Tag Archives: The Rationals

Happy Birthday, Fred “Sonic” Smith

Fred (Sonic) Smith would have been 61 years young today.

Fred Smith departed far too soon – six years ago this November – but he left behind some seminal rock moments, from founding the MC5 to Sonic’s Rendesvous Band (which until recently only existed in my tactile world through the classic single  “City Slang“).

Sadly, he is only known in some other circles for marrying Patti Smith. I guess when your name is Smith it isn’t a shock when you marry a girl with the same surname; it saves a bunch on monogrammed towels.

Video: “City Slang

The other members of the MC5,  Scott Morgan, The Hellacopters and many other bands are keeping Fred’s legacy alive through their (and his) music, and more and more recordings of the SRB are surfacing as well as a treasure chest of sides from The Rationals and other classic Detroit bands. Man, was that place cooking. Still is!

I met him once; we sat down at the same table at the Bottom Line in NYC. He was saying hello to a friend, who was a friend of my friend (Kevin Bacon explodes about this time) and the four of us enjoyed whomever we had driven in to see that night. Seemed like a really down to earth, regular guy. Wish I got to know him.

Fred Smith Wiki page

Fred Smith at Allmusic.com

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And Happy 25th Birthday to Mario!

Click the picture for the secret message…

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New Album! Scott Morgan

Longtime favorite Scott Morgan has a new one out, a mix of originals and great covers (Sam Cooke, Bobbie Gentry, Holland-Dozier-Holland, among others). Morgan has always paid respect to other’s music alongside his own, and as usual he’s chosen wisely and done them justice. Recorded with a crack band of fellow devotees, this new self-titled album is another rock’n’soul testament from a man who deserves to be far better known. He’s Detroit rock royalty, and his kingdom deserves rezoning.

Guitarist Matthew Smith, drummer Dave Shettler and bassist Jim Diamond all contributed background vocals and shared production duties on the album, recorded at Diamond’s legendary Ghetto Recorders in Detroit. (Powertrane axeman Chris Taylor is the critical fifth piece; Morgan primarily plays organ and piano.) It’s tight but not pristine; indeed it’s five guys jamming for the shared love of the material getting soulful and wonderful results. There’s probably not a radio format eager to play it and I doubt any of them saddled up with that in mind. I’m reminded of a couple of albums Jon Tiven issued several years ago, which similarly flipped the bird to the naysayers and said “this is for the believers”.

Morgan is equally adept at introspective blues as he is with joyous expressions; standouts include “Since I Lost My Baby”. “Memphis Time” and “She’s Not Just Another Woman”. There’s some Stonesey rock, some psychedelic nods, some serious name-checking and most of all an organic and honest feel to the selected songs. I’m not certain how long they spent in the studio but I’ll bet it was relatively quick and dirty, guys looking for the groove and not an Auto-tune in sight. (What a refreshingly ancient concept!)

It’s been wonderful to have so many of Morgan’s projects released in the past couple of years. Some new, some long unavailable, work from Sonic’s Rendesvous, Powertrane, The Solution and even The Rationals is now there for the asking. For anyone who hadn’t followed his career it’s an amazing legacy of work that is obviously still chugging along in full gear. While Scott Morgan doesn’t blister like many of his other albums, it will move you.

Visit Scott’s website.

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Taking It To Detroit, Part 1

Sometimes you just have to throw caution to the wind, gas up the puppy and haul yourself elsewhere to get that great rock and roll fix. Consider caution thrown; this weekend is an absolute-must road trip. (And speaking of throwing caution to the wind, it dawned on me that I not only drove a Honda into Detroit but also had an Astros cap on my rear deck window, which probably didn’t make anyone happy that day, either.)

It’s always a bit depressing to hit a city like Detroit and see a smorgasbord of great gigs happening daily. When you live in a smaller city that doesn’t attract a myriad of artists, you learn to keep your eyes and ears open elsewhere. And when I saw this show coming up, I knew I had to go see the legends in their natural habitat.

