick Montana,who was Keith Richards in chaps. The BEAT FARMERS were the best bar band ever and always kicked your ass from wall to wall. This Joey Harris tune is a nice taste. R.I.P. fellas! (LINK TO A LIVE VERSION)

06 THE ACCELERATORS – “Two Girls In Love”
Another great band no one knows, what is it about that water in North Carolina? This band rules, but they only put out a record every five years; tho I heard they just re-formed. I love the drum sound on this song.

07 BEAT RODEO – “Just Friends”
Slowing it down, this Don Dixon/Mitch Easter production is anything but twee. Despite the cow name it’s just pure pop after all. Saw these guys live and they were absolutely wonderful. I miss songs like this.

08 DON DIXON – “Your Sister Told Me”
I’m convinced that if Motown were in North Carolina, Dixon would be Holland, Dozier and Holland. One of the many on my “how can this guy/band not be friggin’ HUGE?” list. And my hat tip to The Woods, his roots. (LINK TO A STUDIO VERSION)

09 BILLY BREMNER – “When These Shoes Were New”
The true M.V.P. of Rockpile. From the lp BASH which only his parents and I bought. Will Birch co-wrote and produced most of the songs, and it’s wall-to-wall great. I want to play piano like the guy on this track.

10 ANY TROUBLE – “The Trouble With Love”
Clive Gregson just didn’t fit in that New Wave movement, but his band put out five killer records with great songs like this. You may know his records and gigs with Christine Collister and their gigs with Richard Thompson

11 THE A’s – “Heart Of America”
From Philly, natch – is this one of the ten best rock and roll songs ever made? Mott The Hoople meets Elvis Costello and drop the gloves. Killer guitars, horn section, and the one of the most unusual solos in rock history.

12 THE CRETONES – “Real Love”
When Linda Ronstadt “went punk” that year she butchered “Alison” and two of this band’s songs; “Mad Love” is the other. This is pretty mainstream, but fun when you realize there isn’t a female voice on the record.

13 THE DUROCS – “Saving It All Up For Larry”
Try this: Brian Wilson goes sandbox, but instead of Stamos and Johnston the Beach Boys sign up Flo, Eddie, Zappa and Todd. Actually it’s Nagle and Matthews, right around the time they produced John Hiatt. Great, great record! (LINK TO VIDEO VERSION)

Side B

01 JOHN CALE – “Guts”
From the album that even Cale-haters like. Uses the words “parrot shit” and “hyperbole” in the same verse. Top that, Lou Reed! This record is known for a suicide-inducing drone version of “Heartbreak Hotel”

02 THE CRUZADOS – “Motorcycle Girl”
Tito and the boys cooking up East L.A. spunk in the days before they hooked up for gigs as Bob Dylan’s band. Bassist Tony Marsico is now with Matthew Sweet.

03 HERMAN BROOD – “Sleepin’ Bird”
My favorite Dutch ex-junkie porn star rock god, and the best rock and roll band in the world. He’s a famous painter now. Had an American hit with “Saturday Night” in 1978 but put out several searing records in Holland. Yowza! (LINK TO A LIVE VERSION)

04 THE DRONGOS – “Overnight Bag”
Life before Crowded House in New Zealand. What a great guitar player! I wouldn’t try to make love to this song; it’s better suited for popping popcorn! Went to see them one night only to find out they broke up that afternoon.

05 THE DIRTY ANGELS – “Call My Name”
Remember in 1979/80 when everybody got signed and dressed in pastels on album covers? Well, DA had nude mannequins with missing appendages. Ah, so what. But I know the name David Hull from elsewhere.

06 THE DICTATORS – “Heartache”
Scott “Top Ten” Kempner and Andy Shernoff both could write big hooks, but the underwater production buried them. Too bad. When you got past Ross The Boss’ guitar god act, these guys had some great songs!

07 CITY BOY – “I’ve Been Spun”
Jellyfish, eat your heart out. These guys could really rock, too, but were known for the unbelievable vocal harmonies. The guitar player, Mike Slamer, makes me grab the air guitar frequently over six records.

08 BLUEBELLS – “Everybody’s Somebody’s Fool”
No, not the Dean Martin song. You may remember “Cath” or “Syracuse University”, but I always liked this the best. One of those “why isn’t this on CD” records, but frankly most people can’t even find the vinyl!

09 THE DAVE CLARK FIVE – “Because”
Because after 33 years it’s still great. Because Gary Frenay and Artie Lenin played it at my wedding and people were breaking out in tears. Because it’s my tape. Because.

10 ARTFUL DODGER – “She’s Just My Baby”
Even Artful Dodger fans gave up by this record. While earlier records were like a poppier Rod Stewart; I hear a perfect blend of Dwight Twilley and The Records. Why was this band not a major, major hit? (LINK TO THE PROMO VIDEO)

11 MARSHALL CRENSHAW – “Rave On”
Live cut done at the drop of a hat in a Chicago station. Unbelievable how great he and the guitar sound just by themselves! So far he’s played Lennon in Beatlemania, Holly on film, and made one of the best debut records ever.

12 GARY CHARLSON BAND – “Hey Deanie” & “Go Back”
Another live in the studio gig from an incredible pop guy, these are two of my faves. Bought this based on Bruce Brodeen‘s adjectives (it’s an OLD record). So where is he now? And who the hell was this incredible drummer? (LINK TO A GARY CHARLSON MEDLEY)

13 SHAUN CASSIDY – “So Sad About Us”
Yeah, go ahead and snicker. The backup band is Todd and Utopia, and the whole album could have been called Faithful – Part Two! Messed up Shaun so badly he didn’t resurface for years, and then showed up with “American Gothic”!

 

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