Tag Archives: The Love Me Nots

Single x 3 = Thringle

And that’s just what The Love Me Nots have tossed out there as a taste of their upcoming album, The Demon and the Devotee. Available right now on CD Baby, Thringle whets the appetite with a 1-2-3 punch of the Spector/garage hybrid that this Arizona band has consistently excelled at.

Once again working with the legendary Jim Diamond, the band combines catchy but meaty pop songs with a sonic wallop that’s at once retro and current. Vocalist Nicole Laurenne is the personification of sultry, but she can pounce as well as she can purr. And while I’m enamored with her presence front and center, the whip-crack trio standing alongside her (Michael Johnny Walker, Kyle Rose Stokes, Jay Lien) are equally critical cogs in this machine.

Video: “You’re Really Something

The Love Me Nots have dropped three albums in recent years, and with each one they get better. I’m already smiling at the ringing twelve string chiming on “The Girl Lights Up“, but I’ll save my thoughts on these three tracks until the full length comes out.

The Demon and the Devotee will soon be available in Europe on Bad Reputation Records, with a US release on Atomic A Go Go Records shortly afterwards. So drop the two dollars now and get your Thringle on. And if you haven’t already done so, I recommend that you grab those other three albums to help hold you over.

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New Album! Mondo Topless

Named after the 1966 Russ Meyer film, Mondo Topless has released five albums of garage punk surf music over the past eighteen years. Influences range from such primal American bands as The Sonics, Paul Revere and the Raiders and The Stooges to the British Invasion flash of The Animals and The Kinks.

Freaking Out is their first album in four years; a twelve-track collection of psychedelic chestnuts primed for the dance floor. Featuring the ever-present Vox organ and fuzz guitar riding the lockstep snap of bass and drums, it’s impossible not to get your frug on. Gotta love their sense of humor; credits say “All songs by Mondo Topless except…” and then list all twelve tracks on the album.

Yep, this time around the band decided to go the all-cover route. The most recognizable track is probably Cream’s “SWLABR”, which gets a superior workout here. But Freaking Out rocks from start to finish; standouts being the Who-like  “Left In The Dark” and “Mystery Girl”, which sounds like a grittier version of The Smithereens. Even the closing “Little Clown” radiates the same simplicity and essence that great bands slip onto a b-side of a cool single.

Much like fellow tastemakers The Detroit Cobras, when they cover other people’s songs, they truly put the their own stamp on them. It’s a tribute to the band that they can forge an identity through such widespread material, but they’ve been living and breathing garage soul for a long time. Although they went through band members like tissue paper in the early days, the current lineup is stable, with drummer Steve Thrash the newest addition. Lead singer and Voxmaster Sam Steinig has been on board for the entire ride while guitarist Kris Alutius and bassist  Scott Rodgers have logged over a decade apiece.

If you’re a fab of bands like The Lyres, The Cynics, The Love Me Nots…you should be all over this. Grab a copy and play it loud.

Mondo Topless on MySpace

Get Hip Records

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Under The Radar: The Forty-Fives

Hate, hate, hate it when a great band starts to make their mark and then just fades away because of money issues, lack of recognition or some other game-changer. After getting progressively better from Get It Together to Fight Dirty, The Forty Fives looked like they hit paydirt with High Life High Volume. The Atlanta band went to Detroit to soak up the vibe and lay down tracks at Ghetto Recorders with producer Jim Diamond; the results were great! But somehow, not long after that, my expectations – and theirs, apparently – were dashed.

Looking back and giving this one another spin, I remembered why I get so excited when a band like this comes down the pike. At least they did get to tour the world, play gigs with their heroes and even showcase at Little Steven’s Underground Garage Festival at Randall’s Island. Maybe they’ll do me a favor and make another record?

Diamond continues to find and work with great acts (The Charms and The Love Me Nots among the more recent stunners) as does the label Yep Roc, and bands like this do continue to pop up and take their shot. I just have to keep looking since with few exceptions, the radio and the press isn’t much help. And when you find one…ahhhh, bliss.