The Holy Grail of Rock'n'Roll

The Holy Grail of Rock'n'Roll

I’ve already waxed poetic about Jim McCarty and Johnny “Bee” Badanjek, so no need to rehash what you can read here. But sitting ten feet away, watching living legends play with the fire of a garage band getting their first break, was a life-affirming experience. The show was littered with rock classics with Detroit lineage – most of it from first-hand experience (an announcer stated that “if you’re gonna call them a cover band, remember that they’re covering their own material!“). One of the best examples of rock magic ever recorded is Detroit’s cover of Lou Reed’s “Rock and Roll”…so when The Hell Drivers opened the show with that bomb blast, I knew it was time to strap myself in for the balance.

Callahan’s Music Hall is a great place to see a show – tremendous sound, great sight lines and good people. I shared a table with an area guitarist and two lovely ladies (who shall remain nameless in case their alibi for the evening has them elsewhere). The house was packed and the band was electric, despite already playing a hot set at a festival earlier in the day. The set list was a veritable primer for why Detroit is the epicenter of rock’n’roll – The Rationals, Iggy, Seger, The Romantics, and of course The Rockets. They even slipped in Alice Cooper‘s “I’m Eighteen” as a tribute to Jim Edwards’ wife’s birthday. (Note to authorities – she’s young, but not that young.) The dance floor was filled with several Detroit ladies led by the Motor City Rah Rahs (and at the risk of sounding misogynistic, I absolutely did not mind having my view obscured on occasion.)

I flew to New York City a couple of years ago to watch Jim McCarty play with Cactus at their reunion show, and he was stellar. But onstage with this band, McCarty looks re-energized, ripping solos like a man half his age and looking like he’s having a blast in the process. And maybe that’s the key ingredient here – four musicians who appear to really like and respect each other, playing their asses off for the love of the music.

Jim Edwards is an excellent front man (a lost art), whether wielding the air guitar mike stand or hanging himself with a cord during “No Pills”. He’s got a great voice and belts out vocals truly worthy of the classic material. Marvin Conrad is deceptively quiet, but much like Bill Wyman and John Entwistle he saves his energy for what matters, laying down a rock solid bottom with subtle flashes of brilliance. And I don’t know even where to start with “Bee“, who gets more mileage out of a small standard drum kit than most arena rockers with their Starship Enterprise configurations. McCartyjust wailed all night, the highlight might have been the all-out assault on “I Wanna Be Your Dog”, complete with string pulling antics and using the mike stand for a slide – it was absolutely Stooge-esque. His intro to “Oh Well” is a Detroit crowd favorite, and my jaw wasn’t the only one on the floor when he put on that clinic.

I could go on and on – the Rationals arrangement of “Respect”, the blistering version of “Takin’ It Back” – twenty-one songs and not a clunker in the bunch. What the future will hold in store for the band remains to be seen, but they mentioned an upcoming live release as well as a show with Alice Cooper for starters. Hopefully someone will wake up and smell the rock’n’roll and get these guys onto stages around the country like they deserve.  Until then, I heartily recommend that you follow their activities here, and if you need to jump in your car to go see them…then dammit, you need to do it.

Assuming you have the Desire, of course.

Huron target.

Huron target.

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Jimmy Mac and Johnny Bee

Living Legends Still Kicking Ass After 40 Years

Living Legends Still Kicking Ass After 40 Years

The rock music industry is a young person’s game, and when you get older you get relegated to revival tours because the audience you’ll draw wants to relive their youth through you. If you’re not a giant (Dylan, Neil, Springsteen) who can continue to command attention and create new music, you’re either getting by on reputation (Stones) or you’re off the radar. If you’re lucky, you’ve developed a strong core audience that can help sustain your career. But most of the time, fate isn’t that kind. Not all the greats get the accolades they deserve, and although they may continue to create magic, they do so in relative obscurity while far lesser talents get propped up as the cash cows of the moment.

