Tag Archives: The Shield

T.G.I.F. – Ten Emmy Thumbs

That’s thumbs both up and down, as it looks like the voting academy finally started to recognize that basic cable programs are pretty much kicking TV’s ass right now. Yes, Mad Men had gotten tons of accolades (and deservedly so), but TNT, FX and USA have been pumping out quality programming with interesting characters and solid casts without getting their due. I’m still burning over the fact that The Shield got their attention in the first season but then fell off their radar after that despite six seasons that raised the bar every year. But we shouldn’t cry over spilt blood.

This year’s list of nominees did provide some surprising nods that put a big smile on my face. But as always, there were some jaw-dropping announcements that just made me shake my head. So for this week’s TGIF, how about Ten Emmy Thumbsfive up and five down?

(01)Justified: Walton Goggins got screwed over so many times on The Shield that I lost count, and I was afraid that his dynamic performance on Justified was going to be overlooked as well. But thankfully voters woke up and nominated him along with series lead Timothy Olyphant and the amazing Margo Martindale (who might have given the single best performance on television this year).

(02)Louis CK: Not only did he grab nods for his show and his acting, but his comedy special picked up two nods as well. Denis Leary had to watch The Job get ignored before hitting it big with Rescue Me; let’s hope Lucky Louie opened the door for a long ride with Louie.

(03)The Good Wife: a strong show that appeals to men and women, and Alan Cumming got a well-deserved nomination along with star Julianne Margulies.

(04)Robot Chicken: Some of the absolutely gut-bustingly funniest shows on TV are buried in the Adult Swim section of the Cartoon Network. Seth Green continues to amaze.

(05)Parks And Recreation: The pendulum on Thursday’s NBC comedy block has clearly swung to the newer half of the evening, with Community and P&R really stepping up their game. Amy Poehler is great but Nick Offerman should have been a no-brainer nominee.

(06) – Um…where are the nominations for The Closer, Castle, The Walking Dead, Treme, Fringe and just about anything sci-fi related?

(07)Modern Family – great show with a great cast. But did every single adult cast member deserve a nod? You couldn’t slide in anyone from Community or Parks and Recreation? Have you not seen Children’s Hospital?

(08) – Category Blunders! Since when is SNL a comedy series and not a variety show? Kristin Wiig gets a supporting comedy actress nod? Hosts of the show are guest actors? How about people like Mary McConnell and Cloris Leachman, who are cast members in the shows they were nominated for as guests?

(09)The Good Wife – like Modern Family, a good show, but let’s get real. Christine Baranski and Josh Charles are good actors, but…the best? There are at least ten people on Sons of Anarchy alone that blew them out of the water, and that show was completely overlooked again this year

(10)Mariska Hartigay. Really? Really?

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Prodigal Sons Return

Come along for the ride

I”m sad to see summer end, and with it a few very enjoyable shows, none more than the off-the-charts comedy Louie. But the sounding of September’s bells also brings the return of the “regular season” shows, those that arc in the familiar Fall time frame. Near the top of my list is the biker drama Sons of Anarchy, which I previously wrote about as the perfect hybrid of a Shakespeare play and a Western.

Last season’s plot featured the dynamic performances of Adam Arkin and Henry Rollins playing against the main cast (strong in its own right with a mix of seasoned veterans and intriguing lesser known actors); frankly it will be hard to top. Creator Kurt Sutter hints that there will be some time spent in Belfast as the Sons pursue the fleeing IRA gun runner, which hopefully means more appearances by his boss, played by the wonderful Titus Welliver. Tonight’s opening salvo also indicated we might get to see more of Jeff Kober (China Beach) whose career has shown he can play twisted as well as anyone.

Even the small subtle parts of this show are top-notch. What other show could sell a version of a Herman’s Hermits hit (“No Milk Today”) as the score for a dramatic montage? But like the best shows (Homicide, The Shield) the use of music has always been a strong suit for SOA; hearing Richard Thompson during the closing scene was icing on the cake.

