Times like this it pays to be British – or at least have a region-free DVD player!
The long-awaited DVD release of The Ballad Of Mott The Hoople is finally upon us – October in the UK (followed by a November US release). Much like with the Bill Hicks documentary, I’m not waiting.
Video: Trailer for the film
The feature-length documentary also features Mick Jones of The Clash (who cites Mott as a huge influence) and Roger Taylor of Queen (Queen opened for Mott during their famous Broadway residency). It tells the story of the band from beginning up to the original implosion, plus includes the bittersweet coda of the 2009 Hammersmith Apollo reunion gigs.
Amazon UK has it here.
The official film website.
Official Mott website
Beatlemania hit fast and it hit hard.
Of course, you know that, and if like me you were there for the seismic shift, you remember the Ed Sullivan Show, and the screaming girls and the absolute dominance of the pop charts. You remember the cheeky interviews and the Christmas Fan Club singles and even debating whether some Canadian musician was standing in Paul McCartney’s Beatle boots.
There were lunch boxes and posters and trading cards. There were even cartoons. And then there was Flip Your Wig.
I remember buying this for my neighbors Fran and Janet and probably even playing it once. But if you thought it was demoralizing to watch girls moon over Beatles picture sleeves while not giving you the time of day, imagine playing a board game with them where every roll of the dice involved kissing a cardboard cut-out of a Beatle. And you wonder why most guys were Stones fans.
But Doc, that’s old school shit my grandpa babbled about. I’m a ’77 punker and I hate The Beatles. I grew up on cool bands like The Clash.
No problem, young whippersnapper…
My buddy Angelo over at Power Pop Criminals went to great pains to scan and reassemble the free game that the rock weekly Sounds gave away. Angelo describes it as a Snakes and Ladders type game covering events in the band’s early career, complete with playing cards and cut-outs of the handsome quartet.
So click here to visit PPC, get your scissors, tape, glue (no sniffing!) and cardboard and have at it. It’s a White Riot!
Filed under Music, Reviews
Most bands get all sorts of undeserved comparative hype. While I am usually guilty of “sounds like” relationships in my reviews, I feel that without them it would be more difficult to communicate the specific sound or direction of the band (if limited to more general terms). But I am flooded with press releases that make such outlandish comparisons that they are merely laughable. The new variation on that theme is to be so patently obscure in your references to appear hip. But the downside of that is communicating so little worthwhile information that the bio is of no use whatsoever.
But you have to admit that a band billed like this is worth a listen:
“California’s Shys are a blistering four-piece featuring Iggy style vox and hints of all the Stones: the Rolling Stones, Stone Roses, and Sly And The Family Stone.”
I really liked this album, as well as their follow-up You’ll Never Understand This Band The Way I Do. I’ll save the references for that one for another time, but here’s my review of Astoria from Pop Culture Press in 2007:
The opening track “Never Gonna Die” kicks off with a blast of ringing guitars and Keith Moon-like drums, transporting the listener to England circa 1977. But although a comparison to the melodic pub punk of bands like The Boys wouldn’t be out of line, these sounds are being made by a band in their early twenties…from California? Vocalist Kyle Krone wraps his throaty Iggy vocals around an album full of strong material, albeit heavily influenced by a myriad of other bands.
“Call in the Cavalry” brazenly swipes a riff and drumbeat from the White Stripes but grows it from there, ditto “Alive Transmission” (“Search and Destroy” meets “Undercover of the Night”) and the Ian Hunter drenched “Waiting on the Sun”. The title track is a Clash-like stomp that builds and recedes like a violent tide. And while they may cop some modern bands, the guitar work is steeped in seventies rock, which makes tracks like “The Resistance” much more than a nod to Oasis. A very, very strong debut.
Listen to clips at Amazon.
Filed under Music, Reviews
(No TGIF today as we conclude the 2010 countdown…)
When all is said and done, rock’n’roll is supposed to be a release, whether that’s from the pulsating rhythm of the music, the depth of the lyrical message or the sheer enjoyment of playing the damned thing loud. It’s hard enough to compare the apples and oranges of music, but when I was finalizing the list I asked myself… which album brought me the most pleasure? Which did I play the most often? Which did I look forward to playing, even if I had heard it thirty times?
And so I give you Pictures from The Len Price 3.
Video: “Mr. Grey“
Recalling the great kinetic music of The Kinks, The Creation, The Small Faces and the early Who, the trio blends in irresistible pop vocals (think Sire-era Searchers or The Records) and punk energy (The Jam and The Clash being obvious influences). The result is a baker’s dozen of explosive three-minute singles; kudos to the production of Graham Day (The Prisoners, Graham Day and the Gaolers).
The album launches itself with the title track (led by Keith Moon drum fills) and follows that jab with the right cross of the celebretard anthem “Keep Your Eyes On Me“, one of 2010’s absolute classics.
Free Download (while it lasts!): “Keep Your Eyes On Me”
By the time I got to the third track, “I Don’t Believe You” I already knew I was gobsmacked…and then it just got better. Music like this is the epitome of what the Underground Garage is going for, so it’s no wonder that Little Steven signed these guys onto his Wicked Cool label. I really liked their first two albums Rentacrowd and Chinese Burn, but Pictures is a leap forward even from those. I had it pegged as a best-of contender when it came out in January, and sure enough, it held off all comers to finish as the best album of 2010.
Listen to clips at Amazon
Video: “I Don’t Believe You”
Len Price 3 on MySpace
The Prisoners heritage is clear