Tag Archives: Sister Lovers

Blast From The Past: Wilco

Tangents are wonderful things…

While reading the Morgan Taylor interview the other day, I noticed that he’d opened a lot of shows for Wilco. That made me pull out Being There and Summerteeth; both those records sound perfect when Spring is trying to shake off the doldrums and give you a warm day or two. and despite my town setting its all time record for rain during the month of April, birds and buds and ants are telling me that little liar groundhog’s ruse is almost over.

In other words, my review of Summerteeth from 1999 in…

When asked about his plans for Wilco after Being There had caught people off guard, Jeff Tweedy hinted that the band would most likely take another unexpected turn and create “a twisted pop record“. Let it never be said that Tweedy is not a man of his word.

Once again self-produced by the band (Tweedy, Jay Bennett, John Stirratt and Ken Coomer), Summerteeth thrives on the juxtaposition of introspective, sometimes dense, lyrical wordplay fleshed out in a rainbow of musical style. There are several songs that will immediately strike the listener as upbeat, sing-along melodies, yet underneath lurk images of loneliness, confusion and unfulfilled dreams.

Video: “Candyfloss

Candyfloss” jumps out of the speakers with a bouncy, 60s pop calliope beat, yet Tweedy’s confessional says otherwise: “I’m the boy who looks excited/I’m the boy who’se gonna fall apart…I’m the boy who eats his heart out…” . Likewise, the opener, “Can’t Stand It” is a groove rocker but boasts a chorus that states “our dreams will never be answered again“.

Via Chicago” is one of the few that matches sonic pulse with lyrical imagery. Slow and deliberate, the opening line is as disturbing as the distorted, feedback-laden guitar solo that cradles the fade-out: “Dreamed about killing you again last night / and it felt all right to me…”. Then – just as your heart and brain are splattered across the floor – “ELT (Every Little Thing)” rockets out of the speakers like the hit single it should be, a cousin to Bowie’sHeroes” filtered through The Byrds. It’s another song of lost opportunity or maybe Fate’s warning, but which? Hopeful or hopeless? Tweedy’s deft pen leaves that open to your imagination, and depending upon your mood, it will be either.

Video: “ELT (Every Little Thing)

The title track, like “Candyfloss” and “ELT“, will no doubt pump out of radios all summer long. No matter that the subject is denial about the rut that his life has become; the infectious refrain will have you singing along with the “ooh-ahh” background vocals (with lilting keyboards and chirping birds, no less) and have you daydreaming as well. “My Darling” and the stark “We’re Just Friends” echo Big Star circa Sister Lovers with a little Brian Wilson harmony thrown in, while “You Wake Up Feeling Old” is ironically finger-snapping pop.

The band must have gathered up every instrument in the studio and then some – bells, bird chirps, penny whistles, shakers, flutes, horns and tympani are sparingly but creatively used throughout the record. And as he promised, Tweedy has stripped down the band and reconstructed its direction, a move that will probably alienate some diehard Uncle Tupelo purists (assuming they aren’t already pissed off) but should thrill anyone with an open mind and a respect for the art of songwriting. Summerteeth is funky, soulful, rocking, heartbreaking, pensive and explosive – in short, a masterpiece.

Wilcoworld

Listen to clips here

Roger that!

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Big Star Third, Revisited

SONGS/PERFORMERS

1.  “Kizza Me”                     MATT MCMICHAELS (from Mayflies USA)
2.  “O Dana”                        IRA KAPLAN  (Yo La Tengo)   
3.  “For You”                        JODY STEPHENS (Big Star)
4.  “Nighttime”                     NORMAN BLAKE (Teenage Fanclub)
5.  “Jesus Christ”                MIKE MILLS (R.E.M.)  
6.  “Take Care”                    IRA KAPLAN    (Yo La Tengo)                                
7.  “Big Black Car”               MATTHEW SWEET
8.  “Stroke It, Noel”              NORMAN BLAKE  (Teenage Fanclub)
9.  “Blue Moon”                    JODY STEPHENS  (Big Star)
10. “Femme Fatale”            SINGER NOT CONFIRMED
11. “Downs”                        VARIOUS  
12. “Dream Lover”              TIFT MERRITT  
13. “Holocaust”                    DJANGO HASKINS (The Old Ceremony”     
14. “You Can’t Have Me”     TIFT MERRITT
15. “Kanga Roo”                 MICHAEL STIPE  (R.E.M.)
16. “Thank You, Friends”    VARIOUS

Plus a rich encore list featuring the above plus Brett Harris and Fan Modine…

Um…do I really need to add more? Go, whydoncha?

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R.I.P. Tommy Hoehn

This is turning into a depressing weekend.

I was so startled by the loss of Pete Quaife yesterday that I didn’t even realize it was Friday and therefore time for my weekly TGIF feature. By the time it dawned on me, I didn’t really care to go back and rectify the oversight; I spent a few hours last night reading tributes and thoughts from other Kinks fans who were also saddened by his passing.

Now just a day later, more bad news. Memphis takes another kick in the nuts with the loss of Tommy Hoehn who died late Thursday night. You might not recognize his name right off the bat, but he was an integral part of the powerpop scene in Memphis and a contemporary of Big Star and other Ardent Studios artists who were plowing a different field than corporate radio in the 1970s.

Memphis is still reeling from the loss of Alex Chilton in March; now this. Besides the obvious thoughts and prayers to friends and family, my heart goes out to John Fry, Jody Stephens, Van Duren and other musicians and associates who knew and worked with Tommy for so many years.

Back in the day, it was Creem Magazine that first tipped me to Big Star and I wanted to gobble up as much of that type of music as I could find. During that expedition I discovered Losing You To Sleep, Tommy’s second album. It was on London Records and sure, with his beard and opened white shirt, he looked more like J. D. Souther or Andrew Gold than your typical powerpopper. But “Hey Polarity” and the title song knocked me out, and another track (“She Might Look My Way”) was a Chilton co-write. 

Hoehn had his hand in the jelly jar for Sister Lovers and also did some work with The Scruffs, but he slid to the melodic Paul McCartney and Emitt Rhodes side of the fence more than he did the crunchy sound of The Raspberries or Badfinger. Reportedly his musical hero was Todd Rundgren, but listening to his beautiful melodies and delicate style, you realize that his doppelgänger might have been his friend from Big Star,  Chris Bell.

Coincidentally, another album I picked up at that time was Are You Serious by Van Duren; Van would later record with Tommy as the Hoehn-Duren Band during the powerpop rebirth of the 90s,  releasing Hailstone Holiday and Blue OrangeNothing disappears on the Internet, so I can give you this link from an eleven year old blog post that sums up how they got back together after years apart. (Van has a new album out, but more about that very soon.)

The anniversary of Michael Jackson’s death is sucking all the oxygen out of the atmosphere this weekend and no doubt both Quaife and Hoehn are getting lost in the shuffle. Maybe that’s par for the course, since both were underrated and undervalued in the commercial scheme of things. But for those of us who get it, these are sad and painful goodbyes to people who have contributed far more to the music of our lives than Jacko ever could.

R.I.P., Tommy. Ironically, we’re losing you to sleep.

Scott Homewood’s 2007 essay on Tommy from Lost In The Grooves

Amy Nyman’s 2007 blog post about that Memphis scene.

Ardent Studios

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