During tonight’s episode I had a fleeting thought that this was going to be a season where damaged, weepy Jax became a neutered man (hinted at even in the scene where he hesitates when the Sons are headed to the boat launch; Clay asks “Are you with us?”). That chance was crushed like a skull at the end of the show in a shocking and violent scene.

Revenge is a powerful dramatic motivator, as is desperation. When a man feels he has nothing left to lose, who is he? Does he become his purest essence, good or bad? Or does he become merely a vessel for his dominant emotion?

Sutter has just dealt the cards, and once again I’m all in.

Sons of Anarchy official website

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Get LOST, Again

The Lost Supper

It’s about time. 

It’s time for LOST to put up or shut up, and hopefully it will be the former not the latter. The creators have insisted that they have had the endgame in place since the very first season, and with a negotiated timeline for these past couple of seasons, they have had the opportunity to structure the final path with great precision. Rarely has an episodic show been given that kind of leverage, but I will be the first to admit that they have earned the shot. 

I’m a bit skeptical that the endgame was that specificBen Linus, after all, was initially written as a marginal character. But Michael Emerson’s dynamic performance led to Ben not only getting more screen time but ultimately becoming arguably the central character on the show. So unless the creators simply transferred another character’s storyline onto Ben’s shoulders, an audible was clearly called somewhere in process. 

And I’m fine with that. After suffering through what happened on The X-Files, I’ve been far more skeptical when labyrinthine plots and conspiracy theories are at the center of a program, but it appears that Lost has weaved a pretty airtight mosaic of people and events. It’s amazing to watch early episodes and notice something in the background that resurfaces several episodes (or years later). The X-Files once had a brilliant alien conspiracy theory in place but didn’t invest in the continuity with the same diligence as the fans did, and eventually the logic contradicted itself. The show ultimately backed itself into a corner by presenting two scenarios that could not co-exist, and a loyal fan base was justifiably frustrated and disappointed when no resolution or explanation was delivered. You don’t want to invest that kind of time into anything and be left hanging. 

(Chicago Tribune’s three-part interview with the creators; Maureen Ryan was kind enough to also include a summary of information for those of you with short attention spans.)

And that’s what’s so fascinating about this show. There are people (like me) who have been in deep since the first episode, and others who bailed during the show’s mid-life who have comeback into the fold when the announcement was made that the full story would get to be aired to its conclusion. The excitement for the last season is palpable, from the fan blogs with simple theory posts to incredible websites dedicated to in-depth psychological character evaluations and doctorate-level theses on the symbolism and meaning of the show. The writers and creators of LOST have had the gauntlet thrown down, and they have eighteen hours to pull it off. 

Carlton Cuse and Damon Lindelof have gleefully dispensed tiny clues and hints over the years but are already throwing the caveat out there for the endgame.  Lindelof suggests that “Some people will think it’s enormously satisfying. Other people will think it’s not satisfying enough. It all depends on the way that you watch the show”. Hmmm… 

Will it be frustrating like The Sopranos, or perfect like The Shield? We’ll find out soon enough, but first things first. And don’t forget to tune in tomorrow as the final season starts. 

Wikipedia of Lost episodes. 

Lostpedia  

The Season Premiere is certain to cook up some Big Numbers

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I Like To Watch

"Is there a TV upstairs? I like to watch."

So do a lot of people, apparently. Guess there is a bright side to an economic recession after all.

FOX is claiming its first-ever win in the Nielsen’s for the 4th quarter, as their viewership rose while CBS, NBC and ABC took a slight dip. Of course, FOX has a tendency to lie through their teeth stretch the truth on occasion, but with a lineup including heavyweights House and Bones plus the incredible success of Glee, I tend to believe this. (Plus the numbers came from the Nielsen Ratings…not that those or any other survey are any more accurate than an extrapolated small sample could be.)

And that’s before 24 starts revving its engine next month.

