Tag Archives: The Posies

The Posies: Blood/Candy

Another 2010 Bridesmaid…very good, but missed the Top 25…

The Posies have been around so long and have broken up and reformed so often that it’s probably bad form to call Blood/Candy a comeback album. Isn’t that what we were supposed to call Every Kind of Light? But with their solo and Big Star efforts now put aside, Ken Stringfellow and Jon Auer decided to revisit their oldest muse – each other – and reanimate a collaboration that has served them since they were teenagers. Camping out in the studio to live and breathe the music, the core of Blood/Candy was created in ten days and then tinkered with via various studios, diverse instrumentation and vocal collaborators (Kay Hanley, Hugh Cornwell).

The results, although not quite derivative, are that many of the songs have a familiarity that can’t be avoided when a band’s songwriters have such widespread collaborations. The structure of the fragmented “Licenses To Hide”, oddly enough, sounds like a Billy Joel epic from The Stranger, albeit sung by angels. And while it is not a well-known song, those who know The Odds’ “Love of Minds” will do a spit-take upon hearing the refrain and rhythm of “Cleopatra Street”.

Video: “For The Ashes

“For The Ashes” lets them frame the verses in Crosby/Nash harmonies before morphing into spacey falsettos, just as “Accidental Architecture” uses those same vocal icons to launch a wordy, jazzy melody into an infectious chorus. And staying on Nash point, the boys had to be listening to old Hollies records before penning the album’s best hook in “She’s Coming Down Again”. Likewise, Beach Boys fans will no doubt be struck by the vocal coda of “Enewetak”.

The songwriting is strong, and as one would expect, the vocals and harmonies are exquisite; both Stringfellow and Auer are in top form. There will be those who still point at Dear 23 or Frosting On The Beater as the apex of their career, but slotting this one in close proximity would not be a mistake. Whether or not this is a cohesive effort from a newly focused band or a collection of tracks assembled for the occasional statement, Blood/Candy is – as the title suggests – a showcase for both their delicate fragility and their powerful pop presence.

***

This review was originally printed in Bucketful of Brains.

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T.G.I.F. – Ten Smiles of the Week

Barry Levinson’s great film Diner remains one of my favorite movies, ever. Wonderful cast – Daniel Stern, Mickey Rourke, Ellen Barkin, Paul Reiser, Kevin Bacon and many more – and although the coming of age story predates my own, I can identify with the feeling of juggling hope and hopelessness one encounters when transitioning into a more responsible life. Music geeks will identify with Shrieve; his obsessive knowledge of the tiniest fragment of information on a record, his frustration when his wife can’t follow his complicated system and misfiles his albums after playing them.

Bacon plays an irreverent, drunken guy who just doesn’t take anything seriously; he’s in it for the laughs. When something great happens, he often declares that it’s the “smile of the week“.

I’ll take a slight liberty with his phrase for my TGIF theme this week and list ten things that brought a smile to my face during a week when I really needed it. So enjoy these Ten Smiles Of The Week

(01) Australian comic genius Jim Jefferies

(02) Gov’t Mule playing Neil Young‘s Rockin’ In The Free World

(03) What Tina Fey really said during the Mark Twain Award ceremony.

(04) Rich Vos killing at the Jim Florentine Roast

(05) The Futon Critic‘s list of remaining TV episodes.

Great album!

(06) Brendan Benson and The Posies playing “September Gurls

(07) Newly revised NFL logos (don’t miss page 2 as well)

(08) How to make millions…by farming!

(09) Titus Welliver, who makes any show better just by being in it.

(10) Daniel Stern and Ellen Barkin in that scene from Diner.

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September, Gurls!

I Wanna witness...I wanna testify.

I wanna witness...I wanna testify.

We all know the joke…if  everyone who claimed to be a Big Star fan during their original run actually bought an album, they would have literally been big stars and not a cult band that has repeatedly risen from the ashes. Fortunately the bands who now claim them as an influence aren’t just trying to sound cool; the release of their material in digital form has allowed another generation and then some to see what all the fuss was about.

I believe I can thank Creem Magazine for tipping me back in the day, although the 70s is one of my foggydecades. I was as much into prog, glam, hard rock and twang as the next impressionable youth, and it was as likely that I was spacing out to an entire side of Close To The Edge as I was insisting to anyone who would listen that The Faces and The Kinks were way better than Wings would ever be, Macca be damned. But when albums like Something/Anything and #1 Record came along, these were eye-opening moments to musical genius that stood out from the pack.

I loved the Box Tops and could not believe that the same guttural voice behind “The Letter” and “Cry Like A Baby” was now warbling the fragile “Thirteen”, but how many Alex Chiltons could there be? I still argue (politely) with others whether the debut was better than the follow-up Radio City, but I’ve always held both in higher esteem than Third/Sister Lovers (which sounded like the historical documentation of a nervous breakdown). But like all fast burning candles, Big Star was soon gone and relegated to “you should have been there” status until the rediscovery and rebirth many years later. And now this, the public validation, in the form of a (long overdue) box set.