That’s why I’m here today to remind you about Jim McCarty and John Badanjek, two bonafide living legends of rock’n’roll who have been knocking me out for forty years. And I am absolutely geeked that they are playing together once again, lighting Detroit on fire as The Hell Drivers, and hopefully cutting an album. Yes, I know that every generation swears by the music they grew up with, usually at the expense of most of what came before and after. I’m no exception to my own Wonder Years, although I probably have a wider bandwidth of tolerance than most people I know, and I still voraciously seek out new music every day. I’ve learned to go backwards and appreciate the geniuses who predated my birth, and many of the bands kicking my ass today are young pups with their best days ahead of them.

But I did grow up in a dynamic time, when Britpop and Motown and psychedlia and garage and folk and rock’n’roll all burst out of the speakers and raced up the charts together. The greatest musicians and pop songwriting geniuses of the later twentieth century all seemed to be peaking at once and the result was a few years of the most amazing creativity in music history. If you wanted to stand out during the late 60s, you really had to bring it. And for me, the best rock and roll song from that era is “Devil With A Blue Dress” by Mitch Ryder and The Detroit Wheels. That song doesn’t just rock, it explodes –  the drums and guitar solo bursting from the speakers to stand toe-to-toe with Ryder’s supercharged vocal. Forty years later the track still sends chills up my spine and makes me drop whatever I’m doing to split time between air guitar and drumming madly on whatever is within arm’s reach.

The Detroit Wheels were composed of the best Detroit musicians at the time, including drummer Johnny “Bee” Badanjek and a guitar whiz named Jim McCarty. Even more amazing, both were teenagers when the band topped the charts! It would be the first of several professional collaborations over the years, and their friendship remains intact to this day.

They socked it to me, baby.

They socked it to me, baby.

Jim McCarty is one of the most underrated guitar players in rock’n’roll history and has the lineage to back that up. At the beginning of his career he was good enough to hang out at Electric Ladyland in NYC trading licks with Jimi Hendrix. He smoked the strings with Buddy Miles, ripped it up with Bob Seger on his Seven album, but really busted out with Cactus. McCarty made the guitar wail, weep and blister for three albums, but when Rusty Day was booted Jim left also, surfacing a few years later in The Rockets along with Johnny Bee. After their nice run, very little was heard from Jim; he started playing in blues bands like Mystery Train in clubs around Detroit. Then, amazingly, Cactus reformed for some gigs and a new album in 2005, and he proved that thirty-plus years later, that brilliant signature tone hadn’t lost a thing.

Stone Cold Classic

Stone Cold Classic

Johnny Bee moved along with Ryder to form Detroit – talk about your legendary killer rock albums – then later saddled up with The Rockets, where his songwriting skills also got a chance to shine; the band had several hits across five albums. But Bee’s calendar has always been jampacked; the legendary drummer has also played with Alice Cooper, Edgar WinterNils Lofgren, Ronnie Montrose and many others. He reuinted with Mitch on a few of the latter’s more recent solo albums and lately has been working most often with The Howling Diablos. He still plays drums like his pants are on fire and propels any band he plays with to greater heights.

Now it looks like Jimmy Mac and Johnny Bee are joining forces once again in The Hell Drivers, covering their own past hits from Mitch Ryder, The Rockets and Cactus along with other Detroit legends like Scott Morgan, The Rationals, Iggy and the Stooges, The Romantics. With Marvin Conrad on bass and Jim Edwards on vocals, it’s true Detroit rock royalty.

The Hell Drivers with the Detroit arrangement of Lou’s “Rock’N’Roll“.

The Hell Drivers breathing new life into “Desire” by The Rockets.

The Hell Drivers tackle The Torpedoes “No Pills” – take that, Sex Pistols!

mccarty-bee-2009-02-28_flyer

And Mitch Ryder? He’s been making great records in Germany for the last thirty years. He can still rock it and he can still sing sweet soul music. I cannot wait to hear The Promise – the record he’s making with Don Was – but ‘ll be writing a full piece on the man and his career another day.

Live cut of Mitch performing “Devil With A Blue Dress” from a while back featuring that classic Johnny Bee drum break.

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