Tag Archives: The Motors

New Album! Deadbeat Poets


If I hadn’t already been familiar with how good The Deadbeat Poets are, I’m not certain that kicking off an album with a song title like “Elvin Dabney, Professional Thief” would have hooked me. Not that “The Postmodern Razor Wire Showdown” would have drawn me in either. So don’t let that dissuade you, either – Circus Town is another great release on the heels of Notes From The Underground.

I often think of different artists when I listen to their music, but not in a copycat way. Hell, my first exposure to them still knocks my socks off; “The Truth About Flying Saucers” sounds like Warren Zevon fronting The Del Lords after three rounds of Red Bull. (Full version on their MySpace page – link at bottom)

 “People These Days” takes The Kinks’ “You Really Got Me” and flips it on its head; “At Least It Worked Out For You” is fiery and rambunctious, like The Wildhearts or vintage Stiff Records acts. “The Staircase Stomp” might recall The Jam or The Motors. There’s a wealth of sharp hooks and snappy choruses – this is meant to be played loud and sung along to.

Of course, with band members having tenures in bands as widespread as Blue Ash and Stiv Bators, one would expect a myriad of influences to creep in. “Sunglass City” sounds like a song The Beatles might have covered during their Cavern Club era, or perhaps an obscure Kinks b-side. Jangly twelve-string guitars add a Byrdsian essence to “I Thought I Knew You”, which (like “Madras Man”) could pass as easily as a late 70’s Searchers cut as it could a contemporary country-pop tune.

It rocks, it swings, and it’s funny, and hitting the replay button is a no-brainer. Sure, it starts out like gangbusters and eases to a slower finish, but so does my car and my metabolism. And if that’s the only nit you have to pick, I have two words for you: shuffle play.

One of my favorites of 2010 so far. Go get it!

The Deadbeat Poets on MySpace

Pop Detective Records site

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T.G.I.F. – Ten Powerful Pub Rockers

Seems like everybody was sick of the radio as the mid-70s approached. Some went underground. Others got back to their roots, whether it was nihilistic and chaotic (punk) or traditional (roots rock). Some literally hit the UK corner bars for an evening of well-played r&b/country blues and rock’n’roll; hence pub rock.

Strip away the nomenclature and you’re back to upbeat, rhythmic, toe-tapping, air-guitar slinging music that will put a smile on your face whenever you slap it on. If there is such a thing as Friday music, this is it.

Perhaps a slight bit of liberty on my part if a few of these tracks are from outside the immortal era; if so, at least the musicians performing the material have validated roots.

So here are ten powerful pub rockers to start your weekend off!

01. Graham Parker and the Rumor:   “Empty Lives

02. Dr. Feelgood:   “Roxette

03. Mickey Jupp:   “Georgia George

04. Eddie and the Hot Rods:   “Quit This Town

05. The Inmates:   “I Thought  I Heard a Heartbeat

06. Ducks Deluxe:   “Coast To Coast

07. The Motors:   “Dancing The Night Away

08. Brinsley Schwarz:   “Surrender to the Rhythm

09. Bram Tchaikovsky:   “Girl of My Dreams

10. Rockpile:   “If Sugar Was as Sweet

Yeah, I know that last band is only one-quarter Brit (two Welsh and a Scot), and for all their related efforts only have one proper album. But pub rock is about the music, not birthplace, and Rockpile was a pub rock supergroup.

Besides, if it was about being in pubs, these would all be Faces tunes, yes?

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