Tag Archives: The Sex Pistols

New Album! The Hot Rats

So...what are the other two Supergrassians doing?

I love tribute albums more than I should, and when a band tosses a well placed cover into their set or onto their own album it can often be a real treat. And while playing the song straight can be reverential, adding your own flavor to the stew can often be far more rewarding. On Turn Ons we get both from The Hot Rats. While that latter name may call to mind one of Frank Zappa‘s greatest albums, it is also what two famous UK pop stars call their fun side project. 

Gaz Coombes and Danny Goffey of Supergrass have teamed up with producer Nigel Godrich (Radiohead, Beck, Travis) for an album of well-chosen covers of some of their favorite artists including The Kinks, Squeeze, The Doors, Gang of Four, Elvis Costello and David Bowie among others. While some of the songs (i.e. the Lou Reed stomper “I Can’t Stand It”) are made for the stripped down thumping, you will be amazed at how they approached songs by The Sex Pistols and The Beastie Boys

Despite the limited instrumentation, the versatility on the album separates The Hot Rats from the pack of bands flailing to surf the wake of The White Stripes. Simplicity merely repeated gets monotonous, but The Hot Rats wisely employed Radiohead producer Nigel Godrich to add his brush to their canvas, and the result is an exciting and surprising collaboration. At its core it’s brimming with the exuberance and fearlessness of a garage band, and with twelve tracks in just over half an hour, one is left wanting more

Read my full review in Blurt Online.

And yes - grab this too!

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Listen, People (Part 2)

On Thursday I waxed poetic about a recent concert featuring The Rascals, The Turtles and Herman’s Hermits and left off at intermission. Here’s the rest…

Peter Noone 2009

I wondered why Herman’s Hermits was set up as the sole act past intermission, an obvious headline ploy (as if the posters didn’t make it clear enough).  As the lights dimmed after intermission, a huge Union Jack dropped down across the upstage scrim in tandem with explosive fanfare and British anthems blaring. But when Peter Noone hit the stage with four younger, energetic musicians dressed as if it was 1964, my question was answered. The British were coming…again!

Peter Noone is 62 but looks like he’s in his mid-40s and sings like he’s in his 20s. In reality, by the time he was twenty, Herman’s Hermits were just about done. But on this night in a packed auditorium, the only sign of age was in the crowd; the band was on fire and gave the songs a boost they never had in their original form; for the most part they sounded as good or better.

Noone led the band through an entire catalogue of beloved songs, and as each one played two points dominated my thoughts. First, every one of these tunes was melodic, crisp and fun, and he and the band played them with such enthusiasm and life that they should just hit the club circuit and win over a whole new generation of fans; ones who avoid “oldies shows” like the plague. And second…my God, this was a prolific band!

What were you doing at sixteen?

When people talk about the great bands of the ’60s, Herman’s Hermits seldom enters the discussion. Why not? For starters, just look at this string of singles five Top Five hits…in five months! A dozen singles in the Top 15 in just over two years. Amazingly, in 1965, they outsold The Beatles in the United States!

And in addition to their own great material, Noone filled out the show with tributes both sincere and funny. Peers like Freddy and The Dreamers, Peter and Gordon and Chad and Jeremy got their due with excellent cover versions of some of their hits. But Noone’s funny between-song banter and occasionally randy storytelling also gave him an opportunity to imitate artists from Mick Jagger to The Sex Pistols (!) as the band launched into segments of “Start Me Up” and “Pretty Vacant”.  There was also a running gag about The Turtles being old men, although like Peter,  Mark Volman and Howard Kalyan are also 62 (their birthdays are a few months apart). It was just banter between and about old friends, playfully mocking them for being asleep in the limo before it gets to the hotel and wondering if it was their set list taped to the floor “because there’s only four hits on it“.

Like many UK groups from the pre-Beatles  era, there’s a strong music hall influence bleeding through their material, whether it’s vaudevillian jokes  about dim people requesting “She’s A Muscular Boy”, or the bounce in pop chestnuts like “Dandy” and “Can’t You Hear My Heartbeat”. Until Noone pointed it out, I hadn’t realized that part of the charm about Herman’s Hermits was the unrelenting joy in their songs. Maybe “Mrs. Brown You’ve Got a Lovely Daughter” is a little sad, but only “The End of the World” is truly morose. The rest can’t help put a smile on your face.