But almost as amazing is the rise in cable viewership and the number of channels setting all-time highs for ratings. FX lost The Shield and Nip/Tuck this year but has two big hits with Damages and Sons of AnarchyThe League also did very well, while It’s Always Sunny in Philadelphia had its strongest season to date. AMC killed with Mad Men, of course, and has Breaking Bad coming back.

 USA in particular struck gold with The Closer and the final season of Monk, whose last episode now holds the record for the largest rating ever on basic cable. White Collar, the new series that rode Monk as a lead-in, seems to have charmed viewers as well.

But some disturbing news about one of my favorites, Better Off Ted, where ABC is burning off the remaining new episodes starting this Friday (a/k/a Television’s Graveyard) and then running double episodes on January 5th, 12th, 19th and 26th. Hopefully that’s just to clear the decks for Lost, which starts its final season February 2nd, and will occupy the same night and time slot. Glass half full over here.

Much more information at The Futon Critic.

30 years old this month; still prescient.

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T.G.I.F. – Ten for Adrian Monk

Bye, Monk...and thanks.

After eight seasons, we bid farewell to Adrian Monk, the obsessive compulsive detective created by Andy Breckman and brilliantly portrayed by Tony Shaloub. Clever plots, great writing, humor and pathos and a strong ensemble cast (especially the great Ted Levine as his captain). The San Francisco locales and wonderful Randy Newman theme were a plus to a show that always entertained and managed the rare feat of going out on top.

I’m sure all those reruns will be welcome channel-surfing accidents many times in the future, though a quality show like this certainly merits a buy. It made me recall a few other television sleuths and cops that I enjoyed for so long that now only live on in reruns and DVDs as well.

TV will always churn out a good cop show, and I’m enjoying a few of them this year. Many of them feature strong ensemble casts with many good characters, as do some of the old favorites below. (Really, was there anyone on Homicide or The Shield that wasn’t great?) But today’s ten-spot pays tribute to Monk and these nine other favorites that I used to set the recorder for, great characters no longer on active duty…

Fox Mulder, The X-Files…unfortunately the series choked on its own logic loopholes, but that was must-watch TV for years and I will still stay up to watch a random rerun.

Frank Pembleton, HomicideAndre Braugher‘s cerebral cop suffered a crisis or conscience as well as a physical disability. No slight to several of the other detectives in that room on one of the best shows television ever aired.

Lenny Briscoe, Law and Order…the quintessential NYC cop on the original version of the franchise. The late great Jerry Orbach was a giant.

Andy Sipowicz, NYPD Blue…originally a second banana to David Caruso‘s John Kelly (and Caruso was good on this show), he became the heart and soul of the program. Dennis Franz was every real life cop’s favorite fictional one.

Mike Torello, Crime StoryDennis Farina was a cop in real life, and although this glossy show only lasted two seasons it boasted an amazing cast and an exciting storyline. Tons of guest stars and ensemble players including a very credible turn from Andrew Dice Clay.

John LaRue, Hill Street BluesKiel Martin’s character always had some get-rich-quick scheme going and often fell prey to his weaknesses, but redemption is always a good theme in a police drama and he nailed it… twice.

Arthur Dietrich, Barney Miller…sure, the show was primarily a comedy and Steve Landesberg did more riffing of one liners than actual detective work. But anyone whose dry wit and droll delivery is that perfect is OK by me.

Vinnie Terranova, Wiseguy…Undercover cop, mobster, record label mogul, gun runner; didn’t matter. Ken Wahl brought a strong series to life and was blessed by breakout performances by guest villains Ray Sharkey and Kevin Spacey, among others.

Holland Wagenbach, The Shield…in a precinct full of corrupt cops (most of whom you rooted for), The Dutchman was often the butt of the joke and the target of abuse. But he was the moral center of the unit and a brilliant detective, and once he started to assert himself the character arc got that much more fascinating. Great work by Jay Karnes.

Two reasons I watch The Closer.

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