Tag Archives: Small Faces

Hall Of Fame for Faces and Small Faces

Well, it’s about fucking time.

The tragedy is that two people who really needed to be there last night missed it. I love both The Small Faces and The Faces and would have given anything to be at their induction, but the stars just didn’t align. As for Rod Stewart, well…hopefully he really had the flu. I’d hate to think his unwillingness to share the spotlight with his former mates had extended beyond reunion tours and all the way to the podium.

Especially because there were two other people who sadly couldn’t be there, because they’ve left this mortal coil. Small Faces founders Steve Marriott and Ronnie Lane are no longer with us, but their music and influence lives on, hopefully more so after this induction brings attention to their incredible body of work. I know for a fact that Ian McLagan pays tribute to both every night, at every show, and I am sure he did so again last night from the stage.

Ron Wood and Mac remember the Small Faces

Typical of the lack of respect both bands received in their prime, they had to share an induction rather than be considered individually. That’s a bit daft considering the impact both bands had in their time, and how different they were musically despite sharing three members.

The Small Faces were the mod movement, running off a string of pop and psychedelic singles that set the tone for the late 60s. Steve Marriott’s dynamic voice and presence was ethereal, and he and Lane wrote great songs. They never toured the States – their crook of a manager couldn’t skim if they did – but in England they slot alongside The Beatles, The Rolling Stones, The Kinks and The Who.

The Small Faces:Tin Soldier

The Faces, on the other hand, were brash and boozy rockers that turned arenas into parties where the audience was not only entertained but often dragged back to the hotels for a nightcap. Each packed about as much wallop into a few short years as anyone ever has, and when you realize that half of the output of The Faces between 1971 and 1975 wound up under Rod Stewart’s name alone, you realize what a gross oversight this has been.

The Faces: “I’m Losing You”

But those that really matter – the fans, the bands they influenced – had both bands in their own personal Hall decades ago.

Of course, going any further would just stir up old feelings and make me mock the Hall for ignoring so many other artists; odds are that Lady Gaga will get in before Deep Purple or Cheap Trick. At least they did the right thing and moved the ceremony back to Cleveland.

So I will take the high road instead and simply revel in their greatness, like I always have and always will. Pint in hand, of course.

Happy boys...happy.

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Mixtape! Pop’s Out In The Garage Again!

I guess I must have been playing my Sparks albums a lot at the time, given the pun-laden titles for the cassette sides. Oh the folly of innocent youth



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Blast From The Past: The Faces

Although I much prefer to promote the original albums and the full box set, as well as just about all of the non-Rod solo efforts (McLagan’s work, in particular, is stellar and underpublicized), when this best-of came out it was a step in the right direction. (Not a First Step, mind you.). Later, the box set I pined for finally came out under the title Five Guys Walk Into a Bar…

So as I’m ramping up to full warp party speed for Thursday, I need to blast some music. And if you think rock, party and alcohol, you think of one band – The Faces. Now allow me to send you back in time – twelve years for the review in Consumable Online, and four decades for the music itself.

Long before Rod The Mod became a balladeer (and I mean that in a bad way) and Ronnie Wood traded anorexic guitar poses with his evil twin Keith Richards, they were two-fifths of The Faces, a group that was either the best band in the world or the drunkest band…or maybe both (it depends upon whether The Kinks were playing that night). First formed as a group of jilted musical lovers, three Steve Marriott-less Small Faces absorbed two Jeff Beck Group castoffs and caroused their way to rock and roll history.

I tell you this because I was there. If you had to rely on the printed word, or the record racks, or (gulp!) the airwaves, you’d never know. Rhino Records bellied-up to the bar on your behalf with a single disc “best of” collection, and they’ve even thrown in a previously unreleased song to sweeten the pot. Dave Marsh, God bless him, scribed the reverential liner notes and throws his hat in the ring on their behalf. But for me, it’s bittersweet — a dynamic, earth-shattering, genuine slice of rock and roll’s foundation gets another breath of life…but it’s a nineteen track CD, not a three or four disc box set.

That said, this collection is a credible addition even if you have some or all of the Faces titles, and if you have not dipped your toe in these beer-soaked waters yet, it’s a good place to start. With any collection, you’re going to get the obvious must-have’s and agonize over the why-couldn’t-they-fit-that-in-too’s, but it’s hard to argue with the selection Good Boys offers. Rightfully grabbing the lion’s share from A Nod Is As Good As A Wink To A Blind Horse, the midsection of this chronologically organized platter gives us the band at their rollicking best. The 1-2-3 punch of “Miss Judy’s Farm,” “You’re So Rude” and “Too Bad” is as balls to the wall powerful now as then, as is the classic “Stay With Me”, the definitive Wood/Stewart romp.

The three cuts from the embryonic First Step are solid (and one is an alternate version), and only “Memphis” from Long Player or “My Fault” from Ooh La La are missed in these circumstances. Including the final two singles “Pool Hall Richard” and “You Can Make Me Dance, Sing Or Anything,” is a no-brainer, and the sweet and pretty “Open To Ideas” is a perfect coda to this too-short journey.

Who knows if the rumors of Rod hoarding his “better material” were really true, but it’s interesting to think how much longer The Faces would have stuck it out if they got more credit and had more hits. (One thing for certain — if Rod tried to stick “D’ya Think I’m Sexy” on a Faces album he’d have gotten his ass…er, arse…kicked!) Even though they were staples of the Faces repertoire, many recognizable songs like “I Know I’m Losing You” and “True Blue” could not be included here because they were from Rod’s “solo” career. But what about the outtakes, the live cuts, the BBC sessions?