Here are my words from 2004 as they originally ran in Pop Culture Press

Hip-shakin’, roof-raisin’, ass-kickin’ rock and roll as Atlanta’s finest quartet hooks up with a producer who “gets it” (Jim Diamond behind the knobs) for a jukebox full of dynamite. Echoing every great British Invasion band (with a special nod to the Small Faces), Bryan Malone’s stirring vocals and electrifying guitar chops lead the way, but this is a rock solid band effort.

They’re too cool for school, rocking with abandon, dipping their toe in a cow pie (the countrified “Bicycle Thief”) and even daring an instrumental (“Backstage At Juanita’s” soulful Hammond – kudos Trey Tidwell – is worth the price of the record by itself). Killer cover (“Daddy Rolling Stone”) segues into a Dolls-like glam rocker (“Junkfood Heaven”), before the horns and blues of “Too Many Miles”. And if you’re still wavering, the blazing “Superpill” features the best handclaps since The Romantics ruled the earth.

Did some jackass say rock and roll is dead? No way – it’s right here, baby, on one of 2004’s best records.

Give them a listen on MySpace or at their website.

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Love Me Some Love Me Nots

What's not to love?

What's not to love?

They’re coming to my town, gonna party it down.

Their first two albums were short, sharp and killer; the second (Detroit) made my Top Ten in 2008. Now they have a brand new one, Upsidedown Insideout, and it is yet another ass-kicker. More on that very soon, as I’ll be reviewing both the live show and the album. Bug Jar, here I come!

Until then, check this out, and this, and this! Then listen to some new tracks here. (You might also want to check out these guys too – Michael Johnny Walker doesn’t like to sit still.)

 Of course, anyone watching The Love Me Nots won’t sit still either. Matter of fact, with a stunning duo like Nicole Laurenne and Kyle Rose Stokes up front, my blood pressure will need to be watched closely. New drummer Bob Hoag has his work cut out for him, but I’m sure he didn’t make the cut by being anything less than awesome.

Did I mention that I’m excited that I’m going to finally get to see them live tonight? (I thought so.)

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NEW ALBUM! The Coolest Songs In The World, Volume 8

Next one is "Number 9, Number 9..."

Next one is "Number 9, Number 9..."

Little Steven’s Underground Garage is in full swing, and along with the well-selected bands he has chosen to sign to his label, I always look forward to the “coolest songs” collections that are frequently issued. How great is it to get a quarterly mixtape from one of the most knowledgeable music fans on the planet? Those of you who listen to the Underground Garage radio show know about Steven’s long-time tradition of dubbing a current favorite track “the coolest song in the world this week“, so you can imagine the breadth and scope of the material eight volumes in and counting.

The latest release features old and new, with veterans like Pete Best and David Bowie sharing disc time with young pups like The Skybombers. There are also old vets in new surroundings, like Man Raze (who knew Steve Cook from The Sex Pistols and Def Leppard‘s Phil Collen have a band??).  Speedo – late of Rocket From The Crypt – rips through “Jump In The Fire” like a sore-throated Graham Parker. And if you think you recognize that organ playing on The Krayolas‘ cut, you’re right – that is Augie Meyers! Other standouts include tracks from The Broadway Calls and one of the most undearrated bands around, The Bleeding Hearts.

But this collection really belongs to the ladies. Anyone who’s a regular visitor to this site knows I’m all over Nicole Laurenne and The Love Me Nots, and Vibeke Saugestad‘s “Tonight” is irresistable girl-group Brill Building pop. And the 1-2 punch that opens the album is killer. Palmyra Delran‘s “Baby Should Have Known Better” will immediately send you to the racks looking for her EP (I bought one online as the disc was still spinning) and The Cute Lepers sound like The Clash via Joan Jett (not that it’s much of a stretch – the band is signed to Blackheart Records). Jen D’Angora (now there is a rock’n’roll name) and The Downbeat 5 light Tommy Boyce‘s “Dum Dum Ditty” on fire as the icing on the cake.

Little Steven’s mission is simple and straightforward – find great music, get it out there into the public ear, and hopefully get these bands some well-deserved attention (that hopefully translates into sales, gigs and the ability to sustain a career). Like always…game, set and match. Little Steven wins again.

All 8 volumes are available as physical CDs or digital downloads.

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