The Best Album of 2009
On this day of gooey lovey-dovey Keep-Hallmark-Cards-afloat palpitations, allow me to remind you that sentiment and passion is not always a positive thing. Sometimes love can be gut-wrenching and soul-sapping and unrequited and dark. And no one – no one– captures the spirit of desperation and bitter loneliness in song better than Greg Cartwright.
And as good as his recorded canon is (including solo efforts and his work with bands including The Oblivians and The Compulsive Gamblers) his live performances are stunning. Onstage there’s not a single moment when he does not wholeheartedly inhabit these characters and songs and – as the classic adage says – let it bleed.
Time Bomb High School has long been my favorite Reigning Sound album; I consider it almost a perfect record. I truly believe that Love And Curses can proudly stand alongside it:
Like prior Reigning Sound albums, Cartwright offers a strong theme and excellent sequencing to make a powerful statement that flows with dynamic appeal. Despite the aroma of desperation, unrequited love, and loneliness in the lyrics, there’s an infectious magnetism to a man who can bare his soul so completely in his music. Cartwright is a happily married man with a family, but he’s able to dip into some dark places and channel the angst and pain of a tortured soul with amazing clarity.
He’s willingly haunted, like the man in the horror movie who is warned not to go in the basement but clutches a lit match in shaky hands and starts the descent anyway. The album was recorded over time in two studios but has the immediacy of a group documenting a feverish all-nighter, and the balance of hard rock and desperate shuffles is flawless.
Read my full review of 2009’s best album at PopMatters.
Check out some samples here.
The Reigning Sound MySpace page and Wiki site.
Filed under Music, Reviews
Jack Lipton is holding fast to his original gameplan, and it looks like the rest of the planet might be coming around full circle. You might remember Jack from The Penetrators, a Syracuse-area garage band that struggled to make its mark in a market more focused on the seedlings of hair metal. Of course, karma is a bitch – none of those spandexy preeners lasted while The Flashcubes, Hamell On Trial and Masters Of Reality are still writing and recording music thirty years later for a global audience. (Oh, Syracuse…”you coulda been a contender“).
Although The Pentetrators took a bit of abuse at the time – count me among the original naysayers – garage fans around the country thought otherwise and treasured their worn tapes of “Scandalizer” and “Drive Me Crazy”. And while they might not have hit the level of The Chesterfield Kings or The Oblivians, their recorded legacy is available for your own ears to judge.
Lipton’s most recent appearance is with Mark Doyle as part of his latest project Mark Doyle and the Maniacs (more on that soon). But you can be certain that wherever Jack is, there will be rocking.
Cult of personality
(Here’s the review of Bad Boy that ran on Pop Culture Press not long ago – the EP was later expanded into Bad Woman)
Bad boy Jack Lipton first warped ears with his classic garage band The Penetrators while trying to claw his was out of dead-end Syracuse New York. Not much has changed in Jack’s attitude – older, yes, mellower, never. Instead, garage rock has come full circle and pulled up to Jack’s stop once again. Passionate but straightforward rocking covers of “Search And Destroy” and “Dirty Water” feature fellow Syracusans turned Beantowners Ducky Carlisle, Paul Armstrong and Mark Doyle.
More impressive are the other two tracks, collaborations with producer and multi-instrumentalist John Fannon. “Get Off That Corner” is Lipton’s take on urban gospel, while “Trouble” boasts a great hook, melody and harp-driven chorus – great, gritty pop soul by way of latter-day Ian Hunter. Dare I say a commercial garage sound? Too few tracks to proclaim the second coming, but interesting enough to hope for a full length.
Visit Jack’s website.