Ahh….there I go again talking about box sets instead of thanking Rhino for letting all the Replacements and Black Crowes fans see where the roots of their trees lie. And I’ll admit it: when I think of all the old bands getting together for the bucks after years away from the limelight (do we really need more Journey and Styx songs?), a small but hopeful flame burns in my heart that one day these lads will rise again as well.

Unfortunately, Ronnie Lane’s recent tragic death from MS rules out reuniting the original lineup; the closest thing we’ve gotten to that was Stewart’s Unplugged performance. But if the other four were ever up for it, hell – I’ll scour every corner bar looking for Tetsu Yamauchi. And if I can’t find him, I’ll get a rooster haircut, some velvet pants and a glass of bourbon and play the damn bass myself.

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Under The Radar: The Forty-Fives

Hate, hate, hate it when a great band starts to make their mark and then just fades away because of money issues, lack of recognition or some other game-changer. After getting progressively better from Get It Together to Fight Dirty, The Forty Fives looked like they hit paydirt with High Life High Volume. The Atlanta band went to Detroit to soak up the vibe and lay down tracks at Ghetto Recorders with producer Jim Diamond; the results were great! But somehow, not long after that, my expectations – and theirs, apparently – were dashed.

Looking back and giving this one another spin, I remembered why I get so excited when a band like this comes down the pike. At least they did get to tour the world, play gigs with their heroes and even showcase at Little Steven’s Underground Garage Festival at Randall’s Island. Maybe they’ll do me a favor and make another record?

Diamond continues to find and work with great acts (The Charms and The Love Me Nots among the more recent stunners) as does the label Yep Roc, and bands like this do continue to pop up and take their shot. I just have to keep looking since with few exceptions, the radio and the press isn’t much help. And when you find one…ahhhh, bliss.

Here are my words from 2004 as they originally ran in Pop Culture Press

Hip-shakin’, roof-raisin’, ass-kickin’ rock and roll as Atlanta’s finest quartet hooks up with a producer who “gets it” (Jim Diamond behind the knobs) for a jukebox full of dynamite. Echoing every great British Invasion band (with a special nod to the Small Faces), Bryan Malone’s stirring vocals and electrifying guitar chops lead the way, but this is a rock solid band effort.

They’re too cool for school, rocking with abandon, dipping their toe in a cow pie (the countrified “Bicycle Thief”) and even daring an instrumental (“Backstage At Juanita’s” soulful Hammond – kudos Trey Tidwell – is worth the price of the record by itself). Killer cover (“Daddy Rolling Stone”) segues into a Dolls-like glam rocker (“Junkfood Heaven”), before the horns and blues of “Too Many Miles”. And if you’re still wavering, the blazing “Superpill” features the best handclaps since The Romantics ruled the earth.

Did some jackass say rock and roll is dead? No way – it’s right here, baby, on one of 2004’s best records.

Give them a listen on MySpace or at their website.

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Hello Old Friend: Ian McLagan

Face the music

Eight months ago I had the privilege of sitting about twenty feet away from Ian McLagan and The Bump Band when they rocked the house in my town (review here). Last night I got to sit even closer as Ian kicked off his Fall solo tour with accompaniment from newest Bump member Jon Notarthomas on acoustic, electric and bass. Where the Bump Band shows featured several Faces and Small Faces classics, Mac’s current tour is centered upon material from his solo albums, and the result is a warm, funny and intimate show.

Mac will tell you that music is about love, and the set list is peppered with songs that back that up. The smaller setting gives Mac an opportunity to set the stage for each song with a background story or a wry joke; few musicians exude such an approachable and impish vibe. He makes it a point to play Ronnie Lane’s music at every concert so “Ronnie is in the house tonight”. But there are also those moments when you can feel the pain of loss he has endured. Although I thought “Where Angels Hide” was written after and about the loss of his wife Kim, finding out it was initially written to console a friend who had lost his wife makes it no less poignant or powerful.

No Hammond on this tour –  Mac is traveling with an electric piano – but it’s perfect for those songs and that voice. Notarthomas steps in frequently to add flavor with guitars, bass and perfect harmony vocals; the show floats from heart-tugging ballad to barrelhouse rocker and back with ease. Although the set list spans his long career, quite a few are from the most recent album. Here’s my capsule review of Mac’s most recent album, Never Say Never, which ran last year:

Mac is a little mellower than usual on this one, but there aren’t too many bigger hearts making records nowadays. Surrounded as always by great musicians, Mac’s soulful raspy vocals and expressive playing are framed by heartfelt songs, many obvious love notes to his late wife Kim. Ronnie Lane fans will like the organic feel of “Killing Me With Love” while Faces fans will delight in the barrel-house rocker “I’m Hot, You’re Cool”. The Bump Band is on tour where Mac’s material shines brightest, and I’ll wager some alternate arrangements pop up in the set-list.

It’s no accident that Ian McLagan got to be a member of two of the greatest groups of all time, but his solo efforts are proof that an untapped well of songs could have made both those bands even better. Thankfully Mac still has the fire and the drive so we can continue to savor his gift.

The last leg of this tour concludes before Thanksgiving, so catch him if you can:

11/18, Bop Shop, Rochester, NY
11/19, Beachland, Cleveland, OH
11/20, Martyrs, Chicago, IL
11/21, Magic Bag, Detroit, MI
11/22, Shank Hall, Milwaukee, WI
11/24, Euclid Records, St. Louis MO
11/24, Off Broadway, St. Louis, MO

Mac’s website.

Mac on Letterman.

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