Whether or not this will awaken a new group of fans is up for debate, but at least Rhino is smart enough not to alienate those among us who already own pretty much everything available. Keep an Eye on the Sky is thankfully loaded with live cuts, outtakes and sidebars from related projects like Icewater and Rock City. There’s certain to be a boatload of great information in the liner notes as Jody Stephens is deeply involved with the project; he’ll bring both the band’s perspective as well as a good look at Ardent Records and the Memphis scene.

Of course, Big Star still exists in the 21st century. There was a new record (the disappointingly uneven In Space) and the band even plays occasionally with  Stephens and Chilton now backed by Posies Ken Stringfellow and Jon Auer. But the current configuration will never capture the juxtaposition of innocence and magic that happened the first time around. But in fairness, what band can?

Whether you are new to the band or a lifelong fan excitedly awaiting the rarities, this box set is certain to be a classic retrospective. Rhino will release Keep An Eye On The Sky on September 15th as well as an expanded edition of Chris Bell’s solo album I Am The Cosmos. Here’s the complete track list for the skeptical, or those too lazy to link to Rhino! (But do follow that link to hear one of the previously unreleased songs.)

Tracklist:

Disc 1
1. Chris Bell: “Psychedelic Stuff”
2. Icewater: “All I See Is You”
3. Alex Chilton: “Every Day as We Grow Closer” (Original Mix)
4. Rock City: “Try Again” (Early Version)
5. Rock City: “The Preacher”
6. Feel
7. The Ballad of El Goodo (Alternate Mix) *
8. In the Street
9. Thirteen (Alternate Mix) *
10. The India Song
11. When My Baby’s Beside Me (Alternate Mix) *
12. My Life Is Right (Alternate Mix) *
13. Give Me Another Chance (Alternate Mix) *
14. Try Again
15. Chris Bell: “Gone With the Light” *
16. Watch the Sunrise
17. ST 100/6 (Alternate Mix) *
18. In the Street (Second Recorded Version)
19. Feel (Early Mix) *
20. The Ballad of El Goodo (Alternate Lyrics)
21. The India Song (Alternate Version) *
22. Country Morn
23. I Got Kinda Lost (Demo)
24. Motel Blues (Demo) *

Disc 2
1. There Was a Light (Demo) *
2. Life Is White (Demo) *
3. What’s Going Ahn (Demo) *
4. O My Soul
5. Life Is White
6. Way Out West (Alternate Mix) *
7. What’s Going Ahn
8. You Get What You Deserve (Alternate Mix) *
9. Mod Lang (Alternate Mix)
10. Back of a Car (Alternate Mix) *
11. Daisy Glaze
12. She’s A Mover
13. September Gurls
14. Morpha Too (Alternate Mix) *
15. I’m in Love With a Girl
16. O My Soul (Alternate Version) *
17. Back of a Car (Demo)
18. Daisy Glaze (Alternate Take) *
19. She’s a Mover (Alternate Version)
20. Chris Bell: “I Am the Cosmos”
21. Chris Bell: “You and Your Sister”
22. Alex Chilton: “Blue Moon” (Demo) *
23. Alex Chilton: “Femme Fatale” (Demo) *
24. Alex Chilton: Thank You Friends” (Demo) *
25. Alex Chilton: “You Get What You Deserve” (Demo) *

Disc 3
1. Alex Chilton: “Lovely Day (aka Stroke It Noel)” (Demo)
2. Alex Chilton: “Downs” (Demo)
3. Alex Chilton: “Nightime” (Demo) *
4. Alex Chilton: “Jesus Christ” (Demo) *
5. Alex Chilton: “Holocaust” (Demo) *
6. Alex Chilton: “Take Care” (Demo) *
7. Alex Chilton: “Big Black Car” (Alternate Demo) *
8. Manana *
9. Jesus Christ
10. Femme Fatale
11. O, Dana
12. Kizza Me
14. You Can’t Have Me
15. Nightime
16. Dream Lover
17. Blue Moon
18. Take Care
19. Stroke It Noel
20. For You
21. Downs
22. Whole Lotta Shakin’ Goin’ On
23. Big Black Car
24. Holocaust
25. Kanga Roo
26. Thank You Friends
27. Till The End of the Day
28. Lovely Day *
29. Nature Boy

Disc 4 (Live at Lafayette’s Music Room, Memphis, Tenn.)
1. When My Baby’s Beside Me *
2. My Life Is Right *
3. She’s a Mover *
4. Way Out West *
5. The Ballad of El Goodo *
6. In the Street *
7. Back of a Car *
8. Thirteen *
9. The India Song *
10. Try Again *
11. Watch the Sunrise *
12. Don’t Lie to Me *
13. Hot Burrito #2 *
14. I Got Kinda Lost *
15. Baby Strange *
16. Slut *
17. There Was a Light *
18. ST 100/6 *
19. Come On Now *
20. O My Soul *

* previously unreleased

They'll get what they deserve

You get what you deserve

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