The Tremblers 1980

He also wove in a couple of tracks from his underrated skinny-tie era album with The Tremblers and cheekily made up a song about his lifelong dream to be in this very theatre on this very night. By the time the vocal participation challenge went out to the audience during “I’m Henry VIII, I Am”, he had the entire crowd in the palm of his hand (not that there hadn’t been a few eating out of it since the moment he walked onto the stage). Knowing the show was closing with “There’s a Kind of Hush”, the audience was on their feet mid-song, providing Noone and band a lengthy standing ovation for what was truly a dynamic ninety minute show. The post-show autograph and merch line was enormous, and Noone graciously shook every hand and signed every item.

Some bands from long ago trot themselves out for these events to get a little adulation, connect with their glory days and make a little coin (sadly, perhaps for the first time in their career). Peter Noone and his new version of Herman’s Hermits might be a nostalgic act because of their catalogue, but their presentation, energy and musical chops were fresh and vibrant. No doubt they could kick the ass of a lot of current pop acts.

I’m not certain if Peter is writing songs these days, or even if he’s entertaining cutting new material in addition to bringing the old hits to his loyal fanbase of Noonatics. But he’s talented as hell, is a consummate entertainer, and he’s proven time and time again that he can deliver the goods. The Hermits era speaks for itself. The Tremblers album from 1980 still sounds wonderful. And as recently as 2001 he guested on pop wunderkind Richard X Heyman’s ep titled Heyman, Hoosier and Herman and nailed it with “Hoosier Girl”.

Someone get this guy and this band into a studio, get them the right material, and have at it. Something tells me we’d be into something good.

Peter Noone website.

Wiki pages for Peter and Herman’s Hermits.

Grab that Tremblers album!

56 tracks of Hermits

Heyman Hoosier Herman

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Under The Radar: Teenage Frames

Rock out Knockout

Rock out Knockout

I first discovered this Chicago band during a late night trolling session on CDBaby (a highly recommended exercise to discover many bands flying under everybody’s radar). I was intrigued by the name-dropping of the Dolls, Stones and Stooges, and plunked my money down. Well, the comparisons were accurate – More Songs, Less Music was reminiscent of  Cheap Trick and Mott The Hoople strained through a  Ramones filter (albeit with traces of Beach Boys and bubblegum glam). Twelve years later, I’m still playing their discs.

Now listed on MySpace as being from Hollywood, a December 2008 post teased a new recording in progress. But their last blog entry says “permanent vacation”, which wither means (1) they want you to know they’re not coming back to Chicago, (2) they really like that Aerosmith album, or (3) they’re toast.

The Teenage Frames have released six CDs to date. Give them a try – most of their releases are EPs you can pick up for five bucks! Unlike so many bands who think they have to fill out every nanosecond of the CD with sound, these guys know enough to get it, hit hard and get out. Here’s a review of 1% Faster, their second release, that will give you a good snapshot of their sound.

If you like the Stooges and the New York Dolls as much as I do, then you’re going to have a big smile on your face when you hear these guys. Now don’t get me wrong – glass won’t shatter and I don’t see a high heel shoe anywhere – but vocalist Frankie Delmane was spawned from the same muck. And hell, with song titles like “Drug Power,” “Teenage Letdown” and “Back To The Motor City,” what do you expect? The Teenage Frames kick ass, pal! “I’m Going Home” has more swagger than Jagger, and if that ain’t Keef ripping those rhythm chords it’s Dan Baird fronting the Quireboys.

When they slow it down, it’s Johnny Thunders sipping margaritas (“Living It Up”), but when it cranks I hear echoes of The Ramones (“I Want To Go Out Tonight”), The Boys (“Just Can’t Seem To Take It”), The Black Crowes and The Sex Pistols. Once in a while, Delmane’s rasp slides off the chart, but so what? With three seventies-named cats like Eric Vegas (who co- writes everything with Delmane), Jim Holiday and Ted (Don’t Call Me Johnny) Cougar as the power trio, I don’t care. The last record is called 1% Faster. I think they underestimate themselves.

Teenage Frames website

Teenage Frames CDs on CDBaby

TF live, too wild for The Jenny Jones Show
teenage